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Today In History
June 8th
Years
1995
30k
PlaybackListensHours
48h766105
7d11.4k1.6k
30d30k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h69497
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.8k500
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.9k364
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h9.4k1.3k
7d9k1.2k
30d40.6k5.5k
78 shows
967 tapes
1990
35.2k
PlaybackListensHours
48h2.6k347
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h3k375
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.3k154
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.2k248
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h933103
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.8k212
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h1.1k145
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.5k203
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.8k220
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.3k302
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.3k672
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k183
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h2.1k285
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.7k507
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81181
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.3k560
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.6k604
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3.4k418
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h2.1k229
7d6.2k691
30d34.3k3.9k
82 shows
356 tapes
1970
42.2k
PlaybackListensHours
48h9.3k944
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.3k363
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h38948
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10815
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h23618
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h452
7d1026
30d57334
2 shows
2 tapes
1982
2/19/82
Crowd
0:49
Bertha ->
6:55
Greatest Story EverTold
4:22
Dire Wolf
3:44
Little Red Rooster
8:42
Brown Eyed Women
5:26
Cassidy
5:10
Candyman >
6:28
El Paso
5:38
Althea
7:46
New Minglewood Blues
6:59
Crowd
1:10
Alabama Getaway >
5:43
The Promised Land
4:12
Ship Of Fools
8:06
Lost Sailor >
6:55
Saint Of Circumstance ->
6:42
Jam >
2:05
Weir's Jam >
3:10
Drums >
10:57
Space >
6:15
The Other One >
12:18
Stella Blue >
9:52
Man Smart (Woman Smarter) >
5:26
Johnny B. Goode
3:57
U. S. Blues
8:05
FIN
View on archive.org
Sources
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149020.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149019.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Rango Keshavan
2:38:24
Rating:
9.78 / 10 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1982-02-19.fob.sonyecm220t.keshavan.miller.94395.sbeok.flac16
Source:
(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> CD (shnid=28382) supplies: El Paso (0:00 - 0:15) Drums (11:02 - 11:30) Man Smart (Woman Smarter) (5:29 - end of track) Johnny B. Goode (0:00 - 0:14) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:36:43
Taper:
oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-02-19.156326.beyer.tompkins.flac2448
Source:
Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sounds like the tapers moved their set-up, the mix changes between sets. Patches were added from ID-149020: Brown Eyed Women 0:00 > 0:05, Candyman 7:07 > El Paso 0:05, and Drums 5:32 > 10:32.
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151132.aud.lohr.vernon.flac2496
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151131.aud.lohr.vernon.flac1648
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Brian Schley
2:34:36
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-02-19.136426.nak300.schley.flac1644
Source:
<b>flac 16</b>; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
Taper Notes:
View NotesCaveat, the bass is a bit blown-out on parts of the recording, noticeable more in the 2nd Set. ID-28382 patches, Bertha 0:00 > 0:14 and Alabama Getaway 0:00 > 0:17. ID-94395 patch, Drums 9:36 > 10:31. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rango Keshavan
2:36:52
Rating:
7.67 / 6 ratings
Taper:
Rango Keshavan
Source:
Audience Recording: Sony ECM 200T
Lineage:
6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B OnPlayback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cab
Taper Notes:
View NotesRecorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
Taper: Steven Martin
2:35:00
Rating:
8.00 / 1 rating
Taper:
Steven Martin
SHNID:
gd82-02-19.nak700_martin.warner.28382.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wav
Taper Notes:
View Notes<b>flac16</b>; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
Source 10 of 10
2:36:38
Rating:
5.33 / 3 ratings
SHNID:
gd82-02-19.sony-unk.willy.13570.sbeok.shnf
Source:
Audience Recording: Sony ECM 200T
Lineage:
Sony ECM200T> SonyTCD5> C> NakDR1> PCM> PC> CoolEditBass Boost> DAT> CDR
Taper Notes:
View NotesSony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine