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June 9th
9 shows
89 tapes
Years
1995
29.8k
PlaybackListensHours
48h62484
7d4k544
30d29.8k4.2k
49 shows
341 tapes
1994
8.4k
PlaybackListensHours
48h1.6k201
7d1.4k195
30d8.4k1.2k
85 shows
460 tapes
1993
38.1k
PlaybackListensHours
48h2.9k361
7d8k1.1k
30d38.1k5k
83 shows
656 tapes
1992
35.9k
PlaybackListensHours
48h2.2k291
7d4k503
30d35.9k4.8k
57 shows
539 tapes
1991
38.5k
PlaybackListensHours
48h3.1k455
7d11k1.5k
30d38.5k5.2k
78 shows
973 tapes
1990
34.4k
PlaybackListensHours
48h8.8k1.1k
7d5.6k731
30d34.4k4.5k
78 shows
1,139 tapes
1989
46.7k
PlaybackListensHours
48h2.3k283
7d7.2k909
30d46.7k5.8k
78 shows
1,017 tapes
1988
21.1k
PlaybackListensHours
48h1.1k127
7d2.7k310
30d21.1k2.4k
82 shows
882 tapes
1987
33.6k
PlaybackListensHours
48h1.7k193
7d5.2k565
30d33.6k3.7k
88 shows
1,025 tapes
1986
12k
PlaybackListensHours
48h66074
7d1.9k211
30d12k1.4k
47 shows
683 tapes
1985
21.3k
PlaybackListensHours
48h1.3k155
7d3.9k464
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h2.4k283
7d2.8k363
30d15.3k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.1k153
7d3.2k413
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.7k457
30d41.6k5.2k
63 shows
753 tapes
1981
49.2k
PlaybackListensHours
48h1.4k172
7d4.6k599
30d49.2k6.2k
92 shows
868 tapes
1980
69.6k
PlaybackListensHours
48h5.3k589
7d11.8k1.3k
30d69.6k8.1k
91 shows
794 tapes
1979
24.5k
PlaybackListensHours
48h1.4k204
7d2.8k389
30d24.5k3.4k
79 shows
600 tapes
1978
53.2k
PlaybackListensHours
48h1.7k227
7d11k1.4k
30d53.2k7.3k
87 shows
592 tapes
1977
286k
PlaybackListensHours
48h19.5k2.7k
7d35.1k4.7k
30d286k39.4k
64 shows
419 tapes
1976
49.6k
PlaybackListensHours
48h5.3k761
7d14.8k2.1k
30d49.6k6.7k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h58958
7d1.7k157
30d6.2k638
25 shows
63 tapes
1974
98.7k
PlaybackListensHours
48h7.3k960
7d9.1k1.1k
30d98.7k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.3k674
7d9.2k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
69.8k
PlaybackListensHours
48h2.2k274
7d6.8k831
30d69.8k8.5k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.6k172
7d4.5k500
30d33.5k3.8k
82 shows
357 tapes
1970
44.4k
PlaybackListensHours
48h2.1k232
7d16.6k1.7k
30d44.4k4.7k
101 shows
376 tapes
1969
25.9k
PlaybackListensHours
48h1.8k298
7d5.7k931
30d25.9k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h887120
7d991122
30d6.7k831
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13718
7d26437
30d1.5k202
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h26614
7d76858
30d7.9k532
32 shows
78 tapes
1965
579
PlaybackListensHours
48h332
7d925
30d57934
2 shows
2 tapes
1982
8/4/82
crowd
0:51
Feel Like a Stranger
8:52
Friend of the Devil >
9:43
C.C. Rider
8:26
Brown Eyed Women
5:59
Mama Tried >
2:29
Mexicali Blues
5:02
Row Jimmy >
10:03
Looks Like Rain
8:49
Stagger Lee
5:34
Promised Land
4:35
Good Time Blues
6:35
Estimated Prophet >
11:40
Terrapin >
11:52
Jam >
6:30
Drums (tape flip at end)
7:37
Space >
7:05
Not Fade Away >
7:31
Black Peter >
8:10
Around & Around >
3:52
Good Lovin'
8:20
Encore: U.S. Blues
5:10
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:30:31
SBD
Rating:
8.00 / 1 rating
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-08-04.141652.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Executive Crew and Kyle Holbrook for the shnid138621 Beyer M201 source which supplies an 0:11 patch in "Row Jimmy", the crowd and first few notes of "Looks Like Rain" (0:15 total), the crowd and beginning of "Never Trust A Woman" (0:26 total), the crowd and beginning of "Estimated Prophet" (0:06 total), a 0:12 patch in "Terrapin Station", a 0:21 patch in the Jam/Space out of "Terrapin Station", as well as a 0:22 patch in the "Not Fade Away > Black Peter" transition - First few notes of "Feel Like A Stranger" clipped - Set break announcement clipped - NFA space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston April 7, 2018
Transferrer: morst
2:26:37
SBD
Rating:
8.67 / 4 ratings
Transferrer:
morst
SHNID:
gd1982-08-04.sbd.morst.93839.flac16
Source:
SBD > ?
Lineage:
? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC
Taper Notes:
View NotesNotes- First Stagger Lee since 12-04-79 d1t08 Missing first vocal line (Looks Like Rain) d2t01 Minor cut in start of track (Estimated) d2t02 Cut @ :33 (Terrapin) d2t03 Cut at start (Space) d2t06 Cut at very end of jam (NFA) set 2 is over 80 minutes so I have set the file names to place Never Trust a Woman at the end of disc one. Based on the locations of the cuts, it would seem that this was mastered originally with set 1 on a C90 or C100 cassette, and set 2 on a C100. With the exception of the uninterrupted CC Rider here, this source seems to have the same defects as gd82-08-04.sbd.willy.7388.sbeok.shnf, but based on the complete CC Rider, I will consider this to be an upgrade to that source. Everyone who appreciates the upgrade should thank Shane C. for requesting this in trade from my collection!
Source 3 of 7
2:26:56
SBD
Rating:
8.18 / 11 ratings
SHNID:
gd82-08-04.sbd.willy.7388.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MasterCass>DAT>CD
Taper Notes:
View NotesSBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:34:40
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 08/2021
SHNID:
gd1982-08-04.153018.beyer.tompkins.flac2448
Source:
FOB Beyers mics > Sony TC-D5M > TDK MA-90's.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Brief mic-cable drop-outs in Stranger and Mama/Mexicali, cross-faded to mono for those passages. Patches from ID-138621 covers first 19 seconds of NTAW, and first 30 seconds of Space.
Source 5 of 7
2:31:51
Rating:
8.00 / 1 rating
SHNID:
gd1982-08-04.138621.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:31:51
Rating:
8.00 / 1 rating
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-04.138620.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor
Lineage:
Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ONPlayback: Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost.Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes* levels start low, some up/down level movement then normalize around 1:45 // Tape flip / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! Kiel Auditorium St. Louis MO August 4 1982 Mic Location: 25 feet from RT stacks side section about 15 rows off floor Skip was still with us, but I can't recall if he made it into this show. Kiel auditorium is a concrete cave with awful acoustics. On top of that they busted all the tapers on the way in or near the sbd. We had tickets in the lower section about 2 sections from the speaker stacks. It didn't matter. The sound on this tape was always near the lowest of the run, and the setlist didn't have deadheads years later clamoring for it in trades. Listening back, it isn't an awful first set. I do have a distinct memory of heading back from the concessions during Promised Land and how boomy the building sounded with Phil's bass bouncing off the walls. The complete story of our summer tour can be read in the text file.
Taper: Jon Bernstein
2:34:45
Rating:
6.00 / 1 rating
Taper:
Jon Bernstein
Transferrer:
Andrew F.
SHNID:
gd1982-08-04.136573.aud.bernstein.flac1644
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016
Taper Notes:
View NotesIt appears the tapers were far up and/or under the balcony, and despite best efforts, the recording fell prey to the building's janky acoustics. Start of Good Times & Estimated slightly clipped.