RELISTENTOTHE Grateful Dead
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Today In History
June 11th
Years
1995
29.8k
PlaybackListensHours
48h51169
7d1.4k198
30d29.8k4.2k
49 shows
341 tapes
1994
9.4k
PlaybackListensHours
48h1.5k192
7d2.4k311
30d9.4k1.3k
85 shows
460 tapes
1993
40.5k
PlaybackListensHours
48h2.7k358
7d7.5k961
30d40.5k5.3k
83 shows
656 tapes
1992
37.9k
PlaybackListensHours
48h2k268
7d5.2k669
30d37.9k5k
57 shows
539 tapes
1991
35.4k
PlaybackListensHours
48h4.1k509
7d12.8k1.8k
30d35.4k4.9k
78 shows
973 tapes
1990
41.7k
PlaybackListensHours
48h7.7k957
7d12.1k1.5k
30d41.7k5.4k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.7k330
7d5.7k714
30d47k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.1k127
7d2.6k307
30d20.5k2.4k
82 shows
882 tapes
1987
33.1k
PlaybackListensHours
48h2.3k264
7d4.2k473
30d33.1k3.6k
88 shows
1,025 tapes
1986
11.6k
PlaybackListensHours
48h912102
7d1.7k188
30d11.6k1.3k
47 shows
684 tapes
1985
21.4k
PlaybackListensHours
48h1.8k208
7d3.4k393
30d21.4k2.5k
73 shows
1,356 tapes
1984
17.2k
PlaybackListensHours
48h4.3k512
7d3.8k475
30d17.2k2.2k
67 shows
1,075 tapes
1983
29.1k
PlaybackListensHours
48h1.2k160
7d2.9k383
30d29.1k3.8k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k145
7d3.2k389
30d41.6k5.2k
63 shows
753 tapes
1981
43.3k
PlaybackListensHours
48h2.2k281
7d4k511
30d43.3k5.4k
92 shows
868 tapes
1980
69.4k
PlaybackListensHours
48h2.2k257
7d12k1.3k
30d69.4k8.1k
91 shows
794 tapes
1979
21.4k
PlaybackListensHours
48h1.5k213
7d2.9k416
30d21.4k3k
79 shows
600 tapes
1978
50k
PlaybackListensHours
48h1.9k254
7d4.2k562
30d50k6.8k
87 shows
592 tapes
1977
285.5k
PlaybackListensHours
48h10.6k1.4k
7d40.2k5.6k
30d285.5k39.4k
64 shows
419 tapes
1976
53.8k
PlaybackListensHours
48h17.4k2.3k
7d9.8k1.4k
30d53.8k7.4k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h19321
7d1.5k143
30d6.4k651
25 shows
63 tapes
1974
98.2k
PlaybackListensHours
48h3.7k488
7d12.1k1.6k
30d98.2k12.5k
42 shows
324 tapes
1973
80.4k
PlaybackListensHours
48h10.3k1.4k
7d10.6k1.4k
30d80.4k10.2k
75 shows
445 tapes
1972
66.1k
PlaybackListensHours
48h1.9k244
7d6k751
30d66.1k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k185
7d3.8k423
30d33.2k3.8k
82 shows
357 tapes
1970
45.4k
PlaybackListensHours
48h1.6k189
7d12k1.2k
30d45.4k4.8k
101 shows
376 tapes
1969
26.6k
PlaybackListensHours
48h1.2k156
7d4.3k706
30d26.6k4k
112 shows
326 tapes
1968
7.1k
PlaybackListensHours
48h52767
7d1.4k179
30d7.1k900
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8012
7d25334
30d1.6k211
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h43028
7d53635
30d7.8k525
32 shows
78 tapes
1965
585
PlaybackListensHours
48h614
7d895
30d58534
2 shows
2 tapes
1980
10/22/80
Tuning
0:07
Dire Wolf
3:55
On the Road Again
3:20
I've Been All Around This World
4:55
Monkey & the Engineer
3:21
To Lay Me Down
9:18
Heaven Help the Fool
6:24
Bird Song ->
8:01
Ripple
4:40
Tuning
0:05
Alabama Getaway ->
4:38
Greatest Story Ever Told
4:56
Friend Of The Devil
10:44
Me & My Uncle ->
3:09
Big River
5:51
Peggy-O
7:31
New Minglewood Blues
7:54
China Cat Sunflower ->
6:36
I Know You Rider
6:14
Tuning
0:07
Scarlet Begonias ->
8:09
Fire on the Mountain ->
7:41
Lost Sailor ->
11:12
Saint of Circumstance ->
3:28
Drums ->
8:28
Space ->
4:48
Not Fade Away ->
5:24
Goin' Down the Road Feeling Bad ->
5:30
Good Lovin'
6:34
U.S. Blues
5:24
FIN
View on archive.org
Sources
Taper: Jim Wise
2:50:34
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-22.sonyecm280.wise.miller.100416.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Keith Gatto & Pete Jaeger
2:48:24
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
Taper Notes:
