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June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1980
11/30/80
Tuning
1:58
Feel Like A Stranger
11:04
Loser
8:36
Cassidy
5:28
Ramble On Rose
6:51
Little Red Rooster
8:58
Bird Song
10:41
Me & My Uncle >
2:58
Big River
5:26
It Must Have Been The Roses
6:55
Lost Sailor >
6:19
Saint Of Circumstance->
6:25
Deal
7:49
Tuning
0:50
Scarlet Begonias >
11:28
Fire On The Mountain
10:24
Samson & Delilah >
7:27
Ship of Fools
8:59
Playin' In The Band >
22:38
Drums//
7:51
FIN
View on archive.org
Sources
Taper: Jim Oade; Richie Stankiewicz; Jim Wise
2:39:05
SBD
Rating:
10.00 / 1 rating
Taper:
Jim Oade; Richie Stankiewicz; Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-11-30.part.127319.aud.oade.stankiewicz.wise.minches.flac24
Source:
Set 1 - Master Audience Cassette: 2 Teac ME-120s> Sony D-5 location SBD; Set 2 - Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD
Lineage:
Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper Notes:
View NotesSet # 1 - Recording by Jim Oade & Jim Wise: This is a unique in that it's never been transferred in the 33 1/2 years it's been sitting in closets in various locations ...The Teac ME-120s actually have a nice sound to them.. Security was a PITA and our mic stand was about head level & there is some chatter, but after Dan Healy dials in the mix it sounds pretty good... Jim oade was using a JVC KD2 cassette recorder & one of the RCA outputs leading to my D5 was a bit squeamish & on my master there are some volume fluctuations. ------------------------------------------------------------------------------------------ Set # 2 (partial) - Recording by Richie Stankiewicz & Jim Wise: I saw Richie was brazenly flying his Mic stand 20 feet in the air and he invited me to patch for set # 2 .. The Scarlet > Fire came out killer & is very different sounding than Bob Wagner's magnificent balcony recording ... But the forces were against me this night and for some reason there is intermittent weakening in one channel on my master for the rest of the set ... not to mention that security shut us completely down for during drums ... Jim wise 3/09/2014
Transferrer: Matrix by Chris Chappell
3:16:26
SBD
Rating:
8.50 / 12 ratings
Transferrer:
Matrix by Chris Chappell
SHNID:
gd1980-11-30.110936.mtx.chappell.sb31.flac16
Source:
Matrix (SBD/AUD mix) Ratio ~ Phi
Taper Notes:
View NotesSBD: (shnid=2416) Source: MSC>Reel>DATs>CDRs>EAC>SHN Digital Static removed from first several seconds of Stranger (Mike Parillo) Seeded by Darrin Sacks (12-31-00) (Through Scarlet>Fire only) AUD1: 24 bit (set 1 only) (16 bit version is shnid=110921) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > 24bit WAV All Transfers and Mastering By Chris Chappell November 27, 2010 AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 or FLAC/24 (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller [email protected] March 3, 2008 Matrixed by Chris Chappell [email protected] Nov. 30, 2010 Happy 30th Anniversary!
Source 4 of 10
3:02:11
SBD
Rating:
9.16 / 57 ratings
SHNID:
gd80-11-30.sbd-aud.sacks.2416.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs
Taper Notes:
View Notescomplete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to <a href="http://db.etree.org/shninfo_detail.php?shnid=326" rel="ugc nofollow">previous</a> shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments
Taper: Mason B. Taylor
3:08:36
Rating:
8.00 / 1 rating
Taper:
Mason B. Taylor
SHNID:
gd1980-11-30.128440.naks.mason.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Jerry Moore
41:44
Taper:
Jerry Moore
Transferrer:
Rob Berger
SHNID:
gd1980-11-30.123306.senn421.moore-berger.flac2496
Source:
Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger
Taper Notes:
View Notes*I'm not 100% sure if JM taped this or not. It appears that it's spread out over 3-4 tapes in a manner most un-moore-like. The drums fade out and I can't remember a tape where Jerry faded out before a flip. Regardless, I wish I had the rest of the show from this source to share. Hat's off to and thanks Jerry or whomever taped this. I wouldn't post a chopped up partial, but this is one helluva recording that begs to be turned up loud ( in my humble opinion of course ). :)
Taper: Bob Wagner
1:32:21
Rating:
10.00 / 1 rating
Taper:
Bob Wagner
Transferrer:
Chris Chappell
SHNID:
gd1980-11-30.nak700-set1.wagner.chappell.110921.flac16
Source:
Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16
Taper Notes:
View Notes- Recorded rear upper balcony left (probably 2nd to last row) - Thanks to Dr. Bob Wagner for lending me his master - Thanks to Michael Dayton for letting me use his Nak deck/converter/computer for the transfer - No EQ or limiting was used in transfer or mastering - First electric Bird Song since 9-15-73 - For second set, see Charlie Miller's transfer of Dr. Bob's master (90497) from front row balcony