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Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h49568
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h2.4k396
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h2.4k313
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.3k314
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.9k385
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3k394
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.9k363
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.4k164
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h7.7k975
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h957109
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h3k350
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h4.9k572
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.3k160
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.5k191
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k230
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h8.4k981
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1.4k197
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.8k242
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h9.8k1.4k
7d32.8k4.5k
30d278k38.4k
64 shows
419 tapes
1976
85.9k
PlaybackListensHours
48h11.1k1.5k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h48850
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h3.7k470
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h4.9k650
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h3k381
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.6k172
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.8k215
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.8k277
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h832102
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12318
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21216
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h382
7d1128
30d63237
2 shows
2 tapes
1982
4/8/82
Feel Like A Stranger
8:41
They Love Each Other
8:43
Me And My Uncle ->
2:58
Big River
5:40
Friend Of The Devil
9:34
Little Red Rooster
8:02
Ramble On Rose >
7:49
Let It Grow
13:11
tuning > **
2:56
Funiculi Funicula >
0:59
Playing In The Band >
10:51
Uncle John's Band >
8:19
Estimated Prophet >
12:06
Eyes Of The World >
7:45
Drums >
4:04
Space >
3:05
Not Fade Away >
9:30
Black Peter >
9:46
Playing In The Band (reprise) >
4:17
Johnny B. Goode
4:54
crowd
2:00
Encore: U.S. Blues
5:39
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
1:27:19
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.set2.sbd.miller.109567.flac16
Source:
SBD -> Cassette Master -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Rob Eaton for lending me his dat
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152456.nak300ad2k-prescott.holbrook.flac2448
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: David Prescott & Chuck Sussman
2:30:49
SBD
Taper:
David Prescott & Chuck Sussman
Transferrer:
Kyle Holbrook
SHNID:
gd1982-04-08.152455.nak300ad2k-prescott.holbrook.flac1644
Source:
1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right)
Lineage:
Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# as they head to break Weir says: "We're going to take a short nap and be right back" ** Before they could start Weir says: "It looks like Jerry's Wah-Wah has given its' all for Rock n Roll" notes: After Stranger you can hear the guys next to the mics scream "Freebird, Freebird". Later they accurately call out Ramble On Rose while the band was tuning. Boisterous and rowdy was this crowd! There is bass distortion throughout the recording. Best guess is Nakamichi mic batteries were low OR the Pre-amps in the Nakamichi 550 couldn't handle the load from the mics (the latter being common for the era).
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164797.senn421.vita.miller.clugston.flac2496
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Jim Vita
2:32:44
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-08.164796.senn421.vita.miller.clugston.flac1648
Source:
Jim Vita's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90)
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and Charlie Miller for the Sennheiser 421 source which supplies a 5:44 patch in "Drums", as well as the first 0:55 of "US Blues" - This transcription contains most of the "US Blues" encore, which is missing from shnid 102213 - Not Fade Away space included in "Not Fade Away" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston November 2021
Taper: Frank Streeter
2:32:29
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.137071.m160-senn421.miller.flac16
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Frank Streeter
2:32:29
Rating:
8.00 / 3 ratings
Taper:
Frank Streeter
Transferrer:
Charlie Miller
SHNID:
gd1982-04-08.136854.m160-senn421.streeter.miller.flac24
Source:
(2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) ->Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Frank Streeter for the tapes -- Thanks to the MOTB crew for the patch source
Taper: Dave Barfield and David Lane
2:22:25
Taper:
Dave Barfield and David Lane
Transferrer:
david barfield
SHNID:
gd1982-04-08.140785.nak300.barfield.lane.flac2496
Source:
source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield
Taper Notes:
View Notesnotes: most of lil red rooster cut + other problems that were the result of problems. i stitched it back together pretty well. it suffers from that early 80s fob lack of balanced mix at times (overstated vocals/understated instruments) at points, but nevertheless a pretty decent recording.
Taper: David Dyche
2:27:05
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1982-04-08.nak700.dyche.103280.flac16
Source:
Nak 700's > Bass Box > TCD-5M
Lineage:
Cassette > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
Taper: Jim Vita
2:33:29
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102214.flac24
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Taper: Jim Vita
2:33:29
Rating:
7.00 / 4 ratings
Taper:
Jim Vita
Transferrer:
John Steinthal and Bill Koucky
SHNID:
gd1982-04-08.fob.vita.motb-0103.102213.flac16
Source:
(FOB) Sennheiser 421 > Sony TC-D5M > MAC. Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog
Lineage:
MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
Source 12 of 13
2:25:05
Rating:
6.57 / 10 ratings
SHNID:
gd82-04-08.fob-senn421.miller.14543.sbeok.shnf
Source:
Audience Recording: Sennheiser 421
Lineage:
(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 ->M-Audio 2448 -> Samplitude 2496 v6.0 -> CD
Taper Notes:
View Notes(FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller
Taper: Jim Wise
2:31:06
Taper:
Jim Wise
SHNID:
gd1982-04-08.senn421.wise.vernon.8475.sbeok.shnf
Source:
sennheiser 421 mics > sony tc d5 using maxell xl11-s dolby b master
Lineage:
nak dragon > hhb cdr-800 dolby in the off position > CDR(s) > EAC(secure) > mkwact(seekable)
Taper Notes:
View Notesd2t03. jerry's wah-wah dies d3t03. some mild distortion from loud volume during drums