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Today In History
June 15th
Years
1995
30.1k
PlaybackListensHours
48h66989
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.3k370
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.1k267
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.2k290
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k373
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.2k439
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.6k323
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.2k143
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h6.5k820
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86199
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3.8k446
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h3.9k461
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.1k140
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k185
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.7k221
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h6.4k744
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.2k179
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.6k216
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.1k1.3k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h11.8k1.6k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41842
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.2k403
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.4k579
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.6k328
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k150
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.6k189
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.7k267
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h815100
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11216
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h26418
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h402
7d1128
30d63237
2 shows
2 tapes
1982
5/22/82
Tuning
1:04
Jack Straw >
4:49
Sugaree
11:17
Cassidy
5:47
Tennessee Jed >
7:45
Minglewood Blues
7:14
Cumberland Blues
5:55
Lazy Lightnin' >
3:21
Supplication
6:20
Deal
6:29
Tuning
0:13
China Cat Sunflower >
5:47
I Know You Rider >
6:14
Man Smart (Woman Smarter)
6:27
Never Trust A Woman
6:02
Lost Sailor >
6:33
Saint Of Circumstance >
6:25
He's Gone >
11:51
Drums >
12:20
Space >
9:28
Not Fade Away >
9:12
Wharf Rat >
8:14
Around And Around >
3:44
Good Lovin'
8:33
U.S. Blues
5:10
FIN
View on archive.org
Sources
Taper: Recorded by Eddie Claridge
2:46:43
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Eddie Claridge
Transferrer:
Digitized by Rob Eaton Mastered By Charlie Miller [email protected] July 16, 2023
SHNID:
gd1982-05-22.165132.sbd.claridge.eaton.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900/48k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his dats for me -- Patch source recorded by Bob Wagner
Transferrer: Charlie Miller
2:46:15
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.sbd.miller.96331.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Transferrer: Mr. Townshend
1:28:47
SBD
Transferrer:
Mr. Townshend
SHNID:
gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16
Source:
SBD -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) -> Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH
Taper Notes:
View Notes% Tape flip locations
Source 4 of 15
2:36:23
SBD
Rating:
8.94 / 33 ratings
SHNID:
gd82-05-22.sbd.gorinsky.5215.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd Mcassette > DAT > CDR > CDR > EAC > SHN
Taper Notes:
View NotesSbd Mcassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini; d1t1 dropout spliced at 02:15
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163529.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163528.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Bob Wagner
2:47:54
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109336.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- This is a 24bit source -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:47:52
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109335.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Ohr Weinberg
2:46:14
Taper:
Ohr Weinberg
Transferrer:
Anne Cohen
SHNID:
gd1982-05-22.155392.ohr-PML-VM41-TC-D5M.flac16
Source:
Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B)
Lineage:
Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
Taper Notes:
View NotesNotes: 1. tape flip splice at end of He's Gone into Drums 2. tape flip splice at end of Around and Around into Good Lovin'
Source 12 of 15
2:39:24
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006 by me. When it was seeded it was missing all of set one sorry about that. The first half of set 2 was included in the torrent twice again my apoligies. Someone deleted the redundant material and renamed the files....So on this day March 2nd of 2008 I give to you in my opinion one of the best Audience Recordings in the world for the world
Transferrer: Hunter Seamons
2:46:28
Rating:
10.00 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1982-05-22.mtx.seamons.101450.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesMatrix* ----------------------------------------------------------------- SBD (shnid=96331): Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 10, 2008 [Cuts:] He's Gone (8:58 - 9:14) Drums (0:11 - 11:15) Space (0:11 - 0:22) ----------------------------------------------------------------- AUD (shnid=101328): Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to musigny23 for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 18, 2009
Source 14 of 15
2:45:12
Rating:
10.00 / 1 rating
Source:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)
Lineage:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
Source 15 of 15
1:51:45
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006. When it was seeded it was missing all of set one. The first half of set 2 was included in the torrent twice. I deleted the redundant material and renamed the files. What remains is a very good recording of the 2nd set. Hopefully, someday, the first set will surface.