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Today In History
June 5th
Years
1995
27.4k
PlaybackListensHours
48h3.5k472
7d9.3k1.3k
30d27.4k3.8k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67795
7d1.4k211
30d8.4k1.2k
85 shows
460 tapes
1993
31.9k
PlaybackListensHours
48h2.8k383
7d2.4k322
30d31.9k4.2k
83 shows
656 tapes
1992
32.9k
PlaybackListensHours
48h1.1k139
7d11.9k1.5k
30d32.9k4.4k
57 shows
539 tapes
1991
36.4k
PlaybackListensHours
48h1.6k222
7d8.8k1.2k
30d36.4k5k
78 shows
967 tapes
1990
35.9k
PlaybackListensHours
48h2.5k325
7d6.3k839
30d35.9k4.7k
78 shows
1,139 tapes
1989
49.7k
PlaybackListensHours
48h3.8k484
7d7.2k902
30d49.7k6.2k
78 shows
1,013 tapes
1988
21.8k
PlaybackListensHours
48h1.2k133
7d5k540
30d21.8k2.5k
82 shows
882 tapes
1987
39.1k
PlaybackListensHours
48h2.6k282
7d9.7k944
30d39.1k4.3k
88 shows
1,025 tapes
1986
14.8k
PlaybackListensHours
48h948105
7d2.2k256
30d14.8k1.7k
47 shows
683 tapes
1985
20.7k
PlaybackListensHours
48h1.8k211
7d4.3k503
30d20.7k2.4k
73 shows
1,356 tapes
1984
23.1k
PlaybackListensHours
48h1.4k183
7d2.9k372
30d23.1k2.9k
67 shows
1,075 tapes
1983
33k
PlaybackListensHours
48h1.5k189
7d4.1k544
30d33k4.4k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.6k207
7d4.2k526
30d40.8k5.1k
63 shows
753 tapes
1981
58.3k
PlaybackListensHours
48h2k260
7d5.4k690
30d58.3k7.4k
92 shows
868 tapes
1980
70.9k
PlaybackListensHours
48h4.1k476
7d19.8k2.4k
30d70.9k8.3k
91 shows
794 tapes
1979
29.2k
PlaybackListensHours
48h1.3k183
7d3.7k521
30d29.2k4.1k
79 shows
600 tapes
1978
56.3k
PlaybackListensHours
48h8.3k1k
7d6.9k925
30d56.3k7.8k
87 shows
592 tapes
1977
344k
PlaybackListensHours
48h15.3k2k
7d32.7k4.6k
30d344k48.1k
64 shows
419 tapes
1976
38.7k
PlaybackListensHours
48h12.4k1.7k
7d18.7k2.6k
30d38.7k5.2k
45 shows
298 tapes
1975
5.3k
PlaybackListensHours
48h70166
7d89897
30d5.3k567
25 shows
63 tapes
1974
95.8k
PlaybackListensHours
48h4.3k531
7d12.7k1.6k
30d95.8k12.1k
42 shows
324 tapes
1973
78.2k
PlaybackListensHours
48h3.9k510
7d12.2k1.6k
30d78.2k9.9k
75 shows
445 tapes
1972
77.5k
PlaybackListensHours
48h2.8k349
7d8.6k1k
30d77.5k9.4k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h2.2k251
7d8.8k1k
30d33.5k3.8k
82 shows
356 tapes
1970
33.2k
PlaybackListensHours
48h5.6k544
7d4.5k487
30d33.2k3.7k
101 shows
376 tapes
1969
23.7k
PlaybackListensHours
48h2.7k431
7d8.8k1.2k
30d23.7k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h55570
7d1.2k151
30d6.6k817
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15521
7d34847
30d1.6k215
23 shows
55 tapes
1966
7.7k
PlaybackListensHours
48h42031
7d1.2k74
30d7.7k508
32 shows
78 tapes
1965
571
PlaybackListensHours
48h342
7d1468
30d57134
2 shows
2 tapes
1980
11/28/80
Jack Straw
5:58
Peggy-O
6:56
Little Red Rooster
9:36
Tennessee Jed
8:47
Passenger
4:53
Deep Elem Blues
5:04
Looks Like Rain
8:02
Deal
6:41
Feel Like A Stranger
8:46
To Lay Me Down >
9:03
Let It Grow
11:12
Terrapin Station
11:59
Drums
10:25
Space
5:39
Not Fade Away
5:50
Black Peter
9:25
Sugar Magnolia
9:24
U.S. Blues
5:12
FIN
View on archive.org
Sources
Transferrer: Remastered by Charlie Miller [email protected] December 5, 2025
2:22:52
SBDREMASTER
Transferrer:
Remastered by Charlie Miller [email protected] December 5, 2025
SHNID:
gd1980-11-28.175471.sbd.miller.remaster.flac1644
Source:
SBD > Cassette Master > Reel > DAT > CD > FLAC
Lineage:
Remastering Info: FLAC > iZotope RX11 Advanced > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=20049 -- I repaired the pitch and vocal phase issues -- I also repatched the cuts and fixed the levels -- Thanks to Rob Eaton, Jim Wise and Andy Lemieux for the discs -- Patch source recorded by Bob Wagner -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrixed by Chris Chappell
2:29:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrixed by Chris Chappell
SHNID:
gd1980-11-28.150975.mtx.chappell.sb33b.flac16
Source:
Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38%
Lineage:
(SHN > Vegas 5 > CD Wave > Flac16)
Taper Notes:
View NotesStats: last electric Deep Elem Blues - 12/28/70 Notes: I've had this matrix in the can for almost fourteen years, but I was waiting to release it with 11-26. The SBD had never surfaced for the Alligator Alley show on 11-29 (until 2017), so I figured this amazing 4 show late fall run could all go in one volume, just in time for the 30th anniversary, instead I waited for the 40th Anniversary! Thanks to Andy Lemieux and Kingbee for the SBD and Matt Vernon for encoding it, and to Bill Koucky for bringing us the AUD, we all appreciate it. Enjoy! -Chappy 11-28-20
Transferrer: Kevin Tobin
2:29:43
SBDREMASTER
Rating:
9.00 / 9 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1980-11-28.sbd.vernon.tobin.fix-20049.90062.sbeok.flac16
Source:
Remaster of shnid 20049
Lineage:
See info file
Taper Notes:
View NotesNotes: This is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 17-FEB-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 3) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 6) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 7) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 9) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 10) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) Matrix\DTS and Patched Soundboard were synced using the Green Mountain Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. Brokedown House Production
Source 4 of 12
2:22:46
SBD
Rating:
8.29 / 14 ratings
SHNID:
gd80-11-28.sbd.vernon.20049.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard Cassette Master > Reel > DAT > CDR
Taper Notes:
View NotesSource: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon
Taper: Bob Wagner
2:37:44
Rating:
9.00 / 5 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1980-11-28.nak700.wagner.miller.90013.sbeok.flac16
Source:
(FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby DB) D
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Bob Wagner for lending me his masters
Taper: Bob Wagner and Jim Wise
2:29:45
Taper:
Bob Wagner and Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-11-28.127547.all.wagner.wise.minches.flac2496
Source:
Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper: Bob Wagner and Jim Wise
2:29:45
Taper:
Bob Wagner and Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-11-28.127546.all.wagner.wise.minches.flac1644
Source:
Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper: See info file
2:29:43
Taper:
See info file
Transferrer:
DTS by Kevin Tobin
SHNID:
gd1980-11-28.dts.tobin.90063.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Notes: This is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-FEB-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O. 3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 12) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source. 13) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source. 14) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 15) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: See info file
2:29:43
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1980-11-28.mtx.tobin.90057.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD) --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-FEB-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O. 3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 12) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 13) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source. 14) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source. 15) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 16) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. Brokedown House Production
Transferrer: Bill Koucky
2:30:46
Transferrer:
Bill Koucky
SHNID:
gd1980-11-28.nak700.gmb.89932.flac16
Source:
FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT
Lineage:
Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] > iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC
Taper Notes:
View NotesThis is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless.
Transferrer: Bill Koucky
2:31:04
Transferrer:
Bill Koucky
SHNID:
gd1980-11-28.nak700.kocky.76519.sbeok.flac16
Source:
FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT
Lineage:
Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac
Taper Notes:
View NotesA remaster of an excellent performance and recording through Wavelab. Stranger was put on the end of disc 1 to allow show to fit on 2 discs. There was a pause between Stranger and To Lay Me Down, this splice was edited out, as was the splice/flips after Passenger and between drums and space. There was also some diginoise on my DAT eliminated before US Blues.
Source 12 of 12
2:28:24
Rating:
9.20 / 5 ratings
SHNID:
gd80-11-28.naks.clugston.2222.sbeok.shnf
Source:
Audience Recording: Nak CM700's
Lineage:
Nakamichi CM700 mics> Sony D5> DAT > CDR
Taper Notes:
View NotesMaster FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston