New Minglewood Blues | 1982-05-22 | Grateful Dead

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Featured

Grateful Dead

1.3M

Bands

Animal Liberation Orchestra

Bela Fleck and the Flecktones

Bernie Worrell and the WOO Warriors

27 shows

29 tapes

Bernie Worrell Orchestra

Blueground Undergrass

182 shows

205 tapes

Grateful Dead

Years Recent Top Venues Songs Tours

Years

1982

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Oakland Auditorium Arena

Bob Marley Performing Arts Center

Bob Marley Performing Arts Center

Carrier Dome, Syracuse U.

Veterans Memorial Coliseum

Madison Square Garden

Madison Square Garden

Cumberland County Civic Center

Charlottesville, VA, USA

Lakeland Civic Center

West Palm Beach Auditorium

West Palm Beach, FL, USA

Saenger Performing Arts Center

Glen Helen Regional Park

Seattle Center Coliseum

Fieldhouse, U. Of Iowa

Alpine Valley Music Theatre

Alpine Valley Music Theatre

St. Paul Civic Center

Oklahoma City, OK, USA

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Red Rocks Amphitheatre

Compton Terrace Amphitheatre

Ventura County Fairgrounds

Ventura County Fairgrounds

Moscone Convention Center

San Francisco, CA, USA

Baltimore Civic Center

Hartford Civic Center

Hartford Civic Center

Providence Civic Center

Glenns Falls Civic Center

Glenns Falls, NY, USA

Community War Memorial Auditorium

Onondaga County War Memorial

Philadelphia, PA, USA

Philadelphia, PA, USA

Cameron Indoor Stadium, Duke U.

Recreation Hall, UC Davis

Reno Centennial Coliseum

Pauley Pavilion, UCLA

Golden Hall, Community Concorse

Golden Hall, Community Concorse

San Francisco, CA, USA

San Francisco, CA, USA

Mickey's ranch studio

Novato, CA

42:15

1 tape

Sources

Taper: Recorded by Eddie Claridge

Recorded by Eddie Claridge

Transferrer:

Digitized by Rob Eaton Mastered By Charlie Miller [email protected] July 16, 2023

SHNID:

gd1982-05-22.165132.sbd.claridge.eaton.miller.flac1648

Source:

SBD > Cassette Master (Sony TC-D5M)

Lineage:

Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900/48k)

Taper Notes:

View NotesNotes:
-- Thanks to Rob Eaton for transferring his dats for me
-- Patch source recorded by Bob Wagner

Transferrer: Charlie Miller

gd1982-05-22.sbd.miller.96331.sbeok.flac16

Source:

SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD

Lineage:

CD -> Samplitude Professional v10.1 -> FLAC

Transferrer: Mr. Townshend

gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16

Source:

SBD -> MSC -> PCM -> DAT(x2)

Lineage:

Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) -> Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH

Taper Notes:

View Notes% Tape flip locations

Source 4 of 15

gd82-05-22.sbd.gorinsky.5215.sbeok.shnf

Source:

Soundboard

Lineage:

Sbd Mcassette > DAT > CDR > CDR > EAC > SHN

Taper Notes:

View NotesSbd Mcassette > DAT > CDR > CDR >  EAC > SHN; EAC, SHN, etreed  by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini; d1t1 dropout spliced at  02:15

Taper: Scott Wiseman

Scott Wiseman and Scott Clugston, Charlie Miller

SHNID:

gd1982-05-22.163529.akg.se5.wiseman.miller.clugston.flac2496

Source:

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)

Lineage:

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition
- Pitch corrected

Mastered by Scott Clugston
May 2022

Taper: Scott Wiseman

Scott Wiseman and Scott Clugston, Charlie Miller

SHNID:

gd1982-05-22.163528.akg.se5.wiseman.miller.clugston.flac1648

Source:

Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)

Lineage:

Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Scott Wiseman for the source cassettes and transfer
- Thanks to Charlie Miller for coordinating this effort
- Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition
- Pitch corrected

Mastered by Scott Clugston
May 2022

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496

Source:

Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not)
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition
- Not Fade Away space included in "Not Fade Away"
- Pitch corrected

Mastered by Scott Clugston
December 2021

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648

Source:

Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)

Lineage:

1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not)
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition
- Not Fade Away space included in "Not Fade Away"
- Pitch corrected

Mastered by Scott Clugston
December 2021

Taper: Bob Wagner

gd1982-05-22.nak700.wagner.miller.109336.flac24

Source:

(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- This is a 24bit source
-- Thanks to Bob Wagner for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Bob Wagner

gd1982-05-22.nak700.wagner.miller.109335.flac16

Source:

(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Set 2 is seamless
-- Thanks to Bob Wagner for lending me his masters
-- Thanks to Joe B. Jones for his help with the pitch correction

Taper: Ohr Weinberg

gd1982-05-22.155392.ohr-PML-VM41-TC-D5M.flac16

Source:

Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B)

Lineage:

Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC

Taper Notes:

View NotesNotes:
1. tape flip splice at end of He's Gone into Drums
2. tape flip splice at end of Around and Around into Good Lovin'

Source 12 of 15

2:39:24

Taper Notes:

View NotesThis source was seeded to Dime a Dozen on 10/21/2006 by me.  When it was seeded it was missing all of set one sorry about that.  The first half of set 2 was included in the torrent twice again my apoligies.  Someone deleted the redundant material and renamed the files....So on this day March 2nd of 2008 I give to you in my opinion one of the best Audience Recordings in the world for the world

Transferrer: Hunter Seamons

gd1982-05-22.mtx.seamons.101450.sbeok.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)

Taper Notes:

View NotesMatrix*


-----------------------------------------------------------------
SBD (shnid=96331):

Recording Info:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
[email protected]
December 10, 2008

[Cuts:]

He's Gone (8:58 - 9:14)
Drums (0:11 - 11:15)
Space (0:11 - 0:22)

-----------------------------------------------------------------
AUD (shnid=101328):

Recording info:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)
Playback, Editing, Preparation info:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact

-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
and to musigny23 for recording the show.

Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) 
September 18, 2009

Source 14 of 15

2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)

Lineage:

Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact

Source 15 of 15

1:51:45

Taper Notes:

View NotesThis source was seeded to Dime a Dozen on 10/21/2006.  When it was seeded it was missing all of set one.  The first half of set 2 was included in the torrent twice.  I deleted the redundant material and renamed the files.  What remains is a very good recording of the 2nd set.  Hopefully, someday, the first set will surface.