Bands
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Bands
Grateful Dead
Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h58580
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k268
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k309
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k194
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k441
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k335
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k137
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k246
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h892100
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k198
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.9k691
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.1k154
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k155
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k250
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.5k288
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k231
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h1.9k264
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h16.8k2.2k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37440
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k530
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.7k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.1k278
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k200
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.7k195
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k166
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68386
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8614
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h644
7d1076
30d59534
2 shows
2 tapes
1980
Sources
Taper: Jim Wise
2:50:34
Taper:
Jim Wise
Transferrer:
Charlie Miller
SHNID:
gd1980-10-22.sonyecm280.wise.miller.100416.flac16
Source:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
Taper Notes:
View NotesNotes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Keith Gatto & Pete Jaeger
2:48:24
Taper:
Keith Gatto & Pete Jaeger
Transferrer:
Michael Turi
SHNID:
gd1980-10-22.120053.fob-nak700.gatto-jaeger.dusborne.flac16
Source:
Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
Taper Notes:
View NotesLodge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac Recorded by Keith Gatto & Pete Jaeger Extracted & flac encoded by Michael Turi Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne 05-05-2012 ---------------------------------------------------------------------------------- Patched With: gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16 Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] August 1, 2009 Notes: -- Recorded By Jim Wise -- Thanks to Jim Wise for lending me his master cassettes -- Thanks to Joe B. Jones for his help with the pitch correction ---------------------------------------------------------------------------------------- ---Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show. ---Thank You Michael Turi For extracting the files from your personal cd's. ---Thank you Charlie Miller for your work on Jim's recording. ---Thanks to germain for everything;seeding,encouragement,advice and tutelage. ------------------------------------------------------------------------------------- ----------------------------------------------------------------------------------- Germain's original notes: This source has significant high end energy and is thus clearer than circulating sources. There is significant crowd noise, the occasional mic bump and individual chat & claps like one would expect from the mic location. These isssues are far more prevelent in the acoustic set. The recorder was paused between most nonsequential songs. These are rather abrupt. Can patches from another source be added to fill missing sections of songs? 101 @1:45 mic bump -> cut (maybe 1 minute lost) ..... transition// sound improves after cut 102 transition// 103 transition// 104 transition// 105 transition// 106 transition// 107 ok 108 cut at beginning about 1:40 of music missing .....end of set// 201 muddier than preceeding set, less crowd noise. Is this the same recording?? 202 clarity improves... transition// 203 Bobby announcement -> dead air -> FOTD ...transition// (The first minute should probably be placed at the end of the preceeding track.) 204 ok 205 transition// 206 transition// 207 transition// 208 ok 209 ok 301 Scarlet > Fire combined 302 Sailor> Saint combined 303 Drums// some of drums is missing but this source's drums/space times out longer than other sources in circulation 304 Drums continues into space (the placement of the track break is not quite on que) 305 ok 306 ok 307 audience at end of songs somewhat fades out then abrupt recorder shut off 308 OK ----------------------------------------------------------------------------------------- Patch Notes: Acoustic set: Dire Wolf - 39 seconds Dire Wolf-On the Road Again transition - 26 seconds On the Road Again - beginning cut patched On the Road Again-I've Been All Around This World transition - 18 seconds I've Been All Around This World-Monkey & the Engineer transition - 30 seconds To Lay Me Down-Heaven Help the Fool transition cut on both sources Heaven Help the Fool-Bird Song transition cut on both sources Ripple - 1:38 Electric set 2: New Minglewood Blues-China Cat Sunflower transition - 24 seconds Electric set 3: Drums - 18 seconds Crowd noise and the beginning of U.S. Blues - 45 seconds ---------------------------------------------------------------------------------------- Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. dusborne 5-5-2012
Taper: Bob Morris
2:45:28
Rating:
8.00 / 2 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-10-22.nak300.morris.101778.sbeok.flac16
Source:
Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109
Taper Notes:
View NotesTape flip between drums and space. Some crowd/tuning deleted Recorded from Orchestra Row SS, Seat 109 by Bob Morris Thanks to Sam for help and to Dave B for lending his Naks
Source 4 of 4
2:47:51
Rating:
7.80 / 10 ratings
SHNID:
gd80-10-22.sony.wiley.8479.sbefail.shnf
Source:
Audience Recording: Sony ECM-280 mics
Lineage:
AUD (Sony ECM-280's)> MC> DAT> CDR
Taper Notes:
View NotesAUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley