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Today In History
June 6th
5 shows
39 tapes
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1980
10/22/80
Tuning
0:07
Dire Wolf
3:55
On the Road Again
3:20
I've Been All Around This World
4:55
Monkey & the Engineer
3:21
To Lay Me Down
9:18
Heaven Help the Fool
6:24
Bird Song ->
8:01
Ripple
4:40
Tuning
0:05
Alabama Getaway ->
4:38
Greatest Story Ever Told
4:56
Friend Of The Devil
10:44
Me & My Uncle ->
3:09
Big River
5:51
Peggy-O
7:31
New Minglewood Blues
7:54
China Cat Sunflower ->
6:36
I Know You Rider
6:14
Tuning
0:07
Scarlet Begonias ->
8:09
Fire on the Mountain ->
7:41
Lost Sailor ->
11:12
Saint of Circumstance ->
3:28
Drums ->
8:28
Space ->
4:48
Not Fade Away ->
5:24
Goin' Down the Road Feeling Bad ->
5:30
Good Lovin'
6:34
U.S. Blues
5:24
FIN
View on archive.org
Sources
Taper: Jim Wise
2:50:34
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-22.sonyecm280.wise.miller.100416.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Keith Gatto & Pete Jaeger
2:48:24
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
Taper Notes:
View NotesLodge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac Recorded by Keith Gatto & Pete Jaeger Extracted & flac encoded by Michael Turi Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne 05-05-2012 ---------------------------------------------------------------------------------- Patched With: gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16 Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] August 1, 2009 Notes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction ---------------------------------------------------------------------------------------- ---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank you Charlie Miller for your work on Jim's recording. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. ------------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Germain's original notes: This source has significant high end energy and is thus clearer than circulating sources. There is significant crowd noise, the occasional mic bump and individual chat & claps like one would expect from the mic location. These isssues are far more prevelent in the acoustic set. The recorder was paused between most nonsequential songs. These are rather abrupt. Can patches from another source be added to fill missing sections of songs? 101 @1:45 mic bump -> cut (maybe 1 minute lost) ..... transition// sound improves after cut 102 transition// 103 transition// 104 transition// 105 transition// 106 transition// 107 ok 108 cut at beginning about 1:40 of music missing .....end of set// 201 muddier than preceeding set, less crowd noise. Is this the same recording?? 202 clarity improves... transition// 203 Bobby announcement -> dead air -> FOTD ...transition// (The first minute should probably be placed at the end of the preceeding track.) 204 ok 205 transition// 206 transition// 207 transition// 208 ok 209 ok 301 Scarlet > Fire combined 302 Sailor> Saint combined 303 Drums// some of drums is missing but this source's drums/space times out longer than other sources in circulation 304 Drums continues into space (the placement of the track break is not quite on que) 305 ok 306 ok 307 audience at end of songs somewhat fades out then abrupt recorder shut off 308 OK ----------------------------------------------------------------------------------------- Patch Notes: Acoustic set: Dire Wolf - 39 seconds Dire Wolf-On the Road Again transition - 26 seconds On the Road Again - beginning cut patched On the Road Again-I've Been All Around This World transition - 18 seconds I've Been All Around This World-Monkey & the Engineer transition - 30 seconds To Lay Me Down-Heaven Help the Fool transition cut on both sources Heaven Help the Fool-Bird Song transition cut on both sources Ripple - 1:38 Electric set 2: New Minglewood Blues-China Cat Sunflower transition - 24 seconds Electric set 3: Drums - 18 seconds Crowd noise and the beginning of U.S. Blues - 45 seconds ---------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 5-5-2012
Taper: Bob Morris
2:45:28
Rating:
8.00 / 2 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-22.nak300.morris.101778.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109
Taper Notes:
View NotesTape flip between drums and space. Some crowd/tuning deleted Recorded from Orchestra Row SS, Seat 109 by Bob Morris Thanks to Sam for help and to Dave B for lending his Naks
Source 4 of 4
2:47:51
Rating:
7.80 / 10 ratings
SHNID:
gd80-10-22.sony.wiley.8479.sbefail.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
AUD (Sony ECM-280's)> MC> DAT> CDR
Taper Notes:
View NotesAUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley