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Bands
Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
30.2k
PlaybackListensHours
48h58177
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h763114
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3.3k449
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h5.2k696
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h6.6k834
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k372
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k358
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k146
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5k564
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k113
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.8k207
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h3.6k423
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k184
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k156
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h2k246
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h6.2k737
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k234
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h2k275
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.9k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h21.5k2.8k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h28731
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k481
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.5k751
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.5k313
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k214
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.4k168
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k179
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h41953
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h15119
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41530
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h181
7d1268
30d63237
2 shows
2 tapes
1980
Sources
Transferrer: Charlie Miller
1:22:26
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd80-10-13.set1-set3-sbd.miller.25559.sbeok.shnf
Source:
Soundboard
Lineage:
Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View NotesRecording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Source 2 of 5
3:20:20
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1980-10-13.137297.sbd.bershaw-composite.flac16
Source:
sbd composite upgrade by Alan Bershaw; see info file for details
Taper Notes:
View NotesThis show has only circulated in bits and pieces and no set from this night has ever circulated with all the songs in complete form. For the fun of it, I ventured into making a complete composite utilizing the best existing sources, including a couple of patch sources that have not seen much, if any, circulation prior to now. Ripple, Sugaree and Stella Blue required patches from room recordings to seamlessly complete them, but otherwise, every song is soundboard sourced here. All three sets now have every song complete for the first time, with a great deal of the electric sets in superior quality to any previously circulating source. That about covers it. Thank you to Bob, Scott, Charlie and Chris for their source tapes. Alan Bershaw - November 2016
Source 3 of 5
2:08:24
SBD
SHNID:
gd1980-10-13.137256.sbd.clugston.sbeok.flac16
Source:
Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
Taper Notes:
View NotesTechnical notes: Sugaree: fade in at 0:37.954 New Minglewood Blues: drop out at 4:16.165 Peggy-O: hot spots at 0:00.000-0:37.600, 2:03.946-2:31.074, 2:34.984-2:38.615 The Other One: cut at 2:09.570 I traded for the cassettes in 1988. The partial show spanned 3 cassette sides and I noted them in my spreadsheet as 11th gen. The first cassette side contained the 1st set, but cut a few minutes into Deal. The 2nd cassette side contained the entire Deal through the beginning of drums from the 2nd set, and the third cassette side contained drums through The Other One. The source for the complete Deal and the entire 2nd set is different than the source for the first set(and presented its own set of unique sonic difficulties). At the time, these cassettes filled a void in my analog collection, and I figured it would be relatively easy to upgrade my copy in the future based on the fact that my copy was, well, 11th gen. As it turns out, these 28 year old, multi-gen cassettes, have become a missing piece of the year that is 1980. To date, (11/2016) the acoustic set soundboard and a partial aud of the 2nd Electric set (thanks Charlie)is all that circulates for this show. Lossless Legs lists a complete 2nd gen audience source with ShnID 114417, however, there has never been a seeder, nor has anyone downloaded the show according to their stats. While this copy is far from a crispy, crunchy transfer from master or low gen soundboard cassettes, it is listenable and will have to suffice until better sources are unearthed. While hesistant to circulate an nth gen analog cassette transfer, these cassettes appear to be the lone source currently available, and hopefully, will only serve as a temporary place-holder for that crispy, crunchy, analog master transfer that I hope surfaces because of this effort (audience sources are always welcome as well). On the subject of effort, a big round of applause goes out to numerous folks who have had a hand in helping circulate this seemingly uncirculated bit of GD history. Thanks to Pat8track (and his wife Val) for having the perseverance and resolve of holding onto my analog collection for over 20 years and then were able to actually find the source cassettes, also to David Minches who, once again, admirably took care of the A>D transfer in 24/96, to audiohead22, who used a delicate digital brush to transform David's raw transfer into something that can be enjoyed and appreciated. We did the best we could with what we had to work with. This community is truly something special. Thank you all. Seeded by Scott Clugston Nov 2016 The first 1:43 of Sugaree is unlistenable due to technical difficulties and has been removed. Source cuts after the first few notes of Stella Blue. Stella Blue, Around & Around, Johnny B. Goode and Casey Jones are missing.
Source 4 of 5
45:43
SBD
Rating:
9.43 / 14 ratings
SHNID:
gd80-10-13.acoustic-sbd.munder.13064.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MR>PCM>DAT>CDR
Taper Notes:
View NotesAcoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy
Source 5 of 5
3:20:48
Rating:
8.00 / 1 rating
SHNID:
gd1980-10-13.114417.aud.vman.flac16
Lineage:
CDR > MacBook using Xact to create flac files, no other work has been done on this recording
Taper Notes:
View Notesnotes: really neat show from the Warfield run. Acoustic set has been circulating as a board for sometime, but the electric set has not circulated for some reason, so I felt compelled to get this out there. Items of note include an extended 6 minute intro for Samson & Delilah as well as one of only a few He's Gone performances after space. 1. Original taper paused between songs and I have not smoothed this over. 2. tape flip before Deal, slight pause 3. Jam after Saint is really short and could have just as easily been part of Saint instead of its own track 4. tape flip in Drums, slight pause 5. overlap and pause between Stella and Around. No music missing, just an overlap that can be fixed by someone who can do that stuff 6.tape flip at very end of Around, a few notes of Johnny B. Goode are missing I think the taper was using a handheld stereo mic and moved around a bit as the quality of the recording fluctuates in spots, especially the in the first electric set. Second electric set sounds pretty good all around. Enjoy! v