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Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.7k242
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.3k715
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.6k208
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.9k515
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k348
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k416
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h76686
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h1.9k228
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k189
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k238
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k681
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k176
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.7k604
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.8k1.8k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.1k843
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87173
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k544
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k558
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k405
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k241
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.4k837
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k582
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59873
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14021
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h30022
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h423
7d1277
30d57234
2 shows
2 tapes
1982
7/28/82
Tuning
2:12
Shakedown Street
13:53
Beat It On Down The Line ->
3:03
Greatest Story Ever Told
4:36
They Love Each Other
8:42
Mama Tried ->
2:25
Mexicali Blues
5:24
Big Railroad Blues
4:33
Tuning
1:55
Lazy Lightnin' ->
3:08
Supplication
6:19
Deal
7:32
Tuning
1:13
Man Smart (Woman Smarter)
8:20
Althea
8:19
Let It Grow ->
10:23
He's Gone ->
14:40
/Truckin' ->
12:33
Drums ->
10:06
Space ->
3:01
Spanish Jam ->
4:53
Not Fade Awa/y ->
7:02
Black Peter ->
9:34
Sugar Magnolia
9:24
It's All Over Now, Baby Blue
7:09
FIN
View on archive.org
Sources
Taper: Cassettes provided by Joey Browning and Jake Feinberg
2:44:19
SBD
Rating:
8.20 / 13 ratings
Taper:
Cassettes provided by Joey Browning and Jake Feinberg
SHNID:
gd1982-07-28.sbd.browning-feinberg.32707.sbeok.flac16
Taper Notes:
View NotesSoundforge was used to make fades, and to patch-in the first five seconds of Shakedown from the AUD source taken from LMA. The missing segment of drums could not be patched-in since the same segment was missing from the AUD source. There was a rain storm during this show, which seems to have caused some sound problems in the mix. Both Jerry and Bob's guitars drop in and out of the mix during the first set, and are almost gone at times. These moments occur in spots between TLEO and Women Are Smarter. There's also light static in the right channel at a few spots, and a few brief moments where the vocals go out, and the bass pops. All of these are likely due to the rain storm, and not a problem with the transfer or your download. Still, it's a great source, so don't let that scare you away. There's minimal cuts and hiss, so I'm guessing this is a low-gen source, or possibly a reel source. Big thanks to Joey Browning and Jake Feinberg for the cassettes. ENJOY!
Taper: Scott Wiseman
2:47:48
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-28.167177.senn421.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Big Railroad Blues" (0;26 total), a 0:30 patch in "Lazy Lightning", the first 0:41 of "Man Smart (Woman Smarter)", a 0:27 patch in "Truckin', as well as some crowd and beginning of "It's All Over Now, Baby Blue" - Thanks to Frank Streeter for the Nakamichi 700 source which supplies some crowd and first few notes of "Althea" (0:11 total), as well as a 0:19 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Scott Wiseman
2:47:48
Rating:
10.00 / 1 rating
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-28.167176.senn421.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Jim Wise for the Sennheiser 421 source which supplies some crowd and beginning of "Big Railroad Blues" (0;26 total), a 0:30 patch in "Lazy Lightning", the first 0:41 of "Man Smart (Woman Smarter)", a 0:27 patch in "Truckin', as well as some crowd and beginning of "It's All Over Now, Baby Blue" - Thanks to Frank Streeter for the Nakamichi 700 source which supplies some crowd and first few notes of "Althea" (0:11 total), as well as a 0:19 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston September 2023
Transferrer: Charlie Miller
2:43:26
Rating:
10.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-07-28.134511.nak700.streeter.miller.flac24
Source:
(FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90)
Lineage:
Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- Three mic blend with 2 cardioids and 1 omni -- There seems to be some distortion at points
Taper: Frank Streeter
2:43:26
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-07-28.134510.nak700.streeter.miller.flac16
Source:
(FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90)
Lineage:
Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Three mic blend with 2 cardioids and 1 omni -- There seems to be some distortion at points
Taper: Jim Wise
2:42:36
Rating:
9.78 / 10 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1982-07-28.fob.senn421.wise.miller.102571.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Scott Clugston
2:51:03
Transferrer:
Scott Clugston
SHNID:
gd1982-07-28.172642.senn421.clugston.flac2496
Source:
Master (FOB, near lip of stage)) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK-MA-C90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette recording and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in "Truckin'", as well as some crowd and start of "It's All Over Now, Baby Blue" (0:29 total) - Thanks to Frank Streeter for the Nakamichi 700 source which supplies a 0:17 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston June 2019
Transferrer: Scott Clugston
2:51:03
Transferrer:
Scott Clugston
SHNID:
gd1982-07-28.172641.senn421.clugston.flac1648
Source:
Master (FOB, near lip of stage)) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK-MA-C90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Apogee Ensemble > Peak Pro 6 (24-bit/96k .wav > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassette recording and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:13 patch in "Truckin'", as well as some crowd and start of "It's All Over Now, Baby Blue" (0:29 total) - Thanks to Frank Streeter for the Nakamichi 700 source which supplies a 0:17 patch in "Drums" - Spanish Jam space included in "Spanish Jam" - Pitch corrected Mastered by Scott Clugston June 2019
Taper: Marc Severson & Anonymous
2:48:27
Taper:
Marc Severson & Anonymous
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1982-07-28.142567.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
Source:
Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
Taper Notes:
View NotesPatch info: - shnid 135514 (Nak 300's) - s2t07; 01:15 - 01:31 Notes: - Thanks to John Ammons for sharing his beta with us - Props to the Philly Crew, they get it done. - Thanks to Doug Lamarre & Rob Berger for the patch source - originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - additional processing done in Audacity - cross fades applied to tape pauses & flips - Red Rocks in the rain
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:25:13
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-28.138613.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b> Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: Rained most of set 1; stopped at start of set 2 Set 1 flip, missed ~15 seconds of Big RR Blues ## before TLEO Bob says "Don't be surprised if you see us go up in sparks" * flipped at end of Truckin- missed end of Truckin' jam & Drums, starts again with space as Jerry, Bob, Phil, and Brent take stage. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! // Tape Flip # before starting Bob says they are experiencing technical difficulties &- St. Stephen tease at 7:00 (53:50) % missed start Red Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982 mic location- 50 feet from stage dead center This day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS! It rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:25:13
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-28.138612.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b>Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: Rained most of set 1; stopped at start of set 2 Set 1 flip, missed ~15 seconds of Big RR Blues ## before TLEO Bob says "Don't be surprised if you see us go up in sparks" * flipped at end of Truckin- missed end of Truckin' jam & Drums, starts again with space as Jerry, Bob, Phil, and Brent take stage. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! // Tape Flip # before starting Bob says they are experiencing technical difficulties &- St. Stephen tease at 7:00 (53:50) % missed start Red Rocks Amphitheatre Morrison CO Night 2 SAT July 28 1982 mic location- 50 feet from stage dead center This day's story starts during set 2 the night before. About 10 minutes into the downpour a tarp comes over my head as I wore the mics and the amount of rain hitting my head was greatly reduced. Looked around and it was 2 dudes who had noticed we were recording in the pouring rain holding a tarp over our heads.Those same guys showed up early on this day 2 and offered to set up behind us again and help us cover up in case of rain. Those two guys were great and I traded tapes with one of them for 3-4 years afterward. Jim Morrison (his real name) going to school (Tulane I think) in New Orleans at that time and his friend- Jim. If either of if you hear this- THANKS! It rained steadily most of the first set into set break but mercifully stopped at the start of set 2. At one point the rain got heavy where Bob mentions hoping they don't go up in sparks . They played the expected rain songs, Lazy Lightning in the first set and Let it Grow in set 2 being notable. The lack of rain during set 2 was refreshing and allowed the crowd and Rocks to dry out a bit. The complete story of our summer tour can be read in the text file.
Taper: Doug Lamarre
2:38:02
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-07-28.135515.aud.lamarre.berger.flac24
Source:
source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
Taper: Doug Lamarre
2:38:02
Rating:
8.00 / 1 rating
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-07-28.135514.aud.lamarre.berger.flac16
Source:
source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
Taper: Mason B. Taylor
2:50:19
Rating:
7.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1982-07-28.naks.mason.129707.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Jim Wise
2:42:39
Rating:
9.15 / 28 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd82-07-28.fob-senn421.wise.4980.sbefail.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB - Senn 421's> Sony TC-D5 (at mouth of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR
Taper Notes:
View Notesnearly same info as <a href="http://db.etree.org/shninfo_detail.php?shnid=4980" rel="ugc nofollow">previous</a> shn set, but checksums differ for d1t1, d2t1, d3t1,6; unspecified editing or reDAE?; hosted by Mike Lai