Greatest Story Ever Told | 1982-02-19 | Grateful Dead

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums"
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
February 2020

Taper: Mark Severson

2:39:54

Taper:

Mark Severson

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1982-02-19.149019.fob.nak700.severson.miller.clugston.flac1648

Source:

Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Mark Severson for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums"
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for his assistance with the pitch correction

Mastered by Scott Clugston
February 2020

Taper: Rango Keshavan

gd1982-02-19.fob.sonyecm220t.keshavan.miller.94395.sbeok.flac16

Source:

(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)

Lineage:

Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16

Taper Notes:

View NotesPatch Info:
Nakamichi 700 -> Cassette Master -> CD (shnid=28382) supplies:
El Paso (0:00 - 0:15)
Drums (11:02 - 11:30)
Man Smart (Woman Smarter) (5:29 - end of track)
Johnny B. Goode (0:00 - 0:14)

Notes:
-- Set 2 is seamless
-- Thanks to Rango Keshavan for lending me his masters

Taper: oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!

2:36:43

Taper:

oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!

Transferrer:

Transferred by Andrew F. 04/2022

SHNID:

gd1982-02-19.156326.beyer.tompkins.flac2448

Source:

Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX.

Lineage:

Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

Taper Notes:

View NotesNote: Sounds like the tapers moved their set-up, the mix changes
between sets. Patches were added from ID-149020: Brown Eyed Women
0:00 > 0:05, Candyman 7:07 > El Paso 0:05, and Drums 5:32 > 10:32.

Taper: Gesine Lohr

gd1982-02-19.151132.aud.lohr.vernon.flac2496

Source:

Nak CM700 > TC-D5 > MAC > This copy

Lineage:

his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)

Taper Notes:

View Notes05. tape flip
tape flip
tape flip
tape pause

Taper: Gesine Lohr

gd1982-02-19.151131.aud.lohr.vernon.flac1648

Source:

Nak CM700 > TC-D5 > MAC > This copy

Lineage:

his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648

Taper Notes:

View Notes05. tape flip
tape flip
tape flip
tape pause

Taper: Brian Schley

gd1982-02-19.136426.nak300.schley.flac1644

Source:

<b>flac 16</b>; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley.

Lineage:

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015

Taper Notes:

View NotesCaveat, the bass is a bit blown-out on parts of the recording, 
noticeable more in the 2nd Set. ID-28382 patches, Bertha 0:00 > 0:14 
and Alabama Getaway 0:00 > 0:17. ID-94395 patch, Drums 9:36 > 10:31. 
Thanks Jon Pasternak & Charlie McGuth for organizing this project!

Taper: Rango Keshavan

Audience Recording: Sony ECM 200T

Lineage:

6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B OnPlayback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cab

Taper Notes:

View NotesRecorded by Rango Keshavan
6th row center:  
Sony ECM 220T mics on hats > 
Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On

Playback by Rango Keshavan 
Nak DR1 EQ Type II, Dolby B On > 
Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable >
Turtle Beach Montego II Digital I/O card > 
PC (CDWav used to record and break up tracks)

Taper: Steven Martin

gd82-02-19.nak700_martin.warner.28382.sbeok.flacf

Source:

Audience Recording: Nak CM700's

Lineage:

MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wav

Taper Notes:

View Notes<b>flac16</b>; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner

Source 10 of 10

gd82-02-19.sony-unk.willy.13570.sbeok.shnf

Source:

Audience Recording: Sony ECM 200T

Lineage:

Sony ECM200T> SonyTCD5> C> NakDR1> PCM> PC> CoolEditBass Boost> DAT> CDR

Taper Notes:

View NotesSony ECM200T>SonyTCD5>C>NakDR1>PCM>
PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine