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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k150
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h66494
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.7k898
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.8k352
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h6.1k798
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3.1k404
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.5k431
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k163
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k303
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h928103
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k249
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k187
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k191
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h2k245
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.5k329
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k704
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.4k198
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.1k414
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h12.3k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k707
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h84070
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.9k611
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h5.1k664
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.9k477
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.4k268
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.7k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k616
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h51662
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10316
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32223
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h453
7d1066
30d56034
2 shows
2 tapes
1982
5/22/82
Tuning
0:32
Jack Straw ->
4:50
Sugaree
12:05
Cassidy
6:07
Tennessee Jed ->
7:45
New Minglewood Blues
7:18
Cumberland Blues
6:41
Lazy Lightnin' ->
3:21
Supplication
6:22
Deal
6:33
China Cat Sunflower ->
5:52
I Know You Rider ->
6:11
Man Smart (Woman Smarter)
6:35
Never Trust A Woman
6:28
Lost Sailor ->
6:16
Saint Of Circumstance ->
6:29
He's Gone ->
12:03
Drums ->
11:41
Space ->
8:55
Not Fade Away ->
10:09
Wharf Rat ->
8:19
Around And Around ->
3:44
Good Lovin'
8:25
U.S. Blues
5:11
FIN
View on archive.org
Sources
Taper: Recorded by Eddie Claridge
2:46:43
SBD
Rating:
10.00 / 1 rating
Taper:
Recorded by Eddie Claridge
Transferrer:
Digitized by Rob Eaton Mastered By Charlie Miller [email protected] July 16, 2023
SHNID:
gd1982-05-22.165132.sbd.claridge.eaton.miller.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi Dragon) > DAT (Panasonic SV-3900/48k)
Taper Notes:
View NotesNotes: -- Thanks to Rob Eaton for transferring his dats for me -- Patch source recorded by Bob Wagner
Transferrer: Charlie Miller
2:46:15
SBD
Rating:
9.60 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.sbd.miller.96331.sbeok.flac16
Source:
SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD
Lineage:
CD -> Samplitude Professional v10.1 -> FLAC
Transferrer: Mr. Townshend
1:28:47
SBD
Transferrer:
Mr. Townshend
SHNID:
gd1982-05-22.sbd-set2.mtownsend.gems.82532.sbeok.flac16
Source:
SBD -> MSC -> PCM -> DAT(x2)
Lineage:
Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) -> Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH
Taper Notes:
View Notes% Tape flip locations
Source 4 of 15
2:36:23
SBD
Rating:
8.94 / 33 ratings
SHNID:
gd82-05-22.sbd.gorinsky.5215.sbeok.shnf
Source:
Soundboard
Lineage:
Sbd Mcassette > DAT > CDR > CDR > EAC > SHN
Taper Notes:
View NotesSbd Mcassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini; d1t1 dropout spliced at 02:15
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163529.akg.se5.wiseman.miller.clugston.flac2496
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Scott Wiseman
2:47:52
Taper:
Scott Wiseman
Transferrer:
Scott Wiseman and Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.163528.akg.se5.wiseman.miller.clugston.flac1648
Source:
Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Lineage:
Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Scott Wiseman for the source cassettes and transfer - Thanks to Charlie Miller for coordinating this effort - Thanks to N. Hoey for the Nakamichi 300 source which provides a 0:10 patch in "Cumberland Blues", a 0:24 patch in "He's Gone", as well as a 0:19 patch in the "Wharf Rat > Around & Around" transition - Pitch corrected Mastered by Scott Clugston May 2022
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156109.2nd.set.beyer.m160.vita.miller.clugston.flac2496
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Jim Vita
1:48:19
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-05-22.156108.2nd.set.beyer.m160.vita.miller.clugston.flac1648
Source:
Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90)
Lineage:
1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the 1st generation cassettes (Jim's deck made it to the show (thanks Andy), Jim did not) - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Bob Wagner for the (FOB) Nakamichi 700 source which supplies a 0:05 patch in "Saint Of Circumstance > He's Gone" transition, a 1:41 patch in "He's Gone", a 16:10 patch in "Drums > Space", as well as a 0:10 patch in the "Not Fade Away > Wharf Rat" transition - Not Fade Away space included in "Not Fade Away" - Pitch corrected Mastered by Scott Clugston December 2021
Taper: Bob Wagner
2:47:54
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109336.flac24
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24
Taper Notes:
View NotesNotes: -- This is a 24bit source -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Bob Wagner
2:47:52
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1982-05-22.nak700.wagner.miller.109335.flac16
Source:
(FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Bob Wagner for lending me his masters -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Ohr Weinberg
2:46:14
Taper:
Ohr Weinberg
Transferrer:
Anne Cohen
SHNID:
gd1982-05-22.155392.ohr-PML-VM41-TC-D5M.flac16
Source:
Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B)
Lineage:
Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
Taper Notes:
View NotesNotes: 1. tape flip splice at end of He's Gone into Drums 2. tape flip splice at end of Around and Around into Good Lovin'
Source 12 of 15
2:39:24
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006 by me. When it was seeded it was missing all of set one sorry about that. The first half of set 2 was included in the torrent twice again my apoligies. Someone deleted the redundant material and renamed the files....So on this day March 2nd of 2008 I give to you in my opinion one of the best Audience Recordings in the world for the world
Transferrer: Hunter Seamons
2:46:28
Rating:
10.00 / 4 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1982-05-22.mtx.seamons.101450.sbeok.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
Taper Notes:
View NotesMatrix* ----------------------------------------------------------------- SBD (shnid=96331): Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 10, 2008 [Cuts:] He's Gone (8:58 - 9:14) Drums (0:11 - 11:15) Space (0:11 - 0:22) ----------------------------------------------------------------- AUD (shnid=101328): Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact ----------------------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to musigny23 for recording the show. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 18, 2009
Source 14 of 15
2:45:12
Rating:
10.00 / 1 rating
Source:
2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90)
Lineage:
Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
Source 15 of 15
1:51:45
Taper Notes:
View NotesThis source was seeded to Dime a Dozen on 10/21/2006. When it was seeded it was missing all of set one. The first half of set 2 was included in the torrent twice. I deleted the redundant material and renamed the files. What remains is a very good recording of the 2nd set. Hopefully, someday, the first set will surface.