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Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h57877
7d1.5k202
30d30.2k4.2k
49 shows
341 tapes
1994
10.8k
PlaybackListensHours
48h739107
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k457
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.1k678
7d5.6k725
30d39.9k5.3k
57 shows
538 tapes
1991
39.2k
PlaybackListensHours
48h7k878
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.9k385
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h3k367
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h4.8k545
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k114
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k218
7d4.2k488
30d22.9k2.7k
73 shows
1,356 tapes
1984
21.2k
PlaybackListensHours
48h3.5k411
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k189
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k154
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k248
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h5.6k673
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k243
7d3.9k557
30d21.7k3k
79 shows
600 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
418 tapes
1976
71.6k
PlaybackListensHours
48h22.4k2.9k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h26729
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k477
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.8k787
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.4k308
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.8k195
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k178
7d7.8k819
30d45k4.8k
101 shows
375 tapes
1969
27.4k
PlaybackListensHours
48h1.4k174
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43155
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14819
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41930
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h212
7d1268
30d63237
2 shows
2 tapes
1980
10/25/80
Deep Elem Blues
5:05
The Race Is On
2:56
I've Been All Around This World
4:38
Monkey & the Engineer
2:31
To Lay Me Down
9:13
El Paso
4:37
Bird Song
8:48
Heaven Help the Fool
6:02
Dire Wolf ->
3:30
Ripple
4:43
Mississippi Half-Step Uptown Toodeloo ->
7:19
Franklin's Tower
8:50
Me & My Uncle ->
3:04
Big River
6:52
High Time
9:39
New Minglewood Blues
9:27
Ramble on Rose
7:00
Looks Like Rain
7:26
Deal
6:39
Cold Rain & Snow ->
6:33
Lost Sailor ->
6:44
Saint of Circumstance
6:40
Uncle John's Band ->
6:28
Playing in the Band ->
10:03
Drums ->
9:05
Space ->
5:11
The Other One ->
3:55
Black Peter ->
10:17
Around & Around ->
3:59
One More Saturday Night
4:43
U.S. Blues
5:41
FIN
View on archive.org
Sources
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.157769.ToLayMeDown.t.flac1644
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning on February 20, 1981 -- This is 150759 2469 > 1644
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
18:30
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] October 24, 2020
SHNID:
gd1980-10-25.150759.sbd.miller.flac2496
Source:
SBD > (16-track) Reel Master > Cassette
Lineage:
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/192k) > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
Taper Notes:
View NotesNotes: -- Two different mixes of To Lay Me Down made for Reckoning
Taper: Jim Wise
3:22:10
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.fob.sonyecm280.wise.miller.102405.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Steve Rolfe
3:27:14
Rating:
8.00 / 2 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-10-25.nak700.rolfe.miller.93804.sbeok.flac16
Source:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)
Lineage:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesPatch Info: Audience Recording (shnid=8726) supplies: Very short patch at end of Black Peter (forgot to note the times) Notes: -- All disc changes are seamless -- Recorded front row balcony -- Thanks to Steve Rolfe for lending me his masters
Taper: Keith Gatto & Pete Jaeger
3:17:38
Rating:
8.00 / 2 ratings
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Flac by Michael Turi, eq by Dan McDonald
SHNID:
gd1980-10-25.120163.fob-nak700.gatto-jaeger.dan.flac16
Source:
Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
Taper Notes:
View NotesThis recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up the transitions and anomalies. Dan's Change Log: 101- OK 102- Cross-faded about 2 seconds 103- Cross-faded about 3 seconds 104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4 105- cross-fade to track 6 106- Trimmed about 1/4 sec. of silence from end 107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs 108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108 109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW. 110- Did a slightly faster fadeout 201- faded in; anomaly at 5:28 Interpolated so it's not noticeable now. 202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound; fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way) 203- OK 204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated 205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out) 206- anomalies at 7:55, 8:51 & 9:03 interpolated 207- OK 208- OK 209- abrupt ending faded out 301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change, 4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds. Still starts abruptly, but the music sounds about right after it starts. 302/303- blank space cut out; cut to two tracks 304- Crossfade 305- OK 306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces. Only option was to cut it out or paste over from another spot. About 1 second removed. 307/308- Split into 2 tracks 309- Ok 310- OK 311- Redid fade 312- faded in; cut a small section of blank space at the end of song. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 5-18-12
Taper: Tim Friend;Joe Morrone
3:21:08
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116768.flac2448
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch in Deep Elem 0:00 > 0:07, ID-102405 patch in Drums 2:40 > 3:57.
Source 7 of 8
3:25:12
Rating:
8.50 / 5 ratings
SHNID:
gd80-10-25.aud.wiley.8726.sbefail.shnf
Source:
Audience Recording
Lineage:
AUD>MC>DAT>CDR
Taper Notes:
View NotesAUD>MC>DAT>CDR; Seeded to etree by Tim W
Taper: Tim Friend;Joe Morrone
3:21:09
Taper:
Tim Friend;Joe Morrone
Transferrer:
AndrewF
SHNID:
gd1980-10-25.nak300.morrone.friend.116769.1644
Source:
AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
Taper Notes:
View NotesNotes: Big mic-bumps near the start of Deep Elem and Ripple. ID-93804 patch Deep Elem 0:00 > 0:07, ID-102405 patch Drums 2:40 > 3:57. CDRs layout: D1 s1t01 > s2t03, D2 s2t04 > s3t04, D3 s3t05 > s3t14.