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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1982
8/3/82
Mississippi Half-Step Uptown Toodeloo >
8:30
Franklin's Tower >
11:18
New Minglewood Blues
7:13
Peggy O
7:34
El Paso >
4:38
Cumberland Blues
6:10
Althea
8:30
Cassidy
7:11
Big Railroad Blues >
5:42
Man Smart (Woman Smarter)
7:30
Might As Well
4:35
Crowd/Tuning
0:33
Shakedown Street >
14:30
Samson & Delilah
9:36
To Lay Me Down
9:29
Let It Grow >
13:46
Drums >
9:29
Space (Other One themed) >
9:26
He's Gone >
12:54
The Other One >
8:37
Stella Blue >
10:55
Sugar Magnolia
9:21
E: Casey Jones
5:00
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
3:07:59
SBD
Rating:
8.48 / 27 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-08-03.sbd.miller.77196.sbeok.flac16
Source:
SBD -> Cassette Master -> PCM -> Dat -> CD
Lineage:
CD -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: (FOB/27th Row) Senn 441 -> Cassette Master -> Dat -> CD supplies Mississippi Half Step (0:00 - 0:29) Peggy-O (0:00 - 0:27) Big Railroad Blues (0:00 - 0:02) Let It Grow (10:39 - 10:52) The Other One (6:00 - 6:15) Stella Blue (6:06 - End Of Show) Notes: -- Can not confirm lineage...I have my doubts -- 2nd Set disc change is seamless
Transferrer: Bill Tetzeli
3:08:37
SBD
Rating:
8.00 / 1 rating
Transferrer:
Bill Tetzeli
Source:
SBD>MC>PCM>DAT>CDR>EAC>SHN
Taper Notes:
View NotesAs Walden College president Brewster King of Doonesbury once remarked to himself, "Tired. Very tired. A need for many martinis." More info about the patching is in the text file.
Taper: Paul Hogan
3:07:55
SBD
Rating:
9.50 / 24 ratings
Taper:
Paul Hogan
Transferrer:
Chris Chappell
SHNID:
gd82-08-03.matrix.chappell.30705.sbeok.flacf
Source:
Matrix
Lineage:
[SBD > MC > PCM > DAT > CDR] + [Senn 441's (FOB) > Sony TC-D5 > DAT > CD] > WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16
Taper Notes:
View NotesSee info file for detailed lineage info.
Source 4 of 16
3:01:39
SBD
Rating:
8.92 / 14 ratings
SHNID:
gd82-08-03.sbd.unk.19228.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MC>PCM>DAT>CDR with Aud patch assumed from widely circulated audience source
Taper Notes:
View NotesLineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds Cassidy has several cuts throughout Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source
Taper: Rodney Michael
3:12:27
Taper:
Rodney Michael
Transferrer:
Tim McKenzie;Charlie Miller;Scott Clugston
SHNID:
gd1982-08-03.167999.senn421.michael.mckenzie.miller.clugston.flac1644
Source:
Rodney Michael's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M > DAT (x0) > Tim McKenzie's CDR's
Lineage:
Master Cassettes (Sony D5M)> Panasonic SV-3800 DAT(x0) (16/44.1)(KAO KD4-60M), Sony PCM-M1 playback)> Sony 7-pin/Oade digi I/O> Hosa DRA-501 coaxial cable> Tascam CD-RW750 > CDR's > xACT > .wav 16/44.1 > Adobe Audition CC 2024 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Rodney Michael for the Master cassette recording and transfer to DAT (16/44.1) - Thanks to Tim McKenzie for the source DAT (.wav 16/44.1) and transfer to CDR - Thanks to Charlie Miller for coordinating this effort - Thanks to Paul Hogan and Daryl Fink for the Sennheiser 441 source which supplies 0:29, 0:27 and 0:12 patches in "Mississippi Half-Step Uptown Toodeloo", the last few notes of "Cumberland Blues" (0:08 total), a 0:34 patch in "Stella Blue", a 0:17 patch in "Sunshine Daydream", as well as "Casey Jones" in its entirety - Thanks to Jim Vita (RIP) and Charlie Miller for the Sennheiser 421 source which supplies 1:01 and 0:23 patches in "Drums" - Other One themed "Space" - Pitch corrected Mastered by Scott Clugston June 2024
Taper: Jim Vita
3:10:52
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-08-03.158507.senn421.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kyle Holbrook for the Nakamichi 300 source which supplies the first few notes of "Cumberland Blues" - Thanks to Brian Schley for the Sennheiser 441 source which supplies a 6:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Jim Vita
3:10:52
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-08-03.158506.senn421.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 421 mics > Jim Vita's 1st generation cassettes
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Kyle Holbrook for the Nakamichi 300 source which supplies the first few notes of "Cumberland Blues" - Thanks to Brian Schley for the Sennheiser 441 source which supplies a 6:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2022
Taper: Frank Streeter
3:08:08
Taper:
Frank Streeter
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1982-08-03.145217.fob.beyer.m160.streeter.miller.sirmick.flac1644
Source:
(FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter
Lineage:
Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesNotes: - Patches "Mississippi Half-Step Uptown Toodeloo" - first 26 seconds "Cumberland Blues" - 5:43-5:47 "Big Railroad Blues" - 4:28-4:29 "Man Smart (Woman Smarter)" - last 1.6 seconds "Might As Well" - First 4.1 seconds "Samson And Delilah" - 8:08-8:12 "Drums" 1:41-8:51 "Space" - first 25 seconds "Sugar Magnolia" - 8@59-9-09 patch source shnid 138619 Thank you Kyle Holbrook & Olvy Johnson. - Most tracks were pitch corrected. Thanks to Frank and Charlie edited and mastered SIRMick
Taper: Frank Streeter
3:08:08
Taper:
Frank Streeter
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1982-08-03.140037.beyer-m160.streeter.miller.sirmick.flac24
Source:
Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
Taper Notes:
View NotesNotes: - Patches "Mississippi Half-Step Uptown Toodeloo" - first 26 seconds "Cumberland Blues" - 5:43-5:47 "Big Railroad Blues" - 4:28-4:29 "Man Smart (Woman Smarter)" - last 1.6 seconds "Might As Well" - First 4.1 seconds "Samson And Delilah" - 8:08-8:12 "Drums" 1:41-8:51 "Space" - first 25 seconds "Sugar Magnolia" - 8@59-9-09 patch source shnid 138619 Thank you Kyle Holbrook & Olvy Johnson. - Most tracks were pitch corrected. Thanks to Frank and Charlie edited and mastered SIRMick
Taper: Jon Bernstein
3:13:31
Taper:
Jon Bernstein
Transferrer:
Transfer & Mastering by Ray Ackerman Edited & Processed w/ add'l Mastering by Joe Noel February 15, 2026
SHNID:
gd1982-08-03.176351.aud.bernstein.ackerman.noel.flac2496
Source:
?? mics > ?? lead deck > Sony TC-D5 > Master Cassettes (Maxell XLIIS-90's)
Lineage:
Master Cassettes > Nakamichi Cassette Deck 1 > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 > Adobe Audition > FLAC 2496
Taper Notes:
View NotesNotes; - mics or lead deck can't be recalled. - a quick listen reveals Bernstein's upfront & centered (again). - checksums & tags created in xACT Thanks to; - Jon Bernstein for his recording efforts & sharing his masters - Ray Ackerman for the quality transfer - Frank Streeter & Jimi for the patch sources
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
3:01:21
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-03.138619.nak300.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SDProcessing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: // Tape flip set 1-The PA sound is pretty rough for the first four songs. There is some overall bass distortion during half of set 1 through Cumberland Blues which I think is from the lead deck's levels set too high. Possibly the recorder's batteries were low and they got changed during tape flip. The rest of the show from Althea forward has much better sound quality. Set 2- *** we dropped the flashlight on the input knob at around 2:09 which turned the volume way up for less than 10 seconds. Tough to edit out, so I reduced the volume there as best I could, but it might be startling! + drums were cut as was a standard practice at the time to save tape; apologies all these years later! & Left channel drops out for about start 1:06:22 -? 1:10:47 (4mins 25 seconds). I copied the Right channel and pasted it in this gap.(slight edit bump @1:10:47) //* quick tape swap to tape 1 for Sunshine Daydream and encore My opinion is the first set is mainly archival, the last two songs aside. The second set is an VG+ rendition of that era's GD music with the Nakamichi microphones. The band was playing very well and the song selection for set 2 is top notch. NOt great but worth a listen. Starlight Theater Kansas City MO August 3 1982 Microphone location- in pavilion, moved between sets patched out of Nak 550 This was the show where we became tapers. We had tickets, bought at the box office earlier in the day during a surprise release. But the seats were farther back than we wanted. We spotted the guy we patched out of in OKC walk by us, and set up about 10 rows in front of us. So we asked if we could patch, he said,he had an extra ticket, one of us sit here and help him. I recall Olvy sat with him and at set break the taper, Dan, wanted to move. So, we commandeered three empty chairs about 15 feet up and almost dead center for Dan's Nakamichi set up. The venue was amazing, the show incredible and the scenery and skies co-operated to add beauty to the light show on stage. This show is widely regarded as an excellent example of what the Dead were about on their best days of 1982. We called it "bringing the heat". After a top notch first set, the boys came out and hammered it down. The Shakedown, Sampson & Delilah, To Lay me Down and Let it Grow are grade A Dead. This recording capatures it pretty well as we were in the right spot acoustically. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
3:01:22
Rating:
8.00 / 3 ratings
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-08-03.138618.nak300.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b> Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC
Lineage:
Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SDProcessing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notesrecording notes: // Tape flip set 1-The PA sound is pretty rough for the first four songs. There is some overall bass distortion during half of set 1 through Cumberland Blues which I think is from the lead deck's levels set too high. Possibly the recorder's batteries were low and they got changed during tape flip. The rest of the show from Althea forward has much better sound quality. Set 2- *** we dropped the flashlight on the input knob at around 2:09 which turned the volume way up for less than 10 seconds. Tough to edit out, so I reduced the volume there as best I could, but it might be startling! + drums were cut as was a standard practice at the time to save tape; apologies all these years later! & Left channel drops out for about start 1:06:22 -? 1:10:47 (4mins 25 seconds). I copied the Right channel and pasted it in this gap.(slight edit bump @1:10:47) //* quick tape swap to tape 1 for Sunshine Daydream and encore My opinion is the first set is mainly archival, the last two songs aside. The second set is an VG+ rendition of that era's GD music with the Nakamichi microphones. The band was playing very well and the song selection for set 2 is top notch. NOt great but worth a listen. Starlight Theater Kansas City MO August 3 1982 Microphone location- in pavilion, moved between sets patched out of Nak 550 This was the show where we became tapers. We had tickets, bought at the box office earlier in the day during a surprise release. But the seats were farther back than we wanted. We spotted the guy we patched out of in OKC walk by us, and set up about 10 rows in front of us. So we asked if we could patch, he said,he had an extra ticket, one of us sit here and help him. I recall Olvy sat with him and at set break the taper, Dan, wanted to move. So, we commandeered three empty chairs about 15 feet up and almost dead center for Dan's Nakamichi set up. The venue was amazing, the show incredible and the scenery and skies co-operated to add beauty to the light show on stage. This show is widely regarded as an excellent example of what the Dead were about on their best days of 1982. We called it "bringing the heat". After a top notch first set, the boys came out and hammered it down. The Shakedown, Sampson & Delilah, To Lay me Down and Let it Grow are grade A Dead. This recording capatures it pretty well as we were in the right spot acoustically. The complete story of our summer tour can be read in the text file.
Taper: Brian Schley
3:08:15
Rating:
8.00 / 4 ratings
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-08-03.136587.sen441.schley.flac1644
Source:
AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection;
Lineage:
TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
Taper Notes:
View NotesHere's the same recording as found on ID-5984, this version without the aggressive noise reduction & clipping found on that one. Patches from current archive sources were inserted making the show complete, most notably the complete tracks for Althea, Drums, and Casey Jones. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jimi
2:27:55
Rating:
9.00 / 2 ratings
Taper:
Jimi
Transferrer:
Uher Archives
SHNID:
gd1982-08-03.aud.uherarchives.partial.121973.flac24
Source:
Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only.
Taper: Unknown
1:51:08
Rating:
9.50 / 5 ratings
Transferrer:
scottz
SHNID:
gd1982-08-03.121407.set2-akg.flac16
Source:
Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience);
Taper: Paul Hogan
3:03:59
Rating:
8.83 / 12 ratings
Taper:
Paul Hogan
SHNID:
gd82-08-03.senn-hogan.fink.5984.sbeok.shnf
Source:
Audience Recording: Sennheiser 441's
Lineage:
AUD : MC (FOB, 27th Row, Senn 441's > Sony TC-D5) > DAT > CD
Taper Notes:
View Notescomplete; AUD : MC (FOB, 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul Bottiglio; note md5s for unpatched d1t5,6 are also included for reference