Bands
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Bands
Grateful Dead
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h52369
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h969124
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.5k327
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.1k271
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h6.4k893
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h4.5k563
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.7k340
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k131
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.8k198
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h68976
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.4k166
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h934121
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k194
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h1.9k248
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h7.5k802
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k180
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k225
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h20.4k2.8k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h2.9k396
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85180
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h5.9k756
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h3.8k497
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.7k328
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k175
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h5.5k547
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k364
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h48064
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9613
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h17414
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1982
Sources
Taper: Jim Vita
2:42:16
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-18.156185.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies some crowd and the beginning of "New Minglewood Blues" (0:10 total), as well as a 3:21 patch in "Drums" - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Jim Vita
2:42:15
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-18.156184.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies some crowd and the beginning of "New Minglewood Blues" (0:10 total), as well as a 3:21 patch in "Drums" - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Jim Wise
2:41:56
Rating:
9.33 / 5 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1982-07-18.fob.senn421-m160.wise.miller.102501.flac16
Source:
(FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Anon
2:44:16
Taper:
Anon
Transferrer:
Scott Clugston
SHNID:
gd1982-07-18.169902.senn441.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (Fuji FR Metal 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > Peak Pro 6 > Aiff (24-bit/96kHz) > .wav (24-bit/96kHz) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassettes and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies a 3:31 patch in the "Space > Drums" transition - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston August 2023
Taper: Anon
2:44:16
Taper:
Anon
Transferrer:
Scott Clugston
SHNID:
gd1982-07-18.169901.senn441.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (Fuji FR Metal 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > Peak Pro 6 > Aiff (24-bit/96kHz) > .wav (24-bit/96kHz) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassettes and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies a 3:31 patch in the "Space > Drums" transition - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston August 2023
Taper: Anon
2:44:59
Rating:
10.00 / 1 rating
Taper:
Anon
Transferrer:
Bill Reutelhuber;Dougal Donaldson;Sean Weber Small;Joe Noel
SHNID:
gd1982-07-18.146889.FOB.NAK.Anon.Weber-Small.Donaldson.Ammons.Reutlehuber.Noel.t-flac16
Source:
Anonymous Recording (FOB): (3) Nakamichi 700s (DBX II) > Master Cassette > PCM (2)
Lineage:
Bill Reutelhuber transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Wav 16/44
Taper Notes:
View NotesEdited & Mastered by Joe Noel: Wav > Audacity > Flac 16/44 June 11, 2019 patch info: - shnid 102501 (FOB, Senn441) supplies; - s2t06; 08:15 - 08:30 Notes: - This is a PCM version of shnid 98604 - Originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - Clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - cross fades applied to tape pauses & s1 tape flip - Thanks to Ohr Weinberg for the patch source - last Crazy Fingers, 1976-09-30 In memory of 'Larry Sellers', our good friend Kris Wescott.
Taper: Jim Ho
2:39:06
Rating:
10.00 / 2 ratings
Taper:
Jim Ho
Transferrer:
Jeff Bowen and Brad Foster
SHNID:
gd1982-07-18.fob.nak300.ho.bowen-foster.102176.flac
Source:
(FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass)
Lineage:
Cass/1 -> HHb CDR 800 PRO via analog i/o
Transferrer: Tom Van Sant
2:41:04
Rating:
10.00 / 5 ratings
Transferrer:
Tom Van Sant
Lineage:
Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source
Taper Notes:
View NotesPatch info: Patched with Senn 441 FOB recording by Ohr Weinberg, shnid 17030 via LMA. Patches include six minutes of drums and :05 of Brokedown Palace, as well as various transitions and tuning breaks. Location of microphones must have been close to Ohr's mics. Nearly all the same crowd sounds are audible on both. This is a crisp recording, previously uncirculated and an upgrade to other versions currently available on LMA. A wonderful show featuring one of the very best Losers ever, and the first Crazy Fingers since 1976. Thanks: - Ohr Weinberg for patch source via LMA - Brian King for the cool artwork - Steve Swartz for seeding assistance - Phil Samuelson for inspiration motivation Small splice in Ramble On Rose, patched with Weinberg FOB. Fixed version reseeded Aug 16, 2009.
Transferrer: Tom Van Sant
2:41:00
Rating:
8.00 / 10 ratings
Transferrer:
Tom Van Sant
Lineage:
Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source.
Taper Notes:
View NotesI obtained this show in the mid-90s when I was living in Santa Barbara, just up the coast from the show site. I traded with a guy somewhere on the central coast - San Luis Obispo, I think - who claimed his copy was right off the AUD master, making mine 2nd gen. He SWORE me never to circulate it, ever, and he was a real prick about it. The thought recently occurred to me that the tape was made by Dan Healy or other band personnel at the board, which would explain both the superior quality and the attempt to restrict circulation, but I have no evidence of that. This is a crisp recording, previously uncirculated and an upgrade to both versions currently available on LMA. A wonderful show featuring one of the very best Losers ever, and the first Crazy Fingers since 76. Patch info: Patched with Senn 441 FOB recording by Ohr Weinberg, shnid 17030 via LMA. Patches include crowd and opening few seconds of Minglewood, first few notes of FOTD, six minutes of drums and :05 of Brokedown Palace, as well as various transitions and tuning breaks. Location of microphones must have been close to Ohr's mics. Nearly all the same crowd sounds are audible on both.
Taper: anonymous taper, Jamie Poris and Mark Severson
2:46:47
Taper:
anonymous taper, Jamie Poris and Mark Severson
Transferrer:
Brion Green, Edited and mastered by SIRMick
SHNID:
gd1982-07-18.nak700.Anon-Poris-Severson.98604.flac16
Source:
3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center
Lineage:
mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
Taper Notes:
View Notes- tape flip in Drums patched with: MC > CD > EAC > WAV > SHN (shnid 17030) Recorded by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B) - the tape was paused between some tracks, these have been crossfaded Comments: A very nice recording from our anonymous friend. Many thanks to him for sharing this. - Brought To You By Live Music Preservation Project - contact [email protected] - www.livemusicpreservationproject.com
Taper: Ohr Weinberg
2:45:16
Rating:
9.00 / 12 ratings
Taper:
Ohr Weinberg
Source:
Audience Recording: Sennheiser MD-441's
Lineage:
MC > CD > EAC > WAV > SHN, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave> flip splice
Taper Notes:
View NotesMC > CD > EAC > WAV > SHN Recorded by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN
Taper: Jim Wise?
2:30:55
Rating:
6.80 / 5 ratings
Taper:
Jim Wise?
SHNID:
gd82-07-18.sennheiser.willy.8484.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Senn 421's>MC>DAT>CDR
Taper Notes:
View NotesSenn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy