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Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.2k150
7d1.4k193
30d30.1k4.2k
49 shows
343 tapes
1994
11.7k
PlaybackListensHours
48h1.7k260
7d4.2k594
30d11.7k1.7k
85 shows
460 tapes
1993
38.6k
PlaybackListensHours
48h1.6k219
7d7.7k1k
30d38.6k5.1k
83 shows
656 tapes
1992
43.8k
PlaybackListensHours
48h2.4k316
7d7.7k1k
30d43.8k5.8k
57 shows
539 tapes
1991
41.9k
PlaybackListensHours
48h2.6k344
7d11.2k1.5k
30d41.9k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h4.3k597
7d15.4k1.9k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.1k260
7d7.4k913
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.4k
PlaybackListensHours
48h1.1k127
7d3.2k376
30d20.4k2.4k
82 shows
882 tapes
1987
40.5k
PlaybackListensHours
48h4.7k589
7d11.5k1.4k
30d40.5k4.5k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h80993
7d2.5k279
30d12.5k1.4k
47 shows
684 tapes
1985
23.3k
PlaybackListensHours
48h5.4k621
7d4.5k525
30d23.3k2.7k
73 shows
1,357 tapes
1984
25.7k
PlaybackListensHours
48h2.6k318
7d12.5k1.5k
30d25.7k3.2k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h902115
7d3.5k460
30d21.3k2.8k
71 shows
1,069 tapes
1982
42.5k
PlaybackListensHours
48h1.3k164
7d3.4k425
30d42.5k5.3k
63 shows
753 tapes
1981
35.9k
PlaybackListensHours
48h1.8k223
7d5k630
30d35.9k4.5k
92 shows
868 tapes
1980
69.8k
PlaybackListensHours
48h4.4k500
7d14k1.6k
30d69.8k8.1k
91 shows
794 tapes
1979
21.8k
PlaybackListensHours
48h1k148
7d4.2k593
30d21.8k3.1k
79 shows
608 tapes
1978
42.3k
PlaybackListensHours
48h1.5k202
7d5.1k689
30d42.3k5.7k
87 shows
592 tapes
1977
278k
PlaybackListensHours
48h7.6k1.1k
7d32.8k4.5k
30d278k38.4k
64 shows
418 tapes
1976
85.9k
PlaybackListensHours
48h13.9k1.9k
7d39.4k5.3k
30d85.9k11.6k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37839
7d85890
30d6.4k654
25 shows
63 tapes
1974
93.1k
PlaybackListensHours
48h2.9k374
7d10.4k1.4k
30d93.1k11.8k
42 shows
324 tapes
1973
90k
PlaybackListensHours
48h3.8k508
7d20.5k2.8k
30d90k11.6k
75 shows
445 tapes
1972
63.5k
PlaybackListensHours
48h2.4k299
7d6.3k805
30d63.5k7.8k
88 shows
361 tapes
1971
33.9k
PlaybackListensHours
48h1.4k147
7d4.7k518
30d33.9k3.9k
82 shows
357 tapes
1970
39.5k
PlaybackListensHours
48h1.2k150
7d4.5k522
30d39.5k4.2k
101 shows
376 tapes
1969
27.8k
PlaybackListensHours
48h1.5k238
7d3.5k490
30d27.8k4.1k
112 shows
326 tapes
1968
7.7k
PlaybackListensHours
48h76894
7d1.6k199
30d7.7k970
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h10815
7d29842
30d1.7k228
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h35622
7d99767
30d8k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h362
7d1128
30d63237
2 shows
2 tapes
1980
10/25/80
Deep Elem Blues
5:05
The Race Is On
2:56
I've Been All Around This World
4:38
Monkey & the Engineer
2:31
To Lay Me Down
9:13
El Paso
4:37
Bird Song
8:48
Heaven Help the Fool
6:02
Dire Wolf ->
3:30
Ripple
4:43
Mississippi Half-Step Uptown Toodeloo ->
7:19
Franklin's Tower
8:50
Me & My Uncle ->
3:04
Big River
6:52
High Time
9:39
New Minglewood Blues
9:27
Ramble on Rose
7:00
Looks Like Rain
7:26
Deal
6:39
Cold Rain & Snow ->
6:33
Lost Sailor ->
6:44
Saint of Circumstance
6:40
Uncle John's Band ->
6:28
Playing in the Band ->
10:03
Drums ->
9:05
Space ->
5:11
The Other One ->
3:55
Black Peter ->
10:17
Around & Around ->
3:59
One More Saturday Night
4:43
U.S. Blues
5:41
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.157769.ToLayMeDown.t.flac1644
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981 -- This is 150759 2469 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.150759.sbd.miller.flac2496
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning
Taper: Jim Wise
3:22:10
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:27:14
Rating:
8.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.nak700.rolfe.miller.93804.sbeok.flac16
Source:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)
Lineage:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Audience Recording (shnid=8726) supplies: Very short patch at end of Black Peter (forgot to note the times) Notes: -- All disc changes are seamless -- Recorded front row balcony -- Thanks to Steve Rolfe for lending me his masters
Taper: Keith Gatto & Pete Jaeger
3:17:38
Rating:
8.00 / 2 ratings
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Flac by Michael Turi, eq by Dan McDonald
SHNID:
gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16
Source:
Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
Taper Notes:
View NotesThis recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up the transitions and anomalies. Dan's Change Log: 101- OK 102- Cross-faded about 2 seconds 103- Cross-faded about 3 seconds 104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4 105- cross-fade to track 6 106- Trimmed about 1/4 sec. of silence from end 107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs 108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108 109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW. 110- Did a slightly faster fadeout 201- faded in; anomaly at 5:28 Interpolated so it's not noticeable now. 202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound; fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way) 203- OK 204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated 205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out) 206- anomalies at 7:55, 8:51 & 9:03 interpolated 207- OK 208- OK 209- abrupt ending faded out 301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change, 4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds. Still starts abruptly, but the music sounds about right after it starts. 302/303- blank space cut out; cut to two tracks 304- Crossfade 305- OK 306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces. Only option was to cut it out or paste over from another spot. About 1 second removed. 307/308- Split into 2 tracks 309- Ok 310- OK 311- Redid fade 312- faded in; cut a small section of blank space at the end of song. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 5-18-12
Taper: Tim Friend;Joe Morrone
3:21:08
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116768.flac2448
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch in Deep Elem 0:00 > 0:07, ID-102405 patch in Drums 2:40 > 3:57.
Source 7 of 8
3:25:12
Rating:
8.50 / 5 ratings
SHNID:
gd80-10-25.aud.wiley.8726.sbefail.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Tim Friend;Joe Morrone
3:21:09
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116769.1644
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch Deep Elem 0:00 > 0:07, ID-102405 patch Drums 2:40 > 3:57. CDRs layout: D1 s1t01 > s2t03, D2 s2t04 > s3t04, D3 s3t05 > s3t14.