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June 11th
Years
1995
29.8k
PlaybackListensHours
48h52571
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k190
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.8k375
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2.1k276
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.2k527
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.6k953
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.8k338
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k128
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.4k272
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h943106
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k210
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k507
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.3k167
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k149
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.3k286
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.3k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k212
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k259
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.5k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.9k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h20822
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.8k492
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.4k1.5k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k248
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k161
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h54670
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8112
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h44929
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h564
7d895
30d58534
2 shows
2 tapes
1982
4/8/82
Funiculi Funicula ->
1:52
Playing In The Band ->
10:32
Uncle John's Band ->
8:06
Estimated Prophet ->
11:50
Eyes Of The World ->
7:33
Drums ->
8:24
Space ->
5:21
Not Fade Away ->
9:45
Black Peter ->
9:26
Playing In The Band ->
4:10
Johnny B. Goode
4:57
U.S. Blues
5:23
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:27:19
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.set2.sbd.miller.109567.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Rob Eaton for lending me his dat
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152456.nak300ad2k-prescott.holbrook.flac2448
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152455.nak300ad2k-prescott.holbrook.flac1644
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164797.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164796.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Frank Streeter
2:32:29
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.137071.m160-senn421.miller.flac16
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Frank Streeter
2:32:29
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.136854.m160-senn421.streeter.miller.flac24
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Dave Barfield and David Lane
2:22:25
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1982-04-08.140785.nak300.barfield.lane.flac2496
Source:
source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield
Taper Notes:
View Notesnotes: most of lil red rooster cut + other problems that were the result of problems. i stitched it back together pretty well. it suffers from that early 80s fob lack of balanced mix at times (overstated vocals/understated instruments) at points, but nevertheless a pretty decent recording.
Taper: David Dyche
2:27:05
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1982-04-08.nak700.dyche.103280.flac16
Source:
Nak 700's > Bass Box > TCD-5M
Lineage:
Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
Taper: Jim Vita
2:33:29
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102214.flac24
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Taper: Jim Vita
2:33:29
Rating:
7.00 / 4 ratings
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102213.flac16
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Source 12 of 13
2:25:05
Rating:
6.57 / 10 ratings
SHNID:
gd82-04-08.fob-senn421.miller.14543.sbeok.shnf
Source:
Audience Recording: Sennheiser 421
Lineage:
(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 ->M-Audio 2448 -> Samplitude 2496 v6.0 -> CD
Taper Notes:
View Notes(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller
Taper: Jim Wise
2:31:06
Taper:
Jim Wise
SHNID:
gd1982-04-08.senn421.wise.vernon.8475.sbeok.shnf
Source:
sennheiser 421 mics > sony tc d5 using maxell xl11-s dolby b master
Lineage:
nak dragon > hhb cdr-800 dolby in the off position > CDR(s) > EAC(secure) > mkwact(seekable)
Taper Notes:
View Notesd2t03. jerry's wah-wah dies d3t03. some mild distortion from loud volume during drums