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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.3k184
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62088
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.1k825
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.3k292
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.1k670
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.8k375
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.3k412
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k150
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.5k278
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h86197
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2k240
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k179
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k234
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.3k298
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k687
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.4k447
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.2k717
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h87373
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.6k572
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.6k599
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.7k456
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.2k249
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h9.9k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k616
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h52163
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13519
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31723
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h382
7d885
30d54232
2 shows
2 tapes
1982
2/19/82
Bertha
7:02
Greatest Story Ever Told
4:00
Dire Wolf
3:44
Little Red Rooster
8:59
Brown Eyed Women
5:46
Cassidy
5:07
Candyman
7:16
El Paso
5:37
Althea
8:17
Minglewood Blues
7:23
Alabama Getaway
6:03
Promised Land
4:18
Ship of Fools
8:34
Lost Sailor
7:10
Saint of Circumstance
6:46
Jam
5:22
Drums
11:23
Space
5:54
The Other One
12:48
Stella Blue
10:07
Women are Smarter
5:31
Johnny B. Goode
3:58
U.S. Blues
5:38
FIN
View on archive.org
Sources
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149020.fob.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Mark Severson
2:39:54
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1982-02-19.149019.fob.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rango Keshavan and Charlie Miller for the (FOB) Sony ECM220t source which supplies a 0:18 patch in "Drums" - Other One space included in "The Other One" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston February 2020
Taper: Rango Keshavan
2:38:24
Rating:
9.78 / 10 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1982-02-19.fob.sonyecm220t.keshavan.miller.94395.sbeok.flac16
Source:
(FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby DB)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Nakamichi 700 -> Cassette Master -> CD (shnid=28382) supplies: El Paso (0:00 - 0:15) Drums (11:02 - 11:30) Man Smart (Woman Smarter) (5:29 - end of track) Johnny B. Goode (0:00 - 0:14) Notes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
2:36:43
Taper:
oncert recording by Rip Tompkins, & with thanks to Richie Stankiewicz!
Transferrer:
Transferred by Andrew F. 04/2022
SHNID:
gd1982-02-19.156326.beyer.tompkins.flac2448
Source:
Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX.
Lineage:
Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNote: Sounds like the tapers moved their set-up, the mix changes between sets. Patches were added from ID-149020: Brown Eyed Women 0:00 > 0:05, Candyman 7:07 > El Paso 0:05, and Drums 5:32 > 10:32.
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151132.aud.lohr.vernon.flac2496
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Gesine Lohr
2:28:53
Taper:
Gesine Lohr
Transferrer:
Matt Vernon
SHNID:
gd1982-02-19.151131.aud.lohr.vernon.flac1648
Source:
Nak CM700 > TC-D5 > MAC > This copy
Lineage:
his copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
Taper Notes:
View Notes05. tape flip 11. tape flip 16. tape flip 19. tape pause
Taper: Brian Schley
2:34:36
Taper:
Brian Schley
Transferrer:
Andrew F.
SHNID:
gd1982-02-19.136426.nak300.schley.flac1644
Source:
<b>flac 16</b>; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
Taper Notes:
View NotesCaveat, the bass is a bit blown-out on parts of the recording, noticeable more in the 2nd Set. ID-28382 patches, Bertha 0:00 > 0:14 and Alabama Getaway 0:00 > 0:17. ID-94395 patch, Drums 9:36 > 10:31. Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Taper: Rango Keshavan
2:36:52
Rating:
7.67 / 6 ratings
Taper:
Rango Keshavan
Source:
Audience Recording: Sony ECM 200T
Lineage:
6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B OnPlayback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cab
Taper Notes:
View NotesRecorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
Taper: Steven Martin
2:35:00
Rating:
8.00 / 1 rating
Taper:
Steven Martin
SHNID:
gd82-02-19.nak700_martin.warner.28382.sbeok.flacf
Source:
Audience Recording: Nak CM700's
Lineage:
MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wav
Taper Notes:
View Notes<b>flac16</b>; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
Source 10 of 10
2:36:38
Rating:
5.33 / 3 ratings
SHNID:
gd82-02-19.sony-unk.willy.13570.sbeok.shnf
Source:
Audience Recording: Sony ECM 200T
Lineage:
Sony ECM200T> SonyTCD5> C> NakDR1> PCM> PC> CoolEditBass Boost> DAT> CDR
Taper Notes:
View NotesSony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine