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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1980
10/22/80
announcement / tuning
2:35
Dire Wolf
3:39
tuning
0:31
On The Road Again
2:49
tuning
0:34
I've Been All Around This World
5:17
Monkey & The Engineer
2:52
To Lay Me Down
9:16
Heaven Help The Fool
6:26
Bird Song ->
7:53
Ripple
4:16
tuning
1:49
Alabama Getaway ->
4:32
Greatest Story Ever Told
4:08
keep the aisles clear"
0:27
Friend of the Devil
11:09
Me & My Uncle ->
3:05
Big River
5:37
Peggy-O
7:15
New Minglewood Blues
7:24
China Cat Sunflower ->
6:29
I Know You Rider
6:24
Scarlet Begonias ->
8:19
Fire on the Mountain ->
7:35
Lost Sailor ->
6:42
St of Circumstance ->
7:18
drums ->
3:30
space ->
5:33
Not Fade Away ->
5:20
Goin' Down The Road ->
5:27
Good Lovin'
5:54
U.S. Blues
5:23
FIN
View on archive.org
Sources
Taper: Jim Wise
2:50:34
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-22.sonyecm280.wise.miller.100416.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Keith Gatto & Pete Jaeger
2:48:24
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
Taper Notes:
View NotesLodge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac Recorded by Keith Gatto & Pete Jaeger Extracted & flac encoded by Michael Turi Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne 05-05-2012 ---------------------------------------------------------------------------------- Patched With: gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16 Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] August 1, 2009 Notes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction ---------------------------------------------------------------------------------------- ---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank you Charlie Miller for your work on Jim's recording. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. ------------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Germain's original notes: This source has significant high end energy and is thus clearer than circulating sources. There is significant crowd noise, the occasional mic bump and individual chat & claps like one would expect from the mic location. These isssues are far more prevelent in the acoustic set. The recorder was paused between most nonsequential songs. These are rather abrupt. Can patches from another source be added to fill missing sections of songs? 101 @1:45 mic bump -> cut (maybe 1 minute lost) ..... transition// sound improves after cut 102 transition// 103 transition// 104 transition// 105 transition// 106 transition// 107 ok 108 cut at beginning about 1:40 of music missing .....end of set// 201 muddier than preceeding set, less crowd noise. Is this the same recording?? 202 clarity improves... transition// 203 Bobby announcement -> dead air -> FOTD ...transition// (The first minute should probably be placed at the end of the preceeding track.) 204 ok 205 transition// 206 transition// 207 transition// 208 ok 209 ok 301 Scarlet > Fire combined 302 Sailor> Saint combined 303 Drums// some of drums is missing but this source's drums/space times out longer than other sources in circulation 304 Drums continues into space (the placement of the track break is not quite on que) 305 ok 306 ok 307 audience at end of songs somewhat fades out then abrupt recorder shut off 308 OK ----------------------------------------------------------------------------------------- Patch Notes: Acoustic set: Dire Wolf - 39 seconds Dire Wolf-On the Road Again transition - 26 seconds On the Road Again - beginning cut patched On the Road Again-I've Been All Around This World transition - 18 seconds I've Been All Around This World-Monkey & the Engineer transition - 30 seconds To Lay Me Down-Heaven Help the Fool transition cut on both sources Heaven Help the Fool-Bird Song transition cut on both sources Ripple - 1:38 Electric set 2: New Minglewood Blues-China Cat Sunflower transition - 24 seconds Electric set 3: Drums - 18 seconds Crowd noise and the beginning of U.S. Blues - 45 seconds ---------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 5-5-2012
Taper: Bob Morris
2:45:28
Rating:
8.00 / 2 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-22.nak300.morris.101778.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109
Taper Notes:
View NotesTape flip between drums and space. Some crowd/tuning deleted Recorded from Orchestra Row SS, Seat 109 by Bob Morris Thanks to Sam for help and to Dave B for lending his Naks
Source 4 of 4
2:47:51
Rating:
7.80 / 10 ratings
SHNID:
gd80-10-22.sony.wiley.8479.sbefail.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
AUD (Sony ECM-280's)> MC> DAT> CDR
Taper Notes:
View NotesAUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley