Bands
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Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.1k289
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h64091
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5k675
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.4k183
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.3k435
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k356
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.6k450
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k153
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k232
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k281
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k676
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.9k755
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.1k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.2k998
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k543
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.2k555
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k395
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k246
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.1k794
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k574
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60175
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14321
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39628
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h473
7d1277
30d57234
2 shows
2 tapes
1982
Sources
Taper: Jim Vita
2:42:16
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-18.156185.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies some crowd and the beginning of "New Minglewood Blues" (0:10 total), as well as a 3:21 patch in "Drums" - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Jim Vita
2:42:15
Taper:
Jim Vita
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-07-18.156184.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies some crowd and the beginning of "New Minglewood Blues" (0:10 total), as well as a 3:21 patch in "Drums" - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston November 2021
Taper: Jim Wise
2:41:56
Rating:
9.33 / 5 ratings
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1982-07-18.fob.senn421-m160.wise.miller.102501.flac16
Source:
(FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Anon
2:44:16
Taper:
Anon
Transferrer:
Scott Clugston
SHNID:
gd1982-07-18.169902.senn441.clugston.flac2496
Source:
Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (Fuji FR Metal 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > Peak Pro 6 > Aiff (24-bit/96kHz) > .wav (24-bit/96kHz) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassettes and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies a 3:31 patch in the "Space > Drums" transition - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston August 2023
Taper: Anon
2:44:16
Taper:
Anon
Transferrer:
Scott Clugston
SHNID:
gd1982-07-18.169901.senn441.clugston.flac1648
Source:
Master Audience Cassettes; Sennheiser 441 mics > Sony D5M (Fuji FR Metal 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Apogee Ensemble > Peak Pro 6 > Aiff (24-bit/96kHz) > .wav (24-bit/96kHz) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to our benefactors, who wish to remain anonymous, for the master cassettes and transfer - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421, Beyer M160 blend source which supplies a 3:31 patch in the "Space > Drums" transition - First "Crazy Fingers" since 9-30-76 - Pitch corrected Mastered by Scott Clugston August 2023
Taper: Anon
2:44:59
Rating:
10.00 / 1 rating
Taper:
Anon
Transferrer:
Bill Reutelhuber;Dougal Donaldson;Sean Weber Small;Joe Noel
SHNID:
gd1982-07-18.146889.FOB.NAK.Anon.Weber-Small.Donaldson.Ammons.Reutlehuber.Noel.t-flac16
Source:
Anonymous Recording (FOB): (3) Nakamichi 700s (DBX II) > Master Cassette > PCM (2)
Lineage:
Bill Reutelhuber transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Wav 16/44
Taper Notes:
View NotesEdited & Mastered by Joe Noel: Wav > Audacity > Flac 16/44 June 11, 2019 patch info: - shnid 102501 (FOB, Senn441) supplies; - s2t06; 08:15 - 08:30 Notes: - This is a PCM version of shnid 98604 - Originally mastered to PCM with portable DBX box to decode, by Sean Weber Small - Clones made with a pair of Sony SL-HF360 decks, a Sony PCM601, using Sony HG Betamax tapes by Dougal Donaldson - emphasis decoded - dc offset removed - minor eq'ing in Nuendo & Waves q10 - cross fades applied to tape pauses & s1 tape flip - Thanks to Ohr Weinberg for the patch source - last Crazy Fingers, 1976-09-30 In memory of 'Larry Sellers', our good friend Kris Wescott.
Taper: Jim Ho
2:39:06
Rating:
10.00 / 2 ratings
Taper:
Jim Ho
Transferrer:
Jeff Bowen and Brad Foster
SHNID:
gd1982-07-18.fob.nak300.ho.bowen-foster.102176.flac
Source:
(FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass)
Lineage:
Cass/1 -> HHb CDR 800 PRO via analog i/o
Transferrer: Tom Van Sant
2:41:04
Rating:
10.00 / 5 ratings
Transferrer:
Tom Van Sant
Lineage:
Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source
Taper Notes:
View NotesPatch info: Patched with Senn 441 FOB recording by Ohr Weinberg, shnid 17030 via LMA. Patches include six minutes of drums and :05 of Brokedown Palace, as well as various transitions and tuning breaks. Location of microphones must have been close to Ohr's mics. Nearly all the same crowd sounds are audible on both. This is a crisp recording, previously uncirculated and an upgrade to other versions currently available on LMA. A wonderful show featuring one of the very best Losers ever, and the first Crazy Fingers since 1976. Thanks: - Ohr Weinberg for patch source via LMA - Brian King for the cool artwork - Steve Swartz for seeding assistance - Phil Samuelson for inspiration motivation Small splice in Ramble On Rose, patched with Weinberg FOB. Fixed version reseeded Aug 16, 2009.
Transferrer: Tom Van Sant
2:41:00
Rating:
8.00 / 10 ratings
Transferrer:
Tom Van Sant
Lineage:
Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source.
Taper Notes:
View NotesI obtained this show in the mid-90s when I was living in Santa Barbara, just up the coast from the show site. I traded with a guy somewhere on the central coast - San Luis Obispo, I think - who claimed his copy was right off the AUD master, making mine 2nd gen. He SWORE me never to circulate it, ever, and he was a real prick about it. The thought recently occurred to me that the tape was made by Dan Healy or other band personnel at the board, which would explain both the superior quality and the attempt to restrict circulation, but I have no evidence of that. This is a crisp recording, previously uncirculated and an upgrade to both versions currently available on LMA. A wonderful show featuring one of the very best Losers ever, and the first Crazy Fingers since 76. Patch info: Patched with Senn 441 FOB recording by Ohr Weinberg, shnid 17030 via LMA. Patches include crowd and opening few seconds of Minglewood, first few notes of FOTD, six minutes of drums and :05 of Brokedown Palace, as well as various transitions and tuning breaks. Location of microphones must have been close to Ohr's mics. Nearly all the same crowd sounds are audible on both.
Taper: anonymous taper, Jamie Poris and Mark Severson
2:46:47
Taper:
anonymous taper, Jamie Poris and Mark Severson
Transferrer:
Brion Green, Edited and mastered by SIRMick
SHNID:
gd1982-07-18.nak700.Anon-Poris-Severson.98604.flac16
Source:
3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center
Lineage:
mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
Taper Notes:
View Notes- tape flip in Drums patched with: MC > CD > EAC > WAV > SHN (shnid 17030) Recorded by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B) - the tape was paused between some tracks, these have been crossfaded Comments: A very nice recording from our anonymous friend. Many thanks to him for sharing this. - Brought To You By Live Music Preservation Project - contact [email protected] - www.livemusicpreservationproject.com
Taper: Ohr Weinberg
2:45:16
Rating:
9.00 / 12 ratings
Taper:
Ohr Weinberg
Source:
Audience Recording: Sennheiser MD-441's
Lineage:
MC > CD > EAC > WAV > SHN, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave> flip splice
Taper Notes:
View NotesMC > CD > EAC > WAV > SHN Recorded by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN
Taper: Jim Wise?
2:30:55
Rating:
6.80 / 5 ratings
Taper:
Jim Wise?
SHNID:
gd82-07-18.sennheiser.willy.8484.sbeok.shnf
Source:
Audience Recording: Sennheiser 421's
Lineage:
Senn 421's>MC>DAT>CDR
Taper Notes:
View NotesSenn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy