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June 22nd
12 shows
122 tapes
Years
1995
28.7k
49 shows
343 tapes
1994
15.5k
85 shows
460 tapes
1993
37.6k
83 shows
656 tapes
1992
42.7k
57 shows
539 tapes
1991
51.8k
78 shows
973 tapes
1990
57.5k
78 shows
1,139 tapes
1989
53.9k
78 shows
1,017 tapes
1988
24.6k
82 shows
882 tapes
1987
47.3k
88 shows
1,029 tapes
1986
12.9k
47 shows
684 tapes
1985
35.3k
73 shows
1,359 tapes
1984
27.2k
67 shows
1,081 tapes
1983
26.2k
71 shows
1,069 tapes
1982
26.8k
63 shows
753 tapes
1981
28.2k
92 shows
868 tapes
1980
77.4k
91 shows
794 tapes
1979
21.2k
79 shows
608 tapes
1978
37.7k
87 shows
592 tapes
1977
206.1k
64 shows
419 tapes
1976
121.6k
45 shows
298 tapes
1975
7.7k
25 shows
63 tapes
1974
85.8k
42 shows
324 tapes
1973
77.2k
75 shows
445 tapes
1972
52.6k
88 shows
361 tapes
1971
33.5k
82 shows
358 tapes
1970
38.7k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
7.4k
41 shows
125 tapes
1967
2k
23 shows
55 tapes
1966
5.3k
32 shows
78 tapes
1965
628
2 shows
2 tapes
1980
11/30/80
Tuning
2:54
Feel Like A Stranger
10:50
Loser
8:59
Cassidy
5:17
Ramble On Rose
7:56
Little Red Rooster
9:40
Bird Song
9:48
Me & My Uncle ->
2:59
Big River
6:49
It Must Have Been The Roses
7:59
Lost Sailor ->
6:26
Saint Of Circumstance ->
6:31
Deal
6:13
FIN
View on archive.org
Sources
Taper: Jim Oade; Richie Stankiewicz; Jim Wise
2:39:05
SBD
Rating:
10.00 / 1 rating
Taper:
Jim Oade; Richie Stankiewicz; Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-11-30.part.127319.aud.oade.stankiewicz.wise.minches.flac24
Source:
Set 1 - Master Audience Cassette: 2 Teac ME-120s> Sony D-5 location SBD; Set 2 - Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD
Lineage:
Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper Notes:
View NotesSet # 1 - Recording by Jim Oade & Jim Wise: This is a unique in that it's never been transferred in the 33 1/2 years it's been sitting in closets in various locations ...The Teac ME-120s actually have a nice sound to them.. Security was a PITA and our mic stand was about head level & there is some chatter, but after Dan Healy dials in the mix it sounds pretty good... Jim oade was using a JVC KD2 cassette recorder & one of the RCA outputs leading to my D5 was a bit squeamish & on my master there are some volume fluctuations. ------------------------------------------------------------------------------------------ Set # 2 (partial) - Recording by Richie Stankiewicz & Jim Wise: I saw Richie was brazenly flying his Mic stand 20 feet in the air and he invited me to patch for set # 2 .. The Scarlet > Fire came out killer & is very different sounding than Bob Wagner's magnificent balcony recording ... But the forces were against me this night and for some reason there is intermittent weakening in one channel on my master for the rest of the set ... not to mention that security shut us completely down for during drums ... Jim wise 3/09/2014
Transferrer: Matrix by Chris Chappell
3:16:26
SBD
Rating:
8.50 / 12 ratings
Transferrer:
Matrix by Chris Chappell
SHNID:
gd1980-11-30.110936.mtx.chappell.sb31.flac16
Source:
Matrix (SBD/AUD mix) Ratio ~ Phi
Taper Notes:
View NotesSBD: (shnid=2416) Source: MSC>Reel>DATs>CDRs>EAC>SHN Digital Static removed from first several seconds of Stranger (Mike Parillo) Seeded by Darrin Sacks (12-31-00) (Through Scarlet>Fire only) AUD1: 24 bit (set 1 only) (16 bit version is shnid=110921) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > 24bit WAV All Transfers and Mastering By Chris Chappell November 27, 2010 AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 or FLAC/24 (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] March 3, 2008 Matrixed by Chris Chappell [email protected] Nov. 30, 2010 Happy 30th Anniversary!
Source 4 of 10
3:02:11
SBD
Rating:
9.16 / 57 ratings
SHNID:
gd80-11-30.sbd-aud.sacks.2416.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs
Taper Notes:
View Notescomplete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to <a href="http://db.etree.org/shninfo_detail.php?shnid=326" rel="ugc nofollow">previous</a> shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments
Taper: Mason B. Taylor
3:08:36
Rating:
8.00 / 1 rating
Taper:
Mason B. Taylor
SHNID:
gd1980-11-30.128440.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Jerry Moore
41:44
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1980-11-30.123306.senn421.moore-berger.flac2496
Source:
Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger
Taper Notes:
View Notes*I'm not 100% sure if JM taped this or not. It appears that it's spread out over 3-4 tapes in a manner most un-moore-like. The drums fade out and I can't remember a tape where Jerry faded out before a flip. Regardless, I wish I had the rest of the show from this source to share. Hat's off to and thanks Jerry or whomever taped this. I wouldn't post a chopped up partial, but this is one helluva recording that begs to be turned up loud ( in my humble opinion of course ). :)
Taper: Bob Wagner
1:32:21
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Chris Chappell
SHNID:
gd1980-11-30.nak700-set1.wagner.chappell.110921.flac16
Source:
Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16
Taper Notes:
View Notes- Recorded rear upper balcony left (probably 2nd to last row) - Thanks to Dr. Bob Wagner for lending me his master - Thanks to Michael Dayton for letting me use his Nak deck/converter/computer for the transfer - No EQ or limiting was used in transfer or mastering - First electric Bird Song since 9-15-73 - For second set, see Charlie Miller's transfer of Dr. Bob's master (90497) from front row balcony