RELISTENTOTHE Grateful Dead
Re
1982
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Grateful Dead
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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1982
7/28/82
Crowd/Tuning
2:16
Shakedown Street
14:23
Beat It On Down The Line >
3:05
Greatest Story Ever Told
4:05
They Love Each Other
8:47
Mama Tried >
2:26
Mexicali Blues
4:53
Big Railroad Blues
7:06
Lazy Lightning >
3:09
Supplication
6:19
Deal
7:25
Man Smart (Woman Smarter)
9:33
Althea
8:41
Let It Grow >
10:22
He's Gone >
14:41
Truckin' >
12:50
Drums >
9:53
Space >
2:43
Spanish Jam >
5:15
Not Fade Away >
7:08
Black Peter >
9:35
Sugar Magnolia
9:29
E: It's All Over Now, Baby Blue
6:59
FIN
View on archive.org
Sources
Taper: Cassettes provided by Joey Browning and Jake Feinberg
2:44:19
SBD
Rating:
8.20 / 13 ratings
Taper:
Cassettes provided by Joey Browning and Jake Feinberg
SHNID:
gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16
Taper Notes:
View NotesSoundforge was used to make fades, and to patch-in the first five seconds of Shakedown from the AUD source taken from LMA. The missing segment of drums could not be patched-in since the same segment was missing from the AUD source. There was a rain storm during this show, which seems to have caused some sound problems in the mix. Both Jerry and Bob's guitars drop in and out of the mix during the first set, and are almost gone at times. These moments occur in spots between TLEO and Women Are Smarter. There's also light static in the right channel at a few spots, and a few brief moments where the vocals go out, and the bass pops. All of these are likely due to the rain storm, and not a problem with the transfer or your download. Still, it's a great source, so don't let that scare you away. There's minimal cuts and hiss, so I'm guessing this is a low-gen source, or possibly a reel source. Big thanks to Joey Browning and Jake Feinberg for the cassettes. ENJOY!
Taper: Scott Wiseman
2:47:48
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-28.167177.senn421.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Big Railroad Blues" (0;26 total), a 0:30 patch in "Lazy Lightning", the first 0:41 of "Man Smart (Woman Smarter)", a 0:27 patch in "Truckin', as well as some crowd and beginning of "It's All Over Now, Baby Blue" - Thanks to Frank Streeter for the Nakamichi 700 source which supplies some crowd and first few notes of "Althea" (0:11 total), as well as a 0:19 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Scott Wiseman
2:47:48
Rating:
10.00 / 1 rating
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-28.167176.senn421.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Big Railroad Blues" (0;26 total), a 0:30 patch in "Lazy Lightning", the first 0:41 of "Man Smart (Woman Smarter)", a 0:27 patch in "Truckin', as well as some crowd and beginning of "It's All Over Now, Baby Blue" - Thanks to Frank Streeter for the Nakamichi 700 source which supplies some crowd and first few notes of "Althea" (0:11 total), as well as a 0:19 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston September 2023
Transferrer: Scott Clugston
2:51:03
Transferrer:
Scott Clugston
SHNID:
gd1982-07-28.172642.senn421.clugston.flac2496
Source:
Master (FOB, near lip of stage)) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK-MA-C90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette recording and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in "Truckin'", as well as some crowd and start of "It's All Over Now, Baby Blue" (0:29 total) - Thanks to Frank Streeter for the Nakamichi 700 source which supplies a 0:17 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston June 2019
Transferrer: Scott Clugston
2:51:03
Transferrer:
Scott Clugston
SHNID:
gd1982-07-28.172641.senn421.clugston.flac1648
Source:
Master (FOB, near lip of stage)) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK-MA-C90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette recording and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in "Truckin'", as well as some crowd and start of "It's All Over Now, Baby Blue" (0:29 total) - Thanks to Frank Streeter for the Nakamichi 700 source which supplies a 0:17 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston June 2019
Taper: Marc Severson & Anonymous
2:48:27
Taper:
Marc Severson & Anonymous
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1982-07-28.142567.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
Source:
Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
Taper Notes:
View NotesPatch info: - shnid 135514 (Nak 300's) - s2t07; 01:15 - 01:31 Notes: - Thanks to John Ammons for sharing his beta with us - Props to the Philly Crew, they get it done. - Thanks to Doug Lamarre & Rob Berger for the patch source - originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - additional processing done in Audacity - cross fades applied to tape pauses & flips - Red Rocks in the rain
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:25:13
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-28.138613.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: Rained most of set 1; stopped at start of set 2 Set 1 flip, missed ~15 seconds of Big RR Blues ## before TLEO Bob says "Don't be surprised if you see us go up in sparks" * flipped at end of Truckin- missed end of Truckin' jam & Drums, starts again with space as Jerry, Bob, Phil, and Brent take stage. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! // Tape Flip # before starting Bob says they are experiencing technical difficulties &- St. Stephen tease at 7:00 (53:50) % missed start Red Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982 mic location- 50 feet from stage dead center This day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS! It rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:25:13
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-28.138612.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b>Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: Rained most of set 1; stopped at start of set 2 Set 1 flip, missed ~15 seconds of Big RR Blues ## before TLEO Bob says "Don't be surprised if you see us go up in sparks" * flipped at end of Truckin- missed end of Truckin' jam & Drums, starts again with space as Jerry, Bob, Phil, and Brent take stage. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! // Tape Flip # before starting Bob says they are experiencing technical difficulties &- St. Stephen tease at 7:00 (53:50) % missed start Red Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982 mic location- 50 feet from stage dead center This day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS! It rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.
Taper: Mason B. Taylor
2:50:19
Rating:
7.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1982-07-28.naks.mason.129707.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"