View NotesLodge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac Recorded by Keith Gatto & Pete Jaeger Extracted & flac encoded by Michael Turi Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne 05-05-2012 ---------------------------------------------------------------------------------- Patched With: gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16 Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] August 1, 2009 Notes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction ---------------------------------------------------------------------------------------- ---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank you Charlie Miller for your work on Jim's recording. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. ------------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Germain's original notes: This source has significant high end energy and is thus clearer than circulating sources. There is significant crowd noise, the occasional mic bump and individual chat & claps like one would expect from the mic location. These isssues are far more prevelent in the acoustic set. The recorder was paused between most nonsequential songs. These are rather abrupt. Can patches from another source be added to fill missing sections of songs? 101 @1:45 mic bump -> cut (maybe 1 minute lost) ..... transition// sound improves after cut 102 transition// 103 transition// 104 transition// 105 transition// 106 transition// 107 ok 108 cut at beginning about 1:40 of music missing .....end of set// 201 muddier than preceeding set, less crowd noise. Is this the same recording?? 202 clarity improves... transition// 203 Bobby announcement -> dead air -> FOTD ...transition// (The first minute should probably be placed at the end of the preceeding track.) 204 ok 205 transition// 206 transition// 207 transition// 208 ok 209 ok 301 Scarlet > Fire combined 302 Sailor> Saint combined 303 Drums// some of drums is missing but this source's drums/space times out longer than other sources in circulation 304 Drums continues into space (the placement of the track break is not quite on que) 305 ok 306 ok 307 audience at end of songs somewhat fades out then abrupt recorder shut off 308 OK ----------------------------------------------------------------------------------------- Patch Notes: Acoustic set: Dire Wolf - 39 seconds Dire Wolf-On the Road Again transition - 26 seconds On the Road Again - beginning cut patched On the Road Again-I've Been All Around This World transition - 18 seconds I've Been All Around This World-Monkey & the Engineer transition - 30 seconds To Lay Me Down-Heaven Help the Fool transition cut on both sources Heaven Help the Fool-Bird Song transition cut on both sources Ripple - 1:38 Electric set 2: New Minglewood Blues-China Cat Sunflower transition - 24 seconds Electric set 3: Drums - 18 seconds Crowd noise and the beginning of U.S. Blues - 45 seconds ---------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 5-5-2012
Taper: Bob Morris
2:45:28
Rating:
8.00 / 2 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-22.nak300.morris.101778.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109
Taper Notes:
View NotesTape flip between drums and space. Some crowd/tuning deleted Recorded from Orchestra Row SS, Seat 109 by Bob Morris Thanks to Sam for help and to Dave B for lending his Naks
Source 4 of 4
2:47:51
Rating:
7.80 / 10 ratings
SHNID:
gd80-10-22.sony.wiley.8479.sbefail.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
AUD (Sony ECM-280's)> MC> DAT> CDR
Taper Notes:
View NotesAUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley