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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2k277
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h61687
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.2k697
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.5k198
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3.7k481
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k355
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.5k441
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k155
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.6k283
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78989
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k193
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k186
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k237
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k682
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h5.4k700
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h13.9k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h6.9k960
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h87273
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k554
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k564
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.3k408
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k248
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.3k820
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k579
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60575
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h14521
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h36526
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h433
7d1277
30d57234
2 shows
2 tapes
1982
5/22/82
Jack Straw ->
5:00
Sugaree
11:26
Cassidy
5:50
Tennessee Jed ->
7:46
New Minglewood Blues
7:08
Cumberland Blues
6:12
Lazy Lightnin' ->
3:20
Supplication
6:21
Deal
6:36
China Cat Sunflower ->
5:45
I Know You Rider ->
6:17
Man Smart (Woman Smarter)
6:32
Never Trust A Woman
6:25
Lost Sailor ->
6:16
Saint Of Circumstance ->
6:28
He's Gone ->
12:05
Drums ->
11:46
Space ->
8:12
Not Fade Away ->
10:52
Wharf Rat ->
8:14
Around And Around ->
3:43
Good Lovin'
8:56
U.S. Blues
5:05
FIN
View on archive.org
Sources
Taper: Recorded by Eddie Claridge
2:46:43
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Eddie Claridge
Transferrer:
Digitized by Rob Eaton Mastered By Charlie Miller [email protected] July 16, 2023
SHNID:
gd1982-05-22.165132.sbd.claridge.eaton.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900/48k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his dats for me -- Patch source recorded by Bob Wagner
Transferrer: Charlie Miller
2:46:15
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.sbd.miller.96331.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Transferrer: Mr. Townshend
1:28:47
SBD
Transferrer:
Mr. Townshend
SHNID:
gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16
Source:
SBD -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) -> Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH
Taper Notes:
View Notes% Tape flip locations
Source 4 of 15
2:36:23
SBD
Rating:
8.94 / 33 ratings
SHNID:
gd82-05-22.sbd.gorinsky.5215.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd Mcassette > DAT > CDR > CDR > EAC > SHN
Taper Notes:
View NotesSbd Mcassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini; d1t1 dropout spliced at 02:15
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163529.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163528.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Bob Wagner
2:47:54
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109336.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- This is a 24bit source -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:47:52
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109335.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Ohr Weinberg
2:46:14
Taper:
Ohr Weinberg
Transferrer:
Anne Cohen
SHNID:
gd1982-05-22.155392.ohr-PML-VM41-TC-D5M.flac16
Source:
Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B)
Lineage:
Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
Taper Notes:
View NotesNotes: 1. tape flip splice at end of He's Gone into Drums 2. tape flip splice at end of Around and Around into Good Lovin'
Source 12 of 15
2:39:24
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006 by me. When it was seeded it was missing all of set one sorry about that. The first half of set 2 was included in the torrent twice again my apoligies. Someone deleted the redundant material and renamed the files....So on this day March 2nd of 2008 I give to you in my opinion one of the best Audience Recordings in the world for the world
Transferrer: Hunter Seamons
2:46:28
Rating:
10.00 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1982-05-22.mtx.seamons.101450.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesMatrix* ----------------------------------------------------------------- SBD (shnid=96331): Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 10, 2008 [Cuts:] He's Gone (8:58 - 9:14) Drums (0:11 - 11:15) Space (0:11 - 0:22) ----------------------------------------------------------------- AUD (shnid=101328): Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to musigny23 for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 18, 2009
Source 14 of 15
2:45:12
Rating:
10.00 / 1 rating
Source:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)
Lineage:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
Source 15 of 15
1:51:45
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006. When it was seeded it was missing all of set one. The first half of set 2 was included in the torrent twice. I deleted the redundant material and renamed the files. What remains is a very good recording of the 2nd set. Hopefully, someday, the first set will surface.