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Today In History
June 15th
7 shows
74 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.4k175
7d1.1k147
30d29.8k4.1k
49 shows
343 tapes
1994
11.4k
PlaybackListensHours
48h1.6k250
7d3.2k469
30d11.4k1.6k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h1.8k243
7d6.1k807
30d37.2k4.9k
83 shows
656 tapes
1992
43.7k
PlaybackListensHours
48h2.8k371
7d6.7k894
30d43.7k5.8k
57 shows
539 tapes
1991
41.1k
PlaybackListensHours
48h2.7k359
7d9.1k1.2k
30d41.1k5.5k
78 shows
973 tapes
1990
47.2k
PlaybackListensHours
48h5.1k728
7d11.1k1.4k
30d47.2k6.1k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.1k270
7d6.1k752
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.2k134
7d2.7k313
30d19.6k2.3k
82 shows
882 tapes
1987
39.4k
PlaybackListensHours
48h4.3k531
7d10.4k1.2k
30d39.4k4.4k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h85198
7d2.1k240
30d12.1k1.4k
47 shows
684 tapes
1985
22.6k
PlaybackListensHours
48h6.6k752
7d3.8k444
30d22.6k2.7k
73 shows
1,357 tapes
1984
25.1k
PlaybackListensHours
48h2.3k290
7d10.2k1.2k
30d25.1k3.1k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h962123
7d2.9k375
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.3k161
7d2.9k357
30d41.7k5.2k
63 shows
753 tapes
1981
30.2k
PlaybackListensHours
48h2k249
7d4.3k544
30d30.2k3.8k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h4k451
7d12.3k1.5k
30d68.1k7.9k
91 shows
794 tapes
1979
21k
PlaybackListensHours
48h1.1k155
7d3.5k485
30d21k2.9k
79 shows
608 tapes
1978
38k
PlaybackListensHours
48h1.6k213
7d4.1k561
30d38k5.1k
87 shows
592 tapes
1977
263k
PlaybackListensHours
48h7.8k1.1k
7d21.8k3k
30d263k36.4k
64 shows
418 tapes
1976
85k
PlaybackListensHours
48h15.7k2.1k
7d35k4.6k
30d85k11.5k
45 shows
298 tapes
1975
6.1k
PlaybackListensHours
48h43446
7d61164
30d6.1k619
25 shows
63 tapes
1974
88.2k
PlaybackListensHours
48h3.2k409
7d8.1k1k
30d88.2k11.2k
42 shows
324 tapes
1973
88.1k
PlaybackListensHours
48h4k525
7d16.4k2.3k
30d88.1k11.3k
75 shows
445 tapes
1972
61.4k
PlaybackListensHours
48h2.5k318
7d5.1k654
30d61.4k7.5k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h1.5k164
7d3.7k417
30d33.1k3.8k
82 shows
357 tapes
1970
38.5k
PlaybackListensHours
48h1.2k149
7d3.5k413
30d38.5k4.1k
101 shows
376 tapes
1969
27.3k
PlaybackListensHours
48h1.5k238
7d2.8k384
30d27.3k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h76694
7d1.1k143
30d7.5k947
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13318
7d22933
30d1.6k222
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h43126
7d79154
30d7.9k530
32 shows
78 tapes
1965
623
PlaybackListensHours
48h322
7d937
30d62337
2 shows
2 tapes
1982
5/22/82
Jack Straw
4:55
Sugaree
10:48
Cassidy
6:24
Tennessee Jed
8:02
New Minglewood Blues
7:14
Cumberland Blues
5:36
Lazy Lightning > Supplication
10:17
Deal
6:52
China Cat Sunflower > I Know You Rider
12:06
Man Smart Woman Smarter
6:39
Never Trust a Woman
5:56
Lost Sailor > Saint of Circumstance
13:29
He's Gone
11:48
Drums
0:25
Drums
1:08
Space
8:40
Not Fade Away
9:59
Wharf Rat
8:24
Around and Around
3:46
Good Lovin'
8:35
U.S. Blues
5:20
FIN
View on archive.org
Sources
Taper: Recorded by Eddie Claridge
2:46:43
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Eddie Claridge
Transferrer:
Digitized by Rob Eaton Mastered By Charlie Miller [email protected] July 16, 2023
SHNID:
gd1982-05-22.165132.sbd.claridge.eaton.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900/48k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his dats for me -- Patch source recorded by Bob Wagner
Transferrer: Charlie Miller
2:46:15
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.sbd.miller.96331.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Transferrer: Mr. Townshend
1:28:47
SBD
Transferrer:
Mr. Townshend
SHNID:
gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16
Source:
SBD -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) -> Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH
Taper Notes:
View Notes% Tape flip locations
Source 4 of 15
2:36:23
SBD
Rating:
8.94 / 33 ratings
SHNID:
gd82-05-22.sbd.gorinsky.5215.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd Mcassette > DAT > CDR > CDR > EAC > SHN
Taper Notes:
View NotesSbd Mcassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini; d1t1 dropout spliced at 02:15
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163529.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163528.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Bob Wagner
2:47:54
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109336.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- This is a 24bit source -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:47:52
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109335.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Ohr Weinberg
2:46:14
Taper:
Ohr Weinberg
Transferrer:
Anne Cohen
SHNID:
gd1982-05-22.155392.ohr-PML-VM41-TC-D5M.flac16
Source:
Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B)
Lineage:
Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
Taper Notes:
View NotesNotes: 1. tape flip splice at end of He's Gone into Drums 2. tape flip splice at end of Around and Around into Good Lovin'
Source 12 of 15
2:39:24
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006 by me. When it was seeded it was missing all of set one sorry about that. The first half of set 2 was included in the torrent twice again my apoligies. Someone deleted the redundant material and renamed the files....So on this day March 2nd of 2008 I give to you in my opinion one of the best Audience Recordings in the world for the world
Transferrer: Hunter Seamons
2:46:28
Rating:
10.00 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1982-05-22.mtx.seamons.101450.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesMatrix* ----------------------------------------------------------------- SBD (shnid=96331): Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 10, 2008 [Cuts:] He's Gone (8:58 - 9:14) Drums (0:11 - 11:15) Space (0:11 - 0:22) ----------------------------------------------------------------- AUD (shnid=101328): Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to musigny23 for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 18, 2009
Source 14 of 15
2:45:12
Rating:
10.00 / 1 rating
Source:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)
Lineage:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
Source 15 of 15
1:51:45
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006. When it was seeded it was missing all of set one. The first half of set 2 was included in the torrent twice. I deleted the redundant material and renamed the files. What remains is a very good recording of the 2nd set. Hopefully, someday, the first set will surface.