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June 7th
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1982
4/12/82
01 - Man Smart (Woman Smarter) >
5:51
02 - Sugaree
14:21
03 - Estimated Prophet >
11:51
04 - Uncle John's Band >
6:28
05 - Drums >
9:41
06 - Space >
6:01
07 - The Other One >
8:28
08 - Stella Blue >
11:17
09 - Sugar Magnolia
10:17
10 - Satisfaction
6:27
FIN
View on archive.org
Sources
Taper: Candace Brightman
1:30:42
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2024
SHNID:
gd1982-04-12.169153.Nassau.Uniondale.NY.set2.sbd.cm.brightman.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the tape -- Thanks to Doug Lamarre and Rob Berger for the patch source -- The patch source needed pitch corrected +1.8% -- This is 169106 2496 > 1648
Taper: Candace Brightman
1:30:42
SBD
Taper:
Candace Brightman
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 15, 2024
SHNID:
gd1982-04-12.169106.set2.sbd.cm.brightman.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK SA-X)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Candace Brightman for the tape -- Thanks to Doug Lamarre and Rob Berger for the patch source -- The patch source needed pitch corrected +1.8%
Transferrer: Charlie Miller
2:42:23
SBD
Rating:
8.44 / 10 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-04-12.sbd.miller.95638.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC
Taper Notes:
View NotesPatch Info: Audience Recording (shnid=9508) supplies: Sugaree (0:49 - 0:56) Sugar Magnolia (complete track) Satisfaction (complete track) Notes: -- Set 2 is seamless -- This is a remastered pitch corrected version of shnid=32014 -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller and Bill Tetzeli
2:43:19
SBD
Rating:
7.00 / 3 ratings
Transferrer:
Charlie Miller and Bill Tetzeli
SHNID:
gd1982-04-12.sbd.miller.tetzeli.fix-32014.35160.reflac.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC ->CEP -> FLAC
Taper Notes:
View Notes--------------------------------------------------------------------------------------------------- Fix of shnid 32014 The AUD patches on the original source were not pitch corrected, so I downloaded the AUD from archive (shnid 9508) and did the pitch correction, then redid the patches in CE Pro. The patches were pitch corrected to match the SBD, the Satisfaction encore was pitch corrected to match the electronic keyboard on my laptop. Bill Tetzeli ([email protected]) 7:50 PM 6/20/2006
Transferrer: Charlie Miller
2:43:23
SBD
Rating:
9.33 / 3 ratings
Transferrer:
Charlie Miller
SHNID:
gd1982-04-12.sbd.miller.32014.sbeok.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: Aud Cassette Master (from LMA) supplies a 2 Second patch in Sugaree and all of Sugar Magnolia and Satisfaction. Patch was speed corrected by Jay Ashley. Notes: -- Seamless transition between Discs 2 and 3.
Transferrer: Matrix by Dave Usborne
2:48:16
SBD
Rating:
9.00 / 4 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1982-04-12.138011.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone;
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
Taper: Frank Streeter
2:40:54
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-04-12.141258.fob.beyer.m160.streeter.miller.clugston.flac2496
Source:
Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master FOB recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid137410 source which supplies a 3:07 patch in the "Drums" > "Space" transition - Technical difficulties resulted in the channels cutting out intermittently,as a result, "Iko Iko" from 4:23 thru the first 0:30 of "New Minglewood Blues", the first 1:11 of "Peggy O", the crowd and first 0:04 of "CC Rider" (0:18 total) are in mono - Other One space included in "The Other One" - Transitions smoothed Mastered by Scott Clugston March 2, 2018
Taper: Frank Streeter
2:40:54
Taper:
Frank Streeter
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-04-12.141257.fob.beyer.m160.streeter.miller.clugston.flac1644
Source:
Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Frank Streeter for the master FOB recording - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid137410 source which supplies a 3:07 patch in the "Drums" > "Space" transition - Technical difficulties resulted in the channels cutting out intermittently,as a result, "Iko Iko" from 4:23 thru the first 0:30 of "New Minglewood Blues", the first 1:11 of "Peggy O", the crowd and first 0:04 of "CC Rider" (0:18 total) are in mono - Other One space included in "The Other One" - Transitions smoothed Mastered by Scott Clugston March 2, 2018
Taper: Doug Lamarre
2:38:22
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-04-12.144614.aud.lamarre.berger.flac2496
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac
Taper: Doug Lamarre
2:38:22
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1982-04-12.144613.aud.lamarre.berger.flac1644
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-II90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac
Taper: Brian Schley
2:41:37
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-04-12.137411.aud.schley.flac1644
Lineage:
Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
Taper Notes:
View NotesLineage is noted as best as can be recalled at this time... Craig L. kindly provided the 1st-gen back-up tape used for Set 1. Patches from ID-113824; Iko 0:00 > 0:19, Minglewood 0:00 > 0:10, C.C.Rider 0:00 > 0:22, Women 0:00 > 0:20, and Drums 7:56 > 9:32. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
2:41:37
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-04-12.137410.aud.schley.flac2448
Lineage:
Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016
Taper Notes:
View NotesLineage is noted as best as can be recalled at this time... Craig L. kindly provided the 1st-gen back-up tape used for Set 1. Patches from ID-113824; Iko 0:00 > 0:19, Minglewood 0:00 > 0:10, C.C.Rider 0:00 > 0:22, Women 0:00 > 0:20, and Drums 7:56 > 9:32. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Joe Morrone
2:46:08
Rating:
8.00 / 1 rating
Taper:
Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1982-04-12.nak300.morrone.113826.flac1644
Source:
AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
Taper Notes:
View NotesNot clear what caps were used on the CM300's, was likely the CP1's. There's a slight buzzing heard in the P.A. at times during the second set. No patch available for tape flip during Drums, small cross-fade added at 7:15. This recording has aprx three minutes more Drums/Space than ID-9508. CDRs: D1 s1t01 > s1t10, D2 s2t01 > s2t05, D3 s2t06 > s2t10
Taper: Joe Morrone
2:46:08
Rating:
10.00 / 2 ratings
Taper:
Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1982-04-12.nak300.morrone.113824.flac2448
Source:
AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone.
Lineage:
MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011
Taper Notes:
View NotesNot clear what caps were used on the CM300's, was likely the CP1's. There's a slight buzzing heard in the P.A. at times during the second set. No patch available for tape flip during Drums, small cross-fade added at 7:15. This recording has aprx three minutes more Drums/Space than ID-9508.
Source 15 of 15
2:35:32
Rating:
8.83 / 13 ratings
SHNID:
gd82-04-12.aud.glyde.9508.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde