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June 14th
Years
1995
30.1k
PlaybackListensHours
48h45061
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k337
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k362
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k932
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h931105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.3k276
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5k585
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k164
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k197
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k233
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k211
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k255
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.8k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41241
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k486
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.9k643
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k191
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k214
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k234
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h77094
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8312
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22617
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1982
4/8/82
Feel Like A Stranger
8:50
They Love Each Other
8:25
Me and My Uncle ->
2:49
Big River
5:27
Friend Of The Devil
9:14
Little Red Rooster
8:05
Ramble On Rose
7:37
Let It Grow
12:53
Funiculi Funicula ->
3:34
Playing In The Band ->
10:15
Uncle John's Band ->
8:27
Estimated Prophet ->
11:51
Eyes Of The World ->
7:40
Drums ->
8:34
Space ->
5:24
Not Fade Away ->
10:02
Black Peter ->
9:28
Playing In The Band (Reprise) ->
4:11
Johnny B. Goode
5:15
U.S. Blues
5:28
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:27:19
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.set2.sbd.miller.109567.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Rob Eaton for lending me his dat
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152456.nak300ad2k-prescott.holbrook.flac2448
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152455.nak300ad2k-prescott.holbrook.flac1644
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164797.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164796.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Frank Streeter
2:32:29
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.137071.m160-senn421.miller.flac16
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Frank Streeter
2:32:29
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.136854.m160-senn421.streeter.miller.flac24
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Dave Barfield and David Lane
2:22:25
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1982-04-08.140785.nak300.barfield.lane.flac2496
Source:
source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield
Taper Notes:
View Notesnotes: most of lil red rooster cut + other problems that were the result of problems. i stitched it back together pretty well. it suffers from that early 80s fob lack of balanced mix at times (overstated vocals/understated instruments) at points, but nevertheless a pretty decent recording.
Taper: David Dyche
2:27:05
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1982-04-08.nak700.dyche.103280.flac16
Source:
Nak 700's > Bass Box > TCD-5M
Lineage:
Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
Taper: Jim Vita
2:33:29
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102214.flac24
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Taper: Jim Vita
2:33:29
Rating:
7.00 / 4 ratings
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102213.flac16
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Source 12 of 13
2:25:05
Rating:
6.57 / 10 ratings
SHNID:
gd82-04-08.fob-senn421.miller.14543.sbeok.shnf
Source:
Audience Recording: Sennheiser 421
Lineage:
(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 ->M-Audio 2448 -> Samplitude 2496 v6.0 -> CD
Taper Notes:
View Notes(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller
Taper: Jim Wise
2:31:06
Taper:
Jim Wise
SHNID:
gd1982-04-08.senn421.wise.vernon.8475.sbeok.shnf
Source:
sennheiser 421 mics > sony tc d5 using maxell xl11-s dolby b master
Lineage:
nak dragon > hhb cdr-800 dolby in the off position > CDR(s) > EAC(secure) > mkwact(seekable)
Taper Notes:
View Notesd2t03. jerry's wah-wah dies d3t03. some mild distortion from loud volume during drums