RELISTENTOTHE Grateful Dead
Re
07
Bands
Featured
Bands
Grateful Dead
YearsRecentTopVenuesSongsTours
Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1982
7/27/82
Jack Straw
5:03
Sugaree
10:20
On The Road Again
3:30
It Must Have Been The Roses
5:32
Me And My Uncle >
2:56
Big River
5:24
Peggy-O >
6:13
Little Red Rooster
7:20
China Cat Sunflower >
5:21
I Know You Rider
5:57
Playing In The Band >
11:03
Terrapin Station >
17:39
Drums >
7:01
Space >
5:54
The Wheel >
5:23
The Other One >
8:15
Stella Blue >
10:29
Playing In The Band
2:33
U.S. Blues
5:27
FIN
View on archive.org
Sources
Taper: Frank Streeter and Tim Dalton
2:12:17
SBD
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter and Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.141510.sbd.pcm.streeter.dalton.miller.clugston.flac1644
Source:
Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the 1st generation Reels - Thanks to Tim Dalton for the PCM source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jake Clemens for the shnid78746 soundboard source which supplies a 0:00.393 patch in "On The Road Again" - Thanks to Doug Lamarre and Rob Berger for the shnid135510 Nakamichi 300 source which supplies the noodle into "Peggy O" (0:13 total), a 1:46 patch in "Drums > Space", as well as a 3:32 patch in "The Other One" due to technical issues, which are evident on the audience sources as well, but less pronounced and more "listenable" - Noodle/Jam into "The Other One" included in "The Other One" - It poured all night......mix/level/PA/technical issues throughout Mastered by Scott Clugston March 22, 2018
Taper: Jim Vita
2:14:38
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.156435.beyer.m88.vita.miller.clugston.flac2496
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies "On The Road Again", most of "It Must Have Been The Roses" (9:39 total), as well as the final 4:14 of "I Know You Rider" - Thanks to Doug Lamarre for the Nakamichi 300 source which supplies a 0:47 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
2:14:38
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-27.156434.beyer.m88.vita.miller.clugston.flac1648
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies "On The Road Again", most of "It Must Have Been The Roses" (9:39 total), as well as the final 4:14 of "I Know You Rider" - Thanks to Doug Lamarre for the Nakamichi 300 source which supplies a 0:47 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Sean Weber Small and Dougal Donaldson
2:14:59
Taper:
Sean Weber Small and Dougal Donaldson
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1982-07-27.142566.Anon.Severson.Weber-Small.Donaldson.Ammons.Noel.t-flac1644
Source:
Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
Taper Notes:
View NotesPatch info: - shnid 135510 (Nak 300) supplies - s2t05; 06:11 - 06:26 Notes: - Thanks to John Ammons for sharing his beta with us. - Props to the Philly Crew, they get it done. - Thanks to Doug Lamarre & Rob Berger for the patch source - originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - additional processing done in Audacity - cross fades applied to tape pauses & flips - Red Rocks in the rain
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:11:51
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-27.138611.holbrook.beyerm201.flac2448
Source:
<b/>flac24 48khz</b>Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: It was raining for the first few minutes of first set, had been raining all afternoon. It started pouring about 10 minutes into the second set and didn't let up. Sound quality set 1 start is muddy. vocals low, get louder ~ 3:12 & (Band back on) and Bob Says "big hand for the rhythm devils ladies and gentlemen" ** From start until ~ 02:33 levels were clipping on master; I reduced levels ~5dB. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! This was our second recording we mastered! // tape flip //# tape switch 10:37 Red Rocks Amphitheatre Morrison CO Night 1 FRI July 27 1982 mic location- 75 feet from stage about 40 feet left of center. If you were at these shows you will mention the rain within 30 seconds of recalling the experience. It rained at least a portion of every day of the three. On this Friday, it had been raining off and on all afternoon. It was raining for the first few minutes of first set, then stopped. It started pouring about 10 minutes into the second set and didn't let up until the encore. Phil was standing in water on the stage while local crew were squeeging waves if water off the stage. Somehow, for our second only master we made a decent recording as we thought to place one of those cheap plastic poncho's they sell at venues up and over the cowboy hat. Hard to truly say after 35 years, but this show will always be my most remembered Red Rocks show as it was my first, and the experience led me to make sure it would not be my last time there. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:11:51
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-27.138610.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44.1khz</b>Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ONPlayback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View NotesNotes: It was raining for the first few minutes of first set, had been raining all afternoon. It started pouring about 10 minutes into the second set and didn't let up. Sound quality set 1 start is muddy. vocals low, get louder ~ 3:12 & (Band back on) and Bob Says "big hand for the rhythm devils ladies and gentlemen" ** From start until ~ 02:33 levels were clipping on master; I reduced levels ~5dB. / Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! This was our second recording we mastered! // tape flip //# tape switch 10:37 Red Rocks Amphitheatre Morrison CO Night 1 FRI July 27 1982 mic location- 75 feet from stage about 40 feet left of center. If you were at these shows you will mention the rain within 30 seconds of recalling the experience. It rained at least a portion of every day of the three. On this Friday, it had been raining off and on all afternoon. It was raining for the first few minutes of first set, then stopped. It started pouring about 10 minutes into the second set and didn't let up until the encore. Phil was standing in water on the stage while local crew were squeeging waves if water off the stage. Somehow, for our second only master we made a decent recording as we thought to place one of those cheap plastic poncho's they sell at venues up and over the cowboy hat. Hard to truly say after 35 years, but this show will always be my most remembered Red Rocks show as it was my first, and the experience led me to make sure it would not be my last time there. The complete story of our summer tour can be read in the text file.
Taper: Mason B. Taylor
2:16:53
Rating:
7.00 / 2 ratings
Taper:
Mason B. Taylor
SHNID:
gd1982-07-27.naks.mason.129411.flac16
Source:
<b>flac16</b> ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…" Note: OK, it's the rain day at Red Rocks so Mason patched into a 441>d5>to his 550 for the show..lots of talking girls, rain on the umbrellas, worries about mics coming down or not, and all that jazz, but as GD freaks, we sorta enjoy hearing all this stuff. Far from perfect, but its what happened!