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Today In History
June 10th
Years
1995
30.1k
PlaybackListensHours
48h66089
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k230
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.3k403
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.4k309
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k469
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.8k1.2k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.5k311
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k144
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k207
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h76886
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.6k178
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3k360
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k161
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k147
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k181
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h4.9k554
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.6k236
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.9k255
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h21.1k2.9k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h6.4k918
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h44847
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.4k976
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.3k801
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.4k312
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k197
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k220
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.7k281
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h956129
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13819
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h29016
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h422
7d1076
30d59434
2 shows
2 tapes
1980
10/22/80
Tuning
1:11
Dire Wolf
3:55
On The Road Again
3:20
I've Been All Around This World
4:53
Monkey And The Engineer
3:21
To Lay Me Down
9:10
Heaven Help The Fool
6:26
Bird Song ->
7:58
Ripple
4:37
Tuning
0:36
Alabama Getaway ->
4:36
Greatest Story Ever Told
4:58
Friend Of The Devil
11:00
Me And My Uncle ->
3:08
Big River
5:41
Peggy-O
7:23
New Minglewood Blues
7:48
China Cat Sunflower ->
6:29
I Know You Rider
6:20
Tuning
1:00
Scarlet Begonias ->
8:10
Fire On The Mountain ->
7:42
Lost Sailor ->
6:43
Saint Of Circumstance ->
7:53
Drums ->
8:26
Space ->
4:54
Not Fade Away ->
5:24
Goin' Down The Road Feeling Bad ->
5:31
Good Lovin'
6:36
U.S. Blues
5:25
FIN
View on archive.org
Sources
Taper: Jim Wise
2:50:34
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-22.sonyecm280.wise.miller.100416.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Keith Gatto & Pete Jaeger
2:48:24
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
Taper Notes:
View NotesLodge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac Recorded by Keith Gatto & Pete Jaeger Extracted & flac encoded by Michael Turi Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne 05-05-2012 ---------------------------------------------------------------------------------- Patched With: gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16 Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] August 1, 2009 Notes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction ---------------------------------------------------------------------------------------- ---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank you Charlie Miller for your work on Jim's recording. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. ------------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Germain's original notes: This source has significant high end energy and is thus clearer than circulating sources. There is significant crowd noise, the occasional mic bump and individual chat & claps like one would expect from the mic location. These isssues are far more prevelent in the acoustic set. The recorder was paused between most nonsequential songs. These are rather abrupt. Can patches from another source be added to fill missing sections of songs? 101 @1:45 mic bump -> cut (maybe 1 minute lost) ..... transition// sound improves after cut 102 transition// 103 transition// 104 transition// 105 transition// 106 transition// 107 ok 108 cut at beginning about 1:40 of music missing .....end of set// 201 muddier than preceeding set, less crowd noise. Is this the same recording?? 202 clarity improves... transition// 203 Bobby announcement -> dead air -> FOTD ...transition// (The first minute should probably be placed at the end of the preceeding track.) 204 ok 205 transition// 206 transition// 207 transition// 208 ok 209 ok 301 Scarlet > Fire combined 302 Sailor> Saint combined 303 Drums// some of drums is missing but this source's drums/space times out longer than other sources in circulation 304 Drums continues into space (the placement of the track break is not quite on que) 305 ok 306 ok 307 audience at end of songs somewhat fades out then abrupt recorder shut off 308 OK ----------------------------------------------------------------------------------------- Patch Notes: Acoustic set: Dire Wolf - 39 seconds Dire Wolf-On the Road Again transition - 26 seconds On the Road Again - beginning cut patched On the Road Again-I've Been All Around This World transition - 18 seconds I've Been All Around This World-Monkey & the Engineer transition - 30 seconds To Lay Me Down-Heaven Help the Fool transition cut on both sources Heaven Help the Fool-Bird Song transition cut on both sources Ripple - 1:38 Electric set 2: New Minglewood Blues-China Cat Sunflower transition - 24 seconds Electric set 3: Drums - 18 seconds Crowd noise and the beginning of U.S. Blues - 45 seconds ---------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 5-5-2012
Taper: Bob Morris
2:45:28
Rating:
8.00 / 2 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-22.nak300.morris.101778.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109
Taper Notes:
View NotesTape flip between drums and space. Some crowd/tuning deleted Recorded from Orchestra Row SS, Seat 109 by Bob Morris Thanks to Sam for help and to Dave B for lending his Naks
Source 4 of 4
2:47:51
Rating:
7.80 / 10 ratings
SHNID:
gd80-10-22.sony.wiley.8479.sbefail.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
AUD (Sony ECM-280's)> MC> DAT> CDR
Taper Notes:
View NotesAUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley