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June 12th
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k186
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.1k421
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k314
7d5.9k756
30d38.5k5.1k
57 shows
539 tapes
1991
36.3k
PlaybackListensHours
48h4.9k613
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.5k939
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h3k367
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k131
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.6k297
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h991112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k216
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.3k509
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k179
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k152
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k305
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k273
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k212
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k264
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.4k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
419 tapes
1976
61.3k
PlaybackListensHours
48h19.9k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23325
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k502
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.3k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k253
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k185
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k192
7d12.9k1.3k
30d46.3k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.3k172
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56472
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8212
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h48931
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h524
7d1368
30d63237
2 shows
2 tapes
1982
5/22/82
Crowd/Tuning
0:48
Jack Straw >
4:50
Sugaree
11:14
Cassidy
5:51
Tennessee Jed >
7:47
New Minglewood Blues
7:15
Cumberland Blues
6:12
Lazy Lightning >
3:21
Supplication
6:23
Deal
6:36
China Cat Sunflower >
7:14
I Know You Rider >
5:04
Man Smart (Woman Smarter) >
6:33
Never Trust A Woman
6:21
Lost Sailor >
6:19
Saint Of Circumstance >
6:34
He's Gone >
12:07
Drums >
12:10
Space >
9:11
Not Fade Away >
10:00
Wharf Rat >
8:18
Around & Around >
3:45
Good Lovin'
8:45
E: US Blues
5:14
FIN
View on archive.org
Sources
Taper: Recorded by Eddie Claridge
2:46:43
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Eddie Claridge
Transferrer:
Digitized by Rob Eaton Mastered By Charlie Miller [email protected] July 16, 2023
SHNID:
gd1982-05-22.165132.sbd.claridge.eaton.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900/48k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his dats for me -- Patch source recorded by Bob Wagner
Transferrer: Charlie Miller
2:46:15
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.sbd.miller.96331.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Transferrer: Mr. Townshend
1:28:47
SBD
Transferrer:
Mr. Townshend
SHNID:
gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16
Source:
SBD -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) -> Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH
Taper Notes:
View Notes% Tape flip locations
Source 4 of 15
2:36:23
SBD
Rating:
8.94 / 33 ratings
SHNID:
gd82-05-22.sbd.gorinsky.5215.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd Mcassette > DAT > CDR > CDR > EAC > SHN
Taper Notes:
View NotesSbd Mcassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini; d1t1 dropout spliced at 02:15
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163529.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163528.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Bob Wagner
2:47:54
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109336.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- This is a 24bit source -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:47:52
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109335.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Ohr Weinberg
2:46:14
Taper:
Ohr Weinberg
Transferrer:
Anne Cohen
SHNID:
gd1982-05-22.155392.ohr-PML-VM41-TC-D5M.flac16
Source:
Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B)
Lineage:
Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
Taper Notes:
View NotesNotes: 1. tape flip splice at end of He's Gone into Drums 2. tape flip splice at end of Around and Around into Good Lovin'
Source 12 of 15
2:39:24
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006 by me. When it was seeded it was missing all of set one sorry about that. The first half of set 2 was included in the torrent twice again my apoligies. Someone deleted the redundant material and renamed the files....So on this day March 2nd of 2008 I give to you in my opinion one of the best Audience Recordings in the world for the world
Transferrer: Hunter Seamons
2:46:28
Rating:
10.00 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1982-05-22.mtx.seamons.101450.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesMatrix* ----------------------------------------------------------------- SBD (shnid=96331): Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 10, 2008 [Cuts:] He's Gone (8:58 - 9:14) Drums (0:11 - 11:15) Space (0:11 - 0:22) ----------------------------------------------------------------- AUD (shnid=101328): Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to musigny23 for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 18, 2009
Source 14 of 15
2:45:12
Rating:
10.00 / 1 rating
Source:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)
Lineage:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
Source 15 of 15
1:51:45
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006. When it was seeded it was missing all of set one. The first half of set 2 was included in the torrent twice. I deleted the redundant material and renamed the files. What remains is a very good recording of the 2nd set. Hopefully, someday, the first set will surface.