RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 5th
Years
1995
27k
PlaybackListensHours
48h3k414
7d8.6k1.2k
30d27k3.8k
49 shows
340 tapes
1994
8k
PlaybackListensHours
48h69296
7d1.1k167
30d8k1.2k
85 shows
460 tapes
1993
31.5k
PlaybackListensHours
48h3.5k480
7d1.9k257
30d31.5k4.2k
83 shows
656 tapes
1992
32.7k
PlaybackListensHours
48h1k133
7d8.1k1k
30d32.7k4.4k
57 shows
539 tapes
1991
35.8k
PlaybackListensHours
48h1.7k229
7d8k1.1k
30d35.8k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.7k344
7d5k661
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.2k
PlaybackListensHours
48h3.9k494
7d5.7k709
30d45.2k5.6k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.2k140
7d4.1k444
30d21k2.4k
82 shows
882 tapes
1987
38.4k
PlaybackListensHours
48h2.7k287
7d8.6k821
30d38.4k4.2k
88 shows
1,025 tapes
1986
14.4k
PlaybackListensHours
48h940105
7d1.8k202
30d14.4k1.7k
47 shows
683 tapes
1985
19.9k
PlaybackListensHours
48h1.9k228
7d3.4k399
30d19.9k2.3k
73 shows
1,356 tapes
1984
20.3k
PlaybackListensHours
48h1.6k200
7d2.2k289
30d20.3k2.6k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.5k194
7d3.3k441
30d32.4k4.3k
71 shows
1,069 tapes
1982
40k
PlaybackListensHours
48h1.7k215
7d3.4k418
30d40k5k
63 shows
753 tapes
1981
56.7k
PlaybackListensHours
48h2.1k269
7d4.4k552
30d56.7k7.2k
92 shows
868 tapes
1980
67.5k
PlaybackListensHours
48h5.2k594
7d12.3k1.5k
30d67.5k7.9k
91 shows
794 tapes
1979
27.9k
PlaybackListensHours
48h1.4k193
7d3k406
30d27.9k3.9k
79 shows
600 tapes
1978
52.8k
PlaybackListensHours
48h8.4k1.1k
7d5.4k719
30d52.8k7.3k
87 shows
592 tapes
1977
329.3k
PlaybackListensHours
48h15.9k2.1k
7d25k3.5k
30d329.3k46k
64 shows
419 tapes
1976
37.9k
PlaybackListensHours
48h10.3k1.4k
7d17.3k2.4k
30d37.9k5.1k
45 shows
298 tapes
1975
5.1k
PlaybackListensHours
48h78672
7d71378
30d5.1k544
25 shows
63 tapes
1974
94.5k
PlaybackListensHours
48h4.2k529
7d10.2k1.3k
30d94.5k11.9k
42 shows
324 tapes
1973
76.5k
PlaybackListensHours
48h4.2k551
7d9.7k1.3k
30d76.5k9.7k
75 shows
445 tapes
1972
75k
PlaybackListensHours
48h3k365
7d6.8k832
30d75k9.1k
88 shows
361 tapes
1971
32.6k
PlaybackListensHours
48h2.2k250
7d5.3k592
30d32.6k3.7k
82 shows
356 tapes
1970
31.5k
PlaybackListensHours
48h6.6k638
7d3.8k409
30d31.5k3.5k
101 shows
376 tapes
1969
22.6k
PlaybackListensHours
48h3.2k519
7d6.7k892
30d22.6k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52066
7d1.1k133
30d6.4k799
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h14922
7d28439
30d1.4k197
23 shows
55 tapes
1966
7.6k
PlaybackListensHours
48h51339
7d1k60
30d7.6k497
32 shows
78 tapes
1965
553
PlaybackListensHours
48h372
7d1086
30d55333
2 shows
2 tapes
1982
7/25/82
Crowd/Tuning
2:15
Mississippi Half-Step Uptown Toodeloo >
9:23
Franklin's Tower >
10:29
CC Rider
8:05
Bird Song
9:48
El Paso
5:55
Candyman
6:42
Lost Sailor >
7:02
Saint Of Circumstance >
6:47
Deal
8:02
Crowd/Tuning
0:58
Scarlet Begonias > Fire On The Mountain >
18:40
Samson & Delilah
9:31
Crazy Fingers >
8:23
Estimated Prophet >
17:30
Drums >
7:51
Space >
2:59
Not Fade Away >
7:00
Black Peter >
8:59
Good Lovin '
9:39
E: Don't Ease Me In
3:20
FIN
View on archive.org
Sources
Taper: Ken Kelley
2:49:18
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-25.167342.shure.sm57.kelley.miller.clugston.flac2496_202404
Source:
Ken Kelley's Master Audience Cassettes; Shure SM-57 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita and Charlie Miller for the Sennheiser 421 source which supplies a 0:33 patch in "Estimated Prophet", a 0:06 patch in "Drums", as well as a 0:23 patch in "Space" - Weir remains on stage with the Billy & Mickey before "Drums" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Ken Kelley
2:49:18
Taper:
Ken Kelley
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-07-25.167341.shure.sm57.kelley.miller.clugston.flac1648
Source:
Ken Kelley's Master Audience Cassettes; Shure SM-57 mics > JVC KD-2 w/Super ANRS (Maxell XLII-S90)
Lineage:
Master Cassettes (JVC KD-A55 w/Super ANRS) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2024 > TLH 2496
Taper Notes:
View NotesNotes: - Thanks to Ken Kelley for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita and Charlie Miller for the Sennheiser 421 source which supplies a 0:33 patch in "Estimated Prophet", a 0:06 patch in "Drums", as well as a 0:23 patch in "Space" - Weir remains on stage with the Billy & Mickey before "Drums" - Pitch corrected Mastered by Scott Clugston December 2023
Taper: Jim Vita
2:45:41
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-25.156345.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:06 patch in "Estimated Prophet", patch source not available for "Drums" - Weir remains on stage with the Billy & Mickey before "Drums" - Pitch verified Mastered by Scott Clugston December 2021
Taper: Jim Vita
2:45:41
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-25.156344.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 0:06 patch in "Estimated Prophet", patch source not available for "Drums" - Weir remains on stage with the Billy & Mickey before "Drums" - Pitch verified Mastered by Scott Clugston December 2021
Taper: Jim Wise
2:47:04
Rating:
8.67 / 4 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1982-07-25.fob.senn421.wise.miller.102502.flac16
Source:
(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamlewss -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
1:34:49
Taper:
Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-07-25.156497.s2.beyer.tompkins.flac2448
Source:
BeyerDynamic mics > Sony TC-D5M > TDK MA-90.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: ID-156345 patches; Estimated 8:33 > 9:43, Jam 5:31 > Space 1:15, and the entire encore. Sorry, Tape #1 is missing in action.
Taper: Michael Gardner
2:37:02
Taper:
Michael Gardner
Transferrer:
edited and uploaded by Tony Suraci
SHNID:
gd1982-07-25.156388.gardner.suraci.nak300.flac16
Source:
Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet
Lineage:
Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac24
Taper: Michael Gardner
2:37:02
Taper:
Michael Gardner
Transferrer:
edited and uploaded by Tony Suraci
SHNID:
gd1982-07-25.156387.gardner.suraci.nak300.flac24
Source:
Nakamichi CM304>Sony TCD-5M (Maxell XLllS) Location: FOB, Stand at 6 feet
Lineage:
Nakamichi Cassette Deck 1 (manual azimuth adjust)>Sound Devices Mix Pre 6 @24/48 Editing: SD card>Adobe Audition 3.0>CDwav>TLH>flac24
Taper: Marc Severson & Anonymous
2:47:54
Taper:
Marc Severson & Anonymous
Transferrer:
Joe Noel and John Ammons and Philly Crew
SHNID:
gd1982-07-25.142278.Severson.WeberSmall.Donaldson.Ammons.Noel.t-flac1644
Source:
Marc Severson & Anonymous Recording (FOB): Nakamichi 700s (DBX II) > Master Cassette > PCM(1); A Philly Crew
Lineage:
PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
Taper Notes:
View NotesNotes: - Thanks to John Ammons for sharing his PCM with us - originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - cross fades applied to tape pauses & flips - When in the desert, under the stars, Scarlet -> Fire - Estimated turns into a rhythm section jam before The Rhythm Devils take over.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:38:47
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-25.138609.beyerm201.holbrook.flac2448
Source:
<b/>flac24 48khz</b>source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON
Lineage:
Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes/ Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! // Tape flip * cut drums after 3 minutes Compton Terrace July 25 1982- mic location- lawn about 150 from stage We set up a blanket and staked out some space making it known that we were tapers. most of the folks around us were nice and asked how to get acopy and ultimately were respectful of what we were doing. EXCEPT for this one guy behind us who kept screaming loud things including, "I want to f**k your wife" the entire first set. During encore break, he came up to us and apologized saying it was his first Dead show. He thought we were "bootleggers" and until his friends told him we were cool and the band allowed the recording he was loud. He said nothing during set2 and our time was less stressful thinking at least we were getting less crowd noise. Even with modern mixing tools you can still hear this guy on the recording. The complete story of our summer tour can be read in the text file.
Taper: Executive Crew: Kyle Holbrook & Olvy Johnson
2:38:47
Taper:
Executive Crew: Kyle Holbrook & Olvy Johnson
Transferrer:
Kyle Holbrook
SHNID:
gd1982-07-25.138608.beyerm201.holbrook.flac1644
Source:
<b/>flac16 44 khz</b> source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON
Lineage:
Nakamichi LX-5 -> Tascam DR680 @ 24/48Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost.Taped by; Executive Crew: Kyle Holbrook & Olvy JohnsonTransferred by Kyle Holbrook
Taper Notes:
View Notes/ Our practice at the time was to stop the recorder after every time the band stopped. The theory was saving batteries and tape space. We would learn to record the entire show by Spring 83! I cut dead space or faded down/up at those cuts but there are a few harsh stops/starts-apologies from my 21 year old self! // Tape flip * cut drums after 3 minutes Compton Terrace July 25 1982- mic location- lawn about 150 from stage We set up a blanket and staked out some space making it known that we were tapers. most of the folks around us were nice and asked how to get acopy and ultimately were respectful of what we were doing. EXCEPT for this one guy behind us who kept screaming loud things including, "I want to f**k your wife" the entire first set. During encore break, he came up to us and apologized saying it was his first Dead show. He thought we were "bootleggers" and until his friends told him we were cool and the band allowed the recording he was loud. He said nothing during set2 and our time was less stressful thinking at least we were getting less crowd noise. Even with modern mixing tools you can still hear this guy on the recording. The complete story of our summer tour can be read in the text file.
Taper: Brian Schley
2:45:48
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-07-25.137192.nak300.schley.flac1644
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
Taper Notes:
View NotesNote: Minor tape damage in left channel, first 2:37 of Candyman. ID-80279 patches; Half-Step 0:00 > 0:03, Estimated 8:54 > 9:08, Drums 0:15 > Space 0:19. ID-18481 provides the entire Encore track. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
2:45:47
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-07-25.137191.nak300.schley.flac2448
Source:
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2016
Taper Notes:
View NotesMinor tape damage in left channel, first 2:37 of Candyman. ID-80279 patches; Half-Step 0:00 > 0:03, Estimated 8:54 > 9:08, Drums 0:15 > Space 0:19. ID-18481 provides the entire Encore track. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Jim Vita
2:45:57
Rating:
9.60 / 5 ratings
Taper:
Jim Vita
Transferrer:
David Minches
SHNID:
gd1982-07-25.senn421.vita.minches.80279.sbeok.flac16
Source:
2 Sennheiser 421s> Sony D-5 (TDK MA-R) > MAC
Lineage:
MAC > Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
Taper: Jim Wise?
2:40:06
Rating:
8.00 / 3 ratings
Taper:
Jim Wise?
SHNID:
gd82-07-25.fob.18481.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD> ?> DAT> CD> EAC> SHN> WAV> CE2K> CDWAVE> SHNTOOL> mkwACT
Taper Notes:
View NotesLineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan.