1980
Bands
Featured
Bands
Grateful Dead
Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1980
Sources
Transferrer: Matrixed by Chris Chappell
2:29:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrixed by Chris Chappell
SHNID:
gd1980-11-28.150975.mtx.chappell.sb33b.flac16
Source:
Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38%
Lineage:
(SHN > Vegas 5 > CD Wave > Flac16)
Taper Notes:
View NotesStats: last electric Deep Elem Blues - 12/28/70 Notes: I've had this matrix in the can for almost fourteen years, but I was waiting to release it with 11-26. The SBD had never surfaced for the Alligator Alley show on 11-29 (until 2017), so I figured this amazing 4 show late fall run could all go in one volume, just in time for the 30th anniversary, instead I waited for the 40th Anniversary! Thanks to Andy Lemieux and Kingbee for the SBD and Matt Vernon for encoding it, and to Bill Koucky for bringing us the AUD, we all appreciate it. Enjoy! -Chappy 11-28-20
Transferrer: Kevin Tobin
2:29:43
SBDREMASTER
Rating:
9.00 / 9 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1980-11-28.sbd.vernon.tobin.fix-20049.90062.sbeok.flac16
Source:
Remaster of shnid 20049
Lineage:
See info file
Taper Notes:
View NotesNotes: This is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 17-FEB-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 3) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 6) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 7) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 9) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 10) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) Matrix\DTS and Patched Soundboard were synced using the Green Mountain Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. Brokedown House Production
Taper: See info file
2:29:43
Taper:
See info file
Transferrer:
DTS by Kevin Tobin
SHNID:
gd1980-11-28.dts.tobin.90063.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Notes: This is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-FEB-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O. 3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 12) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source. 13) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source. 14) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 15) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: See info file
2:29:43
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1980-11-28.mtx.tobin.90057.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD) --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-FEB-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O. 3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 12) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 13) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source. 14) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source. 15) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 16) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. Brokedown House Production