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1982
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June 22nd
12 shows
122 tapes
Years
1995
28.7k
49 shows
343 tapes
1994
15.5k
85 shows
460 tapes
1993
37.6k
83 shows
656 tapes
1992
42.7k
57 shows
539 tapes
1991
51.8k
78 shows
973 tapes
1990
57.5k
78 shows
1,139 tapes
1989
53.9k
78 shows
1,017 tapes
1988
24.6k
82 shows
882 tapes
1987
47.3k
88 shows
1,029 tapes
1986
12.9k
47 shows
684 tapes
1985
35.3k
73 shows
1,359 tapes
1984
27.2k
67 shows
1,081 tapes
1983
26.2k
71 shows
1,069 tapes
1982
26.8k
63 shows
753 tapes
1981
28.2k
92 shows
868 tapes
1980
77.4k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
37.7k
87 shows
592 tapes
1977
206.1k
64 shows
419 tapes
1976
121.6k
45 shows
298 tapes
1975
7.7k
25 shows
63 tapes
1974
85.8k
42 shows
324 tapes
1973
77.2k
75 shows
445 tapes
1972
52.6k
88 shows
361 tapes
1971
33.5k
82 shows
358 tapes
1970
38.7k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5.3k
32 shows
78 tapes
1965
628
2 shows
2 tapes
1982
4/2/82
Crowd/Tuning
2:25
New Minglewood Blues >
6:50
Sugaree
11:59
Mama Tried > Mexicali Blues
8:38
Loser
7:06
Little Red Rooster
9:33
Candyman
6:37
Looks Like Rain
10:12
China Cat Sunflower > I Know You Rider
12:01
Samson & Delilah
9:33
It Must Have Been The Roses
6:38
Man Smart (Woman Smarter)
5:43
He's Gone >
14:45
Truckin' >
9:26
Drums >
11:20
Space >
4:39
The Other One >
13:49
Black Peter >
8:25
Sugar Magnolia
10:32
E: Don't Ease Me In
4:01
FIN
View on archive.org
Sources
Taper: Bob Wagner
2:54:12
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-02.170732.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics (w/ Bass EQ) > Sony TC-D5M (Maxell XLIIS/Dolby B)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2025 > DDi Codec (dolby B) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita and Charlie Miller for the Beyer M160, Beyer M88 blend source which supplies some crowd and beginning of "Samson & Delilah" (0:52 total) - Thanks to Brian Schley and Andrew F for the Nakamichi 300 source which supplies a 1:10 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2025
Taper: Bob Wagner
2:54:12
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1982-04-02.170731.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics (w/ Bass EQ) > Sony TC-D5M (Maxell XLIIS/Dolby B)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2025 > DDi Codec (dolby B) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Vita and Charlie Miller for the Beyer M160, Beyer M88 blend source which supplies some crowd and beginning of "Samson & Delilah" (0:52 total) - Thanks to Brian Schley and Andrew F for the Nakamichi 300 source which supplies a 1:10 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2025
Source 12 of 13
2:45:47
Rating:
8.00 / 2 ratings
SHNID:
gd1982-04-02.132146.MAC.flac16
Source:
NAK deck > 2 90 minute UDXL II cassette masters, REC from centered seats behind the stage. Tascam 322 > Marantz CDR 510 > CDR > EAC > WAV > CD WAV Editor > Flac 8
Taper Notes:
View NotesTaped from 50 - 60 feet away from behind the stage, center seats, with 2 typical band vocal mics. The wind covers were left on the mics. Mics were placed on an empty seat seperated by a few inches & pointing at the stage. The NAK deck & generic mics were loaned to me to use by Tim "soundawg" Stiegler. Thank you Tim. I had a mic stand that they took from me at the door but they let me bring in the rest of the gear no problem, I got it back when we left. All borrowed gear was safely returned. These tapes have been played LESS than 8 times in 32 years & haven't been played since 1982. There are some volume level lowering adjustments in the two sets opening songs. (this was done at the show as the tape ran) There are a few single channel drop outs in the 2nd set where noted with a * I have no idea what caused it. Besides piecing this together in places for seamless play & tracking, no SOUND edits of any kind were done. This is the best I could manage with my limited editing skills, no recorded music is missing, what's here is what's on the tapes. This was my first time ever recording a live concert. I only tried once more after this, (4-17-82), & I quickly discovered how much WORK it was. Twice was enough for me, I was DONE as a taper. If anyone wants to repair the drop outs and patch in the Encore, & fix other problems discovered, please feel free to tinker. Enjoy. Transfered to flac on December 29th, 2014.