Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1982
Sources
Taper: Frank Streeter and Tim Dalton
2:44:52
SBD
Rating:
9.50 / 4 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-07.141795.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Charlie Miller for the shnid137625 soundboard source which supplies the first 0:24 of "The Music Never Stopped" - Wheel space included in "The Wheel" - Pitch corrected - Transitions smoothed Mastered by Scott Clugston April 12, 2018
Transferrer: Charlie Miller
2:36:27
SBD
Transferrer:
Charlie Miller
SHNID:
gd1982-08-07.137625.sbd.miller.flac16
Source:
SBD > Cassette Master > Dat (44.1k)
Lineage:
Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this complete
Source 3 of 11
2:34:56
SBD
Rating:
9.20 / 5 ratings
SHNID:
gd82-08-07.sbd.serafin.7720.sbeok.shnf
Source:
Soundboard
Lineage:
SBD > PCM > ? > D > Serafin Station mastering> CD
Taper Notes:
View NotesSBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
Source 4 of 11
2:39:45
SBD
Rating:
9.64 / 25 ratings
Source:
Soundboard
Lineage:
SBD : MC > MR > DAT > CDR
Taper Notes:
View NotesSBD : MC > MR > DAT > CDR Transfer done by Jim Wise
Source 5 of 11
2:35:56
SBD
SHNID:
gd82-08-07.sbd.popi.6148.sbeok.shnf
Source:
Soundboard
Lineage:
sbd> mc> pcm> dats> wave> shn
Taper Notes:
View Notessbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
Source 6 of 11
2:41:11
SHNID:
gd1982-08-07.165372.mtx.seamons.ht162.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) August 7, 2023
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
1:17:31
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-08-07.156561.s1.beyer.tompkins.flac2448
Source:
BeyerDynamic mics > Sony TC-D5M > TDK MA-90
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sorry, Tape #2 from this source is missing in action...
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138623.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew Kyle Holbrook & Phil Schuman
1:18:06
Rating:
10.00 / 1 rating
Taper:
Executive Crew Kyle Holbrook & Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-07.138622.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard)
Lineage:
Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac)Taped by: Executive Crew Kyle Holbrook & Phil SchumanTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: * 2 second cut (accidental pause button hit?) // tape flip (42:01) + Abrubt level increase (44:50) # levels on master lowered at start Alpine Valley Music Center AUgust 7 & 8 1982 Microphone locations (In front of soundboard) We arrived late for the first show, parking took several hours down a series of beautiful Wisconsin country roads. We wound up parking in a farmers field who had a huge lot mowed down for the occasion. By the time we made it through the gates, there we caught only 2-3 first set songs. No worries I assured Fran and Phil, we have tomorrow night to be here early. Wound up setting up Dave's Beyer's on the rail in front of the soundboard using another taper's pole and duct tape. This would be the first time our mics were on a stand of some sort. Hopefully some of you will enjoy the audience experience archived with this second set. The complete story of our summer tour can be read in the text file.
Taper: Ohr Weinberg
1:25:03
Rating:
7.43 / 7 ratings
Taper:
Ohr Weinberg
Transferrer:
Ohr Weinberg
SHNID:
gd1982-08-07.aud.ohr.92183.flac16
Source:
2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B (20th row, center, 8ft stand)
Lineage:
Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
Taper Notes:
View NotesSet 2 only.
Taper: Matt Field
2:39:44
Rating:
9.18 / 17 ratings
Taper:
Matt Field
Transferrer:
Tony Suraci
Source:
Nak 300>Sony D5M>Master Cass.>1st Gen
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View NotesA Matt Field recording.