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Bands
Grateful Dead
Today In History
June 10th
5 shows
52 tapes
Years
1995
29.8k
PlaybackListensHours
48h57378
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h1.9k244
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k303
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k201
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.1k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.4k298
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k128
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h1.9k220
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h72282
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.6k185
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.2k608
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.1k138
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k224
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k306
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k205
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.8k242
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.2k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.1k1.5k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.1k552
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10k1.3k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2k266
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k195
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k194
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k171
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72389
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9314
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43727
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h664
7d885
30d57633
2 shows
2 tapes
1982
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] September 11, 2024
2:56:04
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 11, 2024
SHNID:
gd1982-04-17.168798.sbd.cm.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/Dolby B/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Spanish Jam is without Jerry -- Patch source recorded by Larry Oppenheimer -- Patches are for between song tape pauses and tape flips -- This is 168778 2496 > 1648 tagged TOH
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] September 11, 2024
2:56:04
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 11, 2024
SHNID:
gd1982-04-17.168778.sbd.cassette.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Dolby B/TDK SA-X90)
Lineage:
Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition 2023 > DDi Codec > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Spanish Jam is without Jerry -- Patch source recorded by Larry Oppenheimer -- Patches are for between song tape pauses and tape flips
Taper: Larry Oppenheimer
2:57:24
SBD
Taper:
Larry Oppenheimer
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] September 10, 2024
SHNID:
gd1982-04-17.168777.sbd.pcm.miller.patched.flac1644
Source:
SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS)
Lineage:
PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Spanish Jam is without Jerry -- Recorded By Larry Oppenheimer -- Thanks to David Gans for supplying the tapes -- This source is an upgrade to all previous versions -- This is the first digital Grateful Dead recording ever made
Taper: Larry Oppenheimer
2:57:12
SBD
Rating:
6.00 / 2 ratings
Taper:
Larry Oppenheimer
Transferrer:
Charlie Miller
SHNID:
gd1982-04-17.146324.dsbd.miller.flac1644
Source:
SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS)
Lineage:
PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16
Taper Notes:
View NotesPatch Info: (FOB) Beyer M160 > Cassette Master (shnid=137574) supplies: New Minglewood Blues (complete track) Sugaree (0:00 - 2:47) Notes: -- Spanish Jam is without Jerry -- Recorded By Larry Oppenheimer -- Thanks to David Gans for supplying the tapes -- Thanks to Frank Streeter for the patch source -- This source is an upgrade to all previous versions -- This is the first digital Grateful Dead recording ever made
Taper: Tim Dalton
1:37:52
SBD
Rating:
10.00 / 1 rating
Taper:
Tim Dalton
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-04-17.141100.set2.sbd.pcm.dalton.miller.clugston.flac1644
Source:
Set 2 Source Info: Vault Master Soundboard PCM > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Taper Notes:
View NotesNotes: - Thanks to Tim Dalton for the source PCM - Thanks to Charlie Miller for the transfer - First Vault PCM ever recorded (only the 2nd Set was recorded on PCM) - Thanks to the folks responsible for the shnid23933 soundboard source which supplies the final 0:32 of "It's All Over Now, Baby Blue" (this set was filler on another PCM and Tim's tape ran out) - Level fluctuations smoothed Mastered by Scott Clugston February 19, 2018
Source 6 of 15
2:56:27
SBD
Rating:
8.70 / 21 ratings
SHNID:
gd82-04-17.sbd.bertha-ashley.23933.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> ???> CDA> WAV (EAC)> DAW (Bertha)> CDA/SHN
Source 7 of 15
1:37:36
SBD
Rating:
8.40 / 5 ratings
SHNID:
gd82-04-17.set2-sbd.nayfield.332.sbeok.shnf
Source:
Soundboard
Lineage:
SBD> PCM> C> DAT> ZA2 downsampling> CDR
Taper Notes:
View Notesset II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield
Taper: Frank Streeter
2:45:51
Rating:
8.00 / 1 rating
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-17.137574.m160.streeter.miller.flac16
Source:
(FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Frank Streeter -- 137573 24bit > 16bit with r8brain
Taper: Frank Streeter
2:45:51
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-17.137573.m160.streeter.miller.flac24
Source:
(FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Recorded By Frank Streeter
Source 10 of 15
2:57:24
SHNID:
gd1982-04-17.151688.mtx.dusborne.flac16
Source:
Matrix by Dave Usborne
Taper Notes:
View Notes--------------------------------------------------------------------------------------------- ---Thank you Charlie Miller for your work on the SBD and AUD. ---Thank you Larry Oppenheimer and Frank Streeter for recording the show. ---Thank you David Gans for the SBD copy. ---Thank you Germain for your advice, encouragement, guidance and seeding. Matrix by dusborne 02-06-2021
Taper: Doug Lamarre
2:43:27
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-04-17.144638.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:43:27
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-04-17.144637.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's, dolby b
Lineage:
nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Joe Morrone
2:49:36
Taper:
Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1982-04-17.nak300.morrone.115651.flac1644
Source:
AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2011
Taper Notes:
View NotesNotes: Not clear what caps were used on the CM300's, was likely the CP1's. Patch from ID-76142 Space 0:00 > 0:33.
Taper: Barry Glassberg
2:50:33
Rating:
9.33 / 6 ratings
Taper:
Barry Glassberg
SHNID:
gd1982-04-17.fob.nak700.glassberg.78747.sbeok.flac16
Source:
FOB-Nak 700's > Sony D5 recorded by Barry Glassberg
Lineage:
Aud > mastercassette > DAT > CDR > EAC > Flac-level8
Taper: Dennis C.
2:48:39
Taper:
Dennis C.
Transferrer:
Andrew F.
SHNID:
gd1982-04-17.aud.dennisc.andrewf.76142.sbeok.flac16
Lineage:
MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC
Taper Notes:
View NotesDennis borrowed the taping equipment for this show, and does not recall exactly what gear was used. I covered the tape-flip near the end of Drums with 29 seconds from the soundboard source, from 5:40 thru 6:09. The break between Disc Two and Disc Three is seamless for reassembly onto longer media. The MAC ran out near the end of Saturday Night, so the final 57 seconds is also from the soundboard source, from 3:32 thru 4:29. With THANKS to Dennis for loaning me his tapes to transfer, and also thanks to Tim S. for loaning his gear to Dennis in the first place... ENJOY!