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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1982
4/8/82
Feel Like A Stranger
8:58
They Love Each Other
8:25
Me & My Uncle >
2:49
Big River
5:25
Friend Of The Devil
9:17
Little Red Rooster
8:05
Ramble On Rose >
7:39
Let It Grow
12:53
Crowd/Tuning/Funiculi Funicula
3:33
Playin' In The Band >
10:30
Uncle John's Band >
8:07
Estimated Prophet >
11:48
Eyes Of The World >
7:33
Drums >
9:47
Space >
4:28
Not Fade Away >
9:42
Black Peter >
9:27
Playin' In The Band Reprise >
4:08
Johnny B. Goode
4:47
E: US Blues
5:23
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:27:19
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.set2.sbd.miller.109567.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Rob Eaton for lending me his dat
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152456.nak300ad2k-prescott.holbrook.flac2448
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152455.nak300ad2k-prescott.holbrook.flac1644
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164797.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164796.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Frank Streeter
2:32:29
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.137071.m160-senn421.miller.flac16
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Frank Streeter
2:32:29
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.136854.m160-senn421.streeter.miller.flac24
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Dave Barfield and David Lane
2:22:25
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1982-04-08.140785.nak300.barfield.lane.flac2496
Source:
source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield
Taper Notes:
View Notesnotes: most of lil red rooster cut + other problems that were the result of problems. i stitched it back together pretty well. it suffers from that early 80s fob lack of balanced mix at times (overstated vocals/understated instruments) at points, but nevertheless a pretty decent recording.
Taper: David Dyche
2:27:05
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1982-04-08.nak700.dyche.103280.flac16
Source:
Nak 700's > Bass Box > TCD-5M
Lineage:
Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
Taper: Jim Vita
2:33:29
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102214.flac24
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Taper: Jim Vita
2:33:29
Rating:
7.00 / 4 ratings
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102213.flac16
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Source 12 of 13
2:25:05
Rating:
6.57 / 10 ratings
SHNID:
gd82-04-08.fob-senn421.miller.14543.sbeok.shnf
Source:
Audience Recording: Sennheiser 421
Lineage:
(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 ->M-Audio 2448 -> Samplitude 2496 v6.0 -> CD
Taper Notes:
View Notes(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller
Taper: Jim Wise
2:31:06
Taper:
Jim Wise
SHNID:
gd1982-04-08.senn421.wise.vernon.8475.sbeok.shnf
Source:
sennheiser 421 mics > sony tc d5 using maxell xl11-s dolby b master
Lineage:
nak dragon > hhb cdr-800 dolby in the off position > CDR(s) > EAC(secure) > mkwact(seekable)
Taper Notes:
View Notesd2t03. jerry's wah-wah dies d3t03. some mild distortion from loud volume during drums