1982
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1982
Sources
Taper: See info file
2:20:21
Taper:
See info file
Transferrer:
DTS mix by PLS
SHNID:
gd1982-04-14.dts.griesman.76504.sbeok.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Track Data: ___________________________________________________________ Tech Notes SHN's were decoded to wav and SF 7.0 was used to reassemble the tracks back to 1 long wave. Adobe Audition 1.5 was used to align and synch the SBD and AUD sources. SF 7.0 used to adjust the volume for the SBD, FOB, center & LFE channels. Surcode CDPro DTS was used to encode to DTS. An MTX version was made using Adobe Audition 1.5 (w/o ctr & sub channels). - Mixed by pls - FLAC conversion 7-1-2005 ___________________________________________________________ DTS-Audio-CD Info ___________________________________ Front Left Channel: SBD Right Channel: SBD ___________________________________ Center AUD Mixed to mono -5db ___________________________________ Surround Left Channel: AUD Right Channel: AUD ___________________________________ Sub/LFE SBD mixed to Mono at full strength eq'd to 020 hz -1.5 028 hz -1.0 040 hz +0.3 056 hz +0.9 080 hz +3.0 113 hz +5.6 160 hz +8.4 225 hz +4.4 320 hz +1.3 Both sources were light on Phil & it was not easy to bring him up without getting Billy's kick too dominate. ___________________________________ Center AUD mixed to Mono at -5 db I think this choice works better than using the SBD. Keeps clarity up front and seems to smooth out the balance during between song chatter. ___________________________________ More On DTS Today's audio standards are moving toward multi-channel sound, like DTS and Dolby Digital. While the Audio - CD standard (Red Book) hasn't changed to accommodate these new sound formats, it's still possible to go around the specification and to put a 5.10 surround recording on a regular Audio - CD. To play a DTS - Audio - CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby - Digital receiver. It is not 100% sure that your receiver will recognize a DTS - Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with volume very low, play the disc and raise the volume gradually.NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions: burn them the same way you would burn any normal Audio CD from .shn files. _________________________
Taper: See info file
2:20:21
Rating:
7.00 / 3 ratings
Taper:
See info file
Transferrer:
Matrix Mix by Randy Griesman
SHNID:
gd1982-04-14.mtx.griesman.30206.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesThis is the MTX version of the DTS created and outlined below: OK boys and girls, I had to do this one because it was the show that got me hooked into wasting countless hours staring at an endless succession of tape decks. I road tripped to the show ticketless and spent the entire night leaning against the stage watching the band have a ball. The guy Bobby refers to when he announces that they're gonna play one they haven't played in awhile was right behind me and he must've peppered them with a ceaseless 'Lazy Lightnin' chant for - let's see, according to the track listing I'd estimate about 47 minutes.... Enjoy! And by the way - for the omnipotent among us, please reserve judgement at the beginning of Jack Straw. The show was almost impossible to reassemble because one of the two sources suffers from some serious speed issues at the beginning. I challenge those who tend to challenge to identify and resolve. But, by the time the band relaxes and Jack Straw starts to rock, things are pretty much just exactly the way they should be. And for the guy who critiqued this show on etree and said Jerry was just going through the paces - check out ... well maybe you'll have to go into the second tune and listen to TLEO.
Taper: Ohr Weinberg
2:19:45
Rating:
8.50 / 4 ratings
Taper:
Ohr Weinberg
Transferrer:
Anne Cohen
SHNID:
gd82-04-14.senn-weinberg.cohen.26234.sbeok.shnf
Source:
Audience Recording: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B
Lineage:
Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC
Taper Notes:
View Notes2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B, recorded by Ohr Weinberg; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC