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June 10th
Years
1995
30.1k
PlaybackListensHours
48h61583
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k223
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.8k344
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2k255
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k437
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.8k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k294
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k127
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k199
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h70378
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.5k167
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.8k445
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k156
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k136
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k189
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.5k402
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k214
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k239
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h18.7k2.6k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h8k1.1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h38842
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.5k734
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h7.3k937
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2k263
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k193
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k185
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.4k218
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h857113
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13318
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32819
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1982
2/20/82
01. Crowd
0:49
02. Jack Straw
7:06
03. They Love Each Other >
8:15
04. C.C. Rider
8:34
05. Tennessee Jed
9:04
06. Mama Tried >
2:48
07. Mexicali Blues
5:34
08. To Lay Me Down >
8:45
09. Let It Grow
12:09
10. Franklin's Tower >
11:11
11.Samson & Delilah
7:37
12. Big Railroad Blues
5:27
13. Playing In The Band >
16:54
14. Drums >
8:51
15. Space >
9:55
16. Truckin' >
7:59
17. Black Peter >
8:40
18. Around & Around >
3:53
19. One More Saturday Night
5:24
20. It's All Over Now Baby Blue
7:07
FIN
View on archive.org
Sources
Taper: Mark Severson
2:33:19
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-20.149022.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies the crowd and first few notes of "Franklin's Tower" (0:14 total) - 2nd set tape flip during a pause in "Drums", no music was lost and the flip was cross faded - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Mark Severson
2:33:19
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-20.149021.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies the crowd and first few notes of "Franklin's Tower" (0:14 total) - 2nd set tape flip during a pause in "Drums", no music was lost and the flip was cross faded - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Rango Keshavan
2:36:30
Rating:
9.83 / 13 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1982-02-20.fob.sonyecm220t.keshavan.miller.94410.sbeok.flac16
Source:
(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 300/CP4 -> Cassette Master -> SHN (shnid=23823) supplies: Big Railroad Blues (0:00 - 0:09) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: Gesine Lohr
2:36:02
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-20.151134.aud.lohr.vernon.flac2496
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View NotesRecording Notes: 04. tape pause 05. tape pause 07. tape flip 11. tape flip 12. tape pause 16. tape flip 19. tape pause
Taper: Gesine Lohr
2:36:02
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-20.151133.aud.lohr.vernon.flac1648
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View NotesRecording Notes: 04. tape pause 05. tape pause 07. tape flip 11. tape flip 12. tape pause 16. tape flip 19. tape pause
Taper: Brian Schley
59:16
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-02-20.137591.s1.nak300.schley.flac1644
Source:
Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: ID-94410 patches; crowd before TLEO 0:00 > 0:09, last note To Lay Me Down 8:42 > Let it Grow 0:10. Sorry, tape #2 is lost :( Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Brian Schley
59:16
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-02-20.137590.s1.nak300.schley.flac2448
Source:
Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
Taper Notes:
View NotesNote: ID-94410 patches; crowd before TLEO 0:00 > 0:09, last note To Lay Me Down 8:42 > Let it Grow 0:10. Sorry, tape #2 is lost :( Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rango Keshavan
2:37:05
Rating:
8.80 / 5 ratings
Taper:
Rango Keshavan
Source:
Audience Recording: 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B
Lineage:
Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable >Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
Taper Notes:
View NotesRecorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
Transferrer: Bill Reutelhuber
1:29:03
Rating:
10.00 / 1 rating
Transferrer:
Bill Reutelhuber
SHNID:
gd82-02-20.set2.aud-reutelhuber.miller.23823.sbeok.shnf
Source:
Audience Recording: Nakamichi 300/CP4
Taper Notes:
View NotesRecording Info: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape). Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN Transfered By Bill Reutelhuber Tracked and Edited By Charlie Miller
Source 10 of 10
2:36:16
Rating:
8.67 / 9 ratings
SHNID:
gd82-02-20.aud.willy.13613.sbeok.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CD
Taper Notes:
View NotesAUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy