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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.8k
PlaybackListensHours
48h1.1k158
7d11.2k1.5k
30d29.8k4.2k
49 shows
340 tapes
1994
8.5k
PlaybackListensHours
48h63590
7d1.6k233
30d8.5k1.2k
85 shows
460 tapes
1993
34.9k
PlaybackListensHours
48h6.5k874
7d5.2k707
30d34.9k4.6k
83 shows
656 tapes
1992
33.5k
PlaybackListensHours
48h2.6k329
7d3.8k496
30d33.5k4.5k
57 shows
539 tapes
1991
36.9k
PlaybackListensHours
48h5.7k744
7d9k1.2k
30d36.9k5k
78 shows
967 tapes
1990
35.3k
PlaybackListensHours
48h3k389
7d6.5k855
30d35.3k4.6k
78 shows
1,139 tapes
1989
47.4k
PlaybackListensHours
48h3.4k423
7d8.2k1k
30d47.4k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.4k159
7d4.3k463
30d21.6k2.5k
82 shows
882 tapes
1987
40k
PlaybackListensHours
48h2.7k297
7d10.1k974
30d40k4.4k
88 shows
1,025 tapes
1986
15.1k
PlaybackListensHours
48h87197
7d2.2k242
30d15.1k1.7k
47 shows
683 tapes
1985
21.2k
PlaybackListensHours
48h2.1k246
7d4.5k529
30d21.2k2.5k
73 shows
1,356 tapes
1984
17k
PlaybackListensHours
48h1.4k185
7d3.4k433
30d17k2.2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k541
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.4k
PlaybackListensHours
48h1.9k242
7d4.2k520
30d41.4k5.1k
63 shows
753 tapes
1981
55.8k
PlaybackListensHours
48h2.4k313
7d5.4k696
30d55.8k7k
92 shows
868 tapes
1980
70.3k
PlaybackListensHours
48h6k698
7d10.9k1.3k
30d70.3k8.2k
91 shows
794 tapes
1979
27.5k
PlaybackListensHours
48h1.3k190
7d3.6k490
30d27.5k3.9k
79 shows
600 tapes
1978
59.6k
PlaybackListensHours
48h3.2k420
7d12.5k1.6k
30d59.6k8.2k
87 shows
592 tapes
1977
322.3k
PlaybackListensHours
48h11.9k1.7k
7d34.4k4.7k
30d322.3k44.7k
64 shows
419 tapes
1976
47.7k
PlaybackListensHours
48h5.1k706
7d26.7k3.7k
30d47.7k6.5k
45 shows
298 tapes
1975
5.7k
PlaybackListensHours
48h87272
7d1.4k139
30d5.7k595
25 shows
63 tapes
1974
97.6k
PlaybackListensHours
48h4.8k594
7d12.4k1.6k
30d97.6k12.3k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h4.8k625
7d11.7k1.5k
30d79.3k10.1k
75 shows
445 tapes
1972
76.4k
PlaybackListensHours
48h3.8k471
7d8.2k1k
30d76.4k9.2k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h2.3k258
7d6.2k692
30d33.9k3.9k
82 shows
356 tapes
1970
37.3k
PlaybackListensHours
48h10.4k1.1k
7d9.8k989
30d37.3k4k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h3.6k620
7d6.7k1k
30d25.4k3.7k
112 shows
326 tapes
1968
6.8k
PlaybackListensHours
48h50961
7d1.4k177
30d6.8k848
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h12018
7d37152
30d1.5k207
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31822
7d1.4k83
30d8k531
32 shows
78 tapes
1965
560
PlaybackListensHours
48h443
7d1066
30d56034
2 shows
2 tapes
1980
11/28/80
Jack Straw
5:42
Peggy-O
7:00
Little Red Rooster
9:40
Tennessee Jed
8:46
Passenger
5:00
Deep Elem Blues
5:05
Looks Like Rain
7:58
Deal
6:37
Feel Like A Stranger
8:44
To Lay Me Down >
9:01
Let It Grow >
11:15
Terrapin Station >
11:57
Drums >
10:21
Space >
5:41
Not Fade Away >
5:50
Black Peter >
9:25
Sugar Magnolia
9:20
U.S. Blues
5:24
FIN
View on archive.org
Sources
Transferrer: Remastered by Charlie Miller [email protected] December 5, 2025
2:22:52
SBDREMASTER
Transferrer:
Remastered by Charlie Miller [email protected] December 5, 2025
SHNID:
gd1980-11-28.175471.sbd.miller.remaster.flac1644
Source:
SBD > Cassette Master > Reel > DAT > CD > FLAC
Lineage:
Remastering Info: FLAC > iZotope RX11 Advanced > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=20049 -- I repaired the pitch and vocal phase issues -- I also repatched the cuts and fixed the levels -- Thanks to Rob Eaton, Jim Wise and Andy Lemieux for the discs -- Patch source recorded by Bob Wagner -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Matrixed by Chris Chappell
2:29:46
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Matrixed by Chris Chappell
SHNID:
gd1980-11-28.150975.mtx.chappell.sb33b.flac16
Source:
Matrix (SBD/AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618/1 or 62%/38%
Lineage:
(SHN > Vegas 5 > CD Wave > Flac16)
Taper Notes:
View NotesStats: last electric Deep Elem Blues - 12/28/70 Notes: I've had this matrix in the can for almost fourteen years, but I was waiting to release it with 11-26. The SBD had never surfaced for the Alligator Alley show on 11-29 (until 2017), so I figured this amazing 4 show late fall run could all go in one volume, just in time for the 30th anniversary, instead I waited for the 40th Anniversary! Thanks to Andy Lemieux and Kingbee for the SBD and Matt Vernon for encoding it, and to Bill Koucky for bringing us the AUD, we all appreciate it. Enjoy! -Chappy 11-28-20
Transferrer: Kevin Tobin
2:29:43
SBDREMASTER
Rating:
9.00 / 9 ratings
Transferrer:
Kevin Tobin
SHNID:
gd1980-11-28.sbd.vernon.tobin.fix-20049.90062.sbeok.flac16
Source:
Remaster of shnid 20049
Lineage:
See info file
Taper Notes:
View NotesNotes: This is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 17-FEB-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 3) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 6) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 7) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 9) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 10) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) Matrix\DTS and Patched Soundboard were synced using the Green Mountain Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. Brokedown House Production
Source 4 of 12
2:22:46
SBD
Rating:
8.29 / 14 ratings
SHNID:
gd80-11-28.sbd.vernon.20049.sbeok.shnf
Source:
Soundboard
Lineage:
Soundboard Cassette Master > Reel > DAT > CDR
Taper Notes:
View NotesSource: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon
Taper: Bob Wagner
2:37:44
Rating:
9.00 / 5 ratings
Taper:
Bob Wagner
Transferrer:
Charlie Miller
SHNID:
gd1980-11-28.nak700.wagner.miller.90013.sbeok.flac16
Source:
(FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby DB) D
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Bob Wagner for lending me his masters
Taper: Bob Wagner and Jim Wise
2:29:45
Taper:
Bob Wagner and Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-11-28.127547.all.wagner.wise.minches.flac2496
Source:
Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper: Bob Wagner and Jim Wise
2:29:45
Taper:
Bob Wagner and Jim Wise
Transferrer:
David Minches
SHNID:
gd1980-11-28.127546.all.wagner.wise.minches.flac1644
Source:
Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper: See info file
2:29:43
Taper:
See info file
Transferrer:
DTS by Kevin Tobin
SHNID:
gd1980-11-28.dts.tobin.90063.flac
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix Notes: This is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless. --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-FEB-2008 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O. 3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 12) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source. 13) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source. 14) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 15) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. --------------------------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -2db SBD Surround Left Channel -0db AUD Right Channel -0db AUD Sub/LFE Mixed to mono -2db SBD -------------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Productions
Taper: See info file
2:29:43
Rating:
9.00 / 2 ratings
Taper:
See info file
Transferrer:
Kevin Tobin
SHNID:
gd1980-11-28.mtx.tobin.90057.sbeok.flac16
Source:
See info file
Lineage:
See info file
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (50%-SBD/50%-AUD) --------------------------------------------------------- Tech Notes SHNs were decoded to wave and Audition 3.0 was used to reassemble the tracks back to 1 long wave. Audition 3.0 was used to align & synch the SBD & AUD sources. Audition 3.0 used to adjust the volume for AUDs, matrix/CTR and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion 16-FEB-2008 --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -0 AUD -0 SET TWO Stereo Matrix SBD -0 AUD -0 --------------------------------------------------------- Audio Patches: 1) At the beginning of soundboard, 3 minutes and 17.637 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Jack Straw. 2) Between Jack Straw and Peggy-O, 17.329 seconds were missing from the audience source and was filled in with audio from the soundboard source. This included the first notes to Peggy-O. 3) Between Peggy-O and Little Red Rooster, 24.512 seconds were missing from the soundboard source and was filled in with audio from the audience source. 4) Between Little Red Rooster and Tennessee Jed, 4.999 seconds were missing from the soundboard source and was filled in with audio from the audience source. 5) Between Tennessee Jed and Passenger, 1 minute and 13.452 seconds were missing from the soundboard source and was filled in with audio from the audience source. 6) Between Passenger and Deep Elem Blues, 51.345 seconds were missing from the soundboard source and was filled in with audio from the audience source. This includes the first notes of Deep Elem Blues. 7) Between Deep Elem Blues and Looks Like Rain, 26.375 seconds were missing from the soundboard source and was filled in with audio from the audience source. 8) At the end of Deal, 18.970 seconds were missing from the soundboard source and was filled in with audio from the audience source. 9) Between Feels Like A Stranger and To Lay Me Down, 24.235 seconds were missing from the soundboard source and was filled in with audio from the audience source. This is at the end of disk 1. 10) About 3 minutes into Drums, 14.774 seconds were missing from the soundboard source and was filled in with audio from the audience source. 11) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 12) About 5 minutes into Drums, 08.890 seconds were missing from the audience source and was filled in with audio from the soundboard source. 13) About 8 minutes into Drums, 11.623 seconds were missing from the audience source and was filled in with audio from the soundboard source. 14) About 9 minutes into Drums, 40.160 seconds were missing from the audience source and was filled in with audio from the soundboard source. 15) Between Sugar Magnolia and US Blues, 25.226 seconds were missing from the soundboard source and was filled in with audio from the audience source. 16) Matrix\DTS were synced using the Owens Brother audience as a reference as the soundboard ran slightly fast at approx .25% or .13 seconds per minute. Brokedown House Production
Transferrer: Bill Koucky
2:30:46
Transferrer:
Bill Koucky
SHNID:
gd1980-11-28.nak700.gmb.89932.flac16
Source:
FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT
Lineage:
Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] > iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC
Taper Notes:
View NotesThis is a second remaster of this excellent recording and show. Crossfades were applied between nearly all first set tunes and before To Lay Me Down and US Blues. Edits and mastering were done at 24 bit. The discs are seamless.
Transferrer: Bill Koucky
2:31:04
Transferrer:
Bill Koucky
SHNID:
gd1980-11-28.nak700.kocky.76519.sbeok.flac16
Source:
FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT
Lineage:
Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac
Taper Notes:
View NotesA remaster of an excellent performance and recording through Wavelab. Stranger was put on the end of disc 1 to allow show to fit on 2 discs. There was a pause between Stranger and To Lay Me Down, this splice was edited out, as was the splice/flips after Passenger and between drums and space. There was also some diginoise on my DAT eliminated before US Blues.
Source 12 of 12
2:28:24
Rating:
9.20 / 5 ratings
SHNID:
gd80-11-28.naks.clugston.2222.sbeok.shnf
Source:
Audience Recording: Nak CM700's
Lineage:
Nakamichi CM700 mics> Sony D5> DAT > CDR
Taper Notes:
View NotesMaster FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston