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Today In History
June 12th
Years
1995
29.9k
PlaybackListensHours
48h58077
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h774109
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k463
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.9k643
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k870
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.1k404
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k373
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k141
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.6k515
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k114
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k212
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k182
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h2k242
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5.2k620
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k234
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.8k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h22.1k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23926
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k468
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k823
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k305
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.7k183
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.5k171
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k172
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h41354
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h40529
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1982
7/27/82
Jack Straw ->
5:13
Sugaree
10:38
On The Road Again
4:07
It Must Have Been The Roses
6:01
Me And My Uncle ->
2:58
Big River
5:45
Peggy-O ->
6:35
Little Red Rooster
7:37
China Cat Sunflower ->
5:24
I Know You Rider
5:53
Tuning
0:49
Playing In The Band ->
10:13
Terrapin Station ->
11:53
Playing In The Band Jam ->
5:57
Drums ->
6:43
Space ->
5:32
The Wheel ->
5:33
The Other One ->
8:19
Stella Blue ->
9:08
Playing In The Band
4:11
U.S. Blues
5:32
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:12:17
SBD
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.141510.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jake Clemens for the shnid78746 soundboard source which supplies a 0:00.393 patch in "On The Road Again" - Thanks to Doug Lamarre and Rob Berger for the shnid135510 Nakamichi 300 source which supplies the noodle into "Peggy O" (0:13 total), a 1:46 patch in "Drums > Space", as well as a 3:32 patch in "The Other One" due to technical issues, which are evident on the audience sources as well, but less pronounced and more "listenable" - Noodle/Jam into "The Other One" included in "The Other One" - It poured all night......mix/level/PA/technical issues throughout Mastered by Scott Clugston March 22, 2018
Transferrer: SIRMick
2:14:41
SBD
Rating:
9.00 / 4 ratings
Transferrer:
SIRMick
SHNID:
gd1982-07-27.mtx.sirmick.109780.sbeok.flac16
Source:
Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller
Taper Notes:
View NotesFor Dave from Sugarmegs, who suggested this project. These two sources compliment each other very well. The soundboard has crisp vocals which the audience recording lacks, and the audience has a better high end than the soundboard. Thanks to the tapers and seeders who made this possible. edited and matrixed SIRMick September 2010
Transferrer: Jake Clemens
2:10:46
SBD
Rating:
9.20 / 5 ratings
Transferrer:
Jake Clemens
SHNID:
gd1982-07-27.sbd.clemens.78746.sbeok.flac16
Source:
SBD>Cass/1>DAT
Lineage:
DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC
Taper: Scott Wiseman
2:16:55
Taper:
Scott Wiseman
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-27.167100.akg.se5.wiseman.miller.sclugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, Neil Sturtevant and Charlie Miller for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "The Wheel" space - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Scott Wiseman
2:16:55
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman, Scott Clugston, Charlie Miller
SHNID:
gd1982-07-27.167100.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to Frank Streeter, Neil Sturtevant and Charlie Miller for the Beyer M160, Sennheiser 421 blend source which supplies a 0:13 patch in "The Wheel" space - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Jim Vita
2:14:38
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.156435.beyer.m88.vita.miller.clugston.flac2496
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies "On The Road Again", most of "It Must Have Been The Roses" (9:39 total), as well as the final 4:14 of "I Know You Rider" - Thanks to Doug Lamarre for the Nakamichi 300 source which supplies a 0:47 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
2:14:38
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.156434.beyer.m88.vita.miller.clugston.flac1648
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies "On The Road Again", most of "It Must Have Been The Roses" (9:39 total), as well as the final 4:14 of "I Know You Rider" - Thanks to Doug Lamarre for the Nakamichi 300 source which supplies a 0:47 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Frank Streeter
2:14:01
Rating:
8.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Neil Sturtevant
SHNID:
gd1982-07-27.134384.BeyerM160-Senn421.Streeter.Sturtevant.miller.flac24bit
Source:
(FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/24
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master (shnid=102570) supplies: On The Road Again (1:48 - end of track) It Must Have Been The Roses (complete track) Little Red Rooster (6:25 - 7:12) China Cat Sunflower (0:00 - 0:21)
Taper: Frank Streeter
2:14:01
Taper:
Frank Streeter
Transferrer:
Charlie Miller and Neil Sturtevant
SHNID:
gd1982-07-27.134383.BeyerM160-Senn421.Streeter.Sturtevant.miller.flac16
Source:
(FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) ->Samplitude Professional v11.2.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Sennheiser 421 -> Cassette Master (shnid=102570) supplies: On The Road Again (1:48 - end of track) It Must Have Been The Roses (complete track) Little Red Rooster (6:25 - 7:12) China Cat Sunflower (0:00 - 0:21)
Taper: Jim Wise
2:14:44
Rating:
8.00 / 5 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1982-07-27.fob.senn421.wise.miller.102570.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Sean Weber Small and Dougal Donaldson
2:14:59
Taper:
Sean Weber Small and Dougal Donaldson
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1982-07-27.142566.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
Source:
Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
Taper Notes:
View NotesPatch info: - shnid 135510 (Nak 300) supplies - s2t05; 06:11 - 06:26 Notes: - Thanks to John Ammons for sharing his beta with us. - Props to the Philly Crew, they get it done. - Thanks to Doug Lamarre & Rob Berger for the patch source - originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - additional processing done in Audacity - cross fades applied to tape pauses & flips - Red Rocks in the rain
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:11:51
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-27.138611.holbrook.beyerm201.flac2448
Source:
<b/>flac24 48khz</b>Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: It was raining for the first few minutes of first set, had been raining all afternoon. It started pouring about 10 minutes into the second set and didn't let up. Sound quality set 1 start is muddy. vocals low, get louder ~ 3:12 & (Band back on) and Bob Says "big hand for the rhythm devils ladies and gentlemen" ** From start until ~ 02:33 levels were clipping on master; I reduced levels ~5dB. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! This was our second recording we mastered! // tape flip //# tape switch 10:37 Red Rocks Amphitheatre Morrison CO Night 1 FRI July 27 1982 mic location- 75 feet from stage about 40 feet left of center. If you were at these shows you will mention the rain within 30 seconds of recalling the experience. It rained at least a portion of every day of the three. On this Friday, it had been raining off and on all afternoon. It was raining for the first few minutes of first set, then stopped. It started pouring about 10 minutes into the second set and didn't let up until the encore. Phil was standing in water on the stage while local crew were squeeging waves if water off the stage. Somehow, for our second only master we made a decent recording as we thought to place one of those cheap plastic poncho's they sell at venues up and over the cowboy hat. Hard to truly say after 35 years, but this show will always be my most remembered Red Rocks show as it was my first, and the experience led me to make sure it would not be my last time there. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:11:51
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-27.138610.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b>Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: It was raining for the first few minutes of first set, had been raining all afternoon. It started pouring about 10 minutes into the second set and didn't let up. Sound quality set 1 start is muddy. vocals low, get louder ~ 3:12 & (Band back on) and Bob Says "big hand for the rhythm devils ladies and gentlemen" ** From start until ~ 02:33 levels were clipping on master; I reduced levels ~5dB. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! This was our second recording we mastered! // tape flip //# tape switch 10:37 Red Rocks Amphitheatre Morrison CO Night 1 FRI July 27 1982 mic location- 75 feet from stage about 40 feet left of center. If you were at these shows you will mention the rain within 30 seconds of recalling the experience. It rained at least a portion of every day of the three. On this Friday, it had been raining off and on all afternoon. It was raining for the first few minutes of first set, then stopped. It started pouring about 10 minutes into the second set and didn't let up until the encore. Phil was standing in water on the stage while local crew were squeeging waves if water off the stage. Somehow, for our second only master we made a decent recording as we thought to place one of those cheap plastic poncho's they sell at venues up and over the cowboy hat. Hard to truly say after 35 years, but this show will always be my most remembered Red Rocks show as it was my first, and the experience led me to make sure it would not be my last time there. The complete story of our summer tour can be read in the text file.
Taper: Doug Lamarre
2:11:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-07-27.135510.aud.lamarre.berger.flac16
Source:
nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger
Taper: Doug Lamarre
2:11:20
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-07-27.135509.aud.lamarre.berger.flac24
Source:
nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger
Taper: Mason B. Taylor
2:16:53
Rating:
7.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1982-07-27.naks.mason.129411.flac16
Source:
<b>flac16</b> ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…" Note: OK, it's the rain day at Red Rocks so Mason patched into a 441>d5>to his 550 for the show..lots of talking girls, rain on the umbrellas, worries about mics coming down or not, and all that jazz, but as GD freaks, we sorta enjoy hearing all this stuff. Far from perfect, but its what happened!
Taper: Jim Wise
2:14:57
Rating:
8.74 / 19 ratings
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd82-07-27.fob-senn421.wise.4705.sbefail.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
FOB - Senn 421's> Sony TC-D5 (at mouth of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR
Taper Notes:
View NotesFOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip