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Grateful Dead
Today In History
June 6th
Years
1995
29.2k
PlaybackListensHours
48h2.3k316
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69499
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.7k638
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.1k151
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.7k358
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.8k477
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k149
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k290
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h83292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k191
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k227
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k280
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k184
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.7k857
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.7k2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.7k1.1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85971
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k524
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k566
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k386
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k232
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k740
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h58973
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13720
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h47134
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h493
7d1277
30d57234
2 shows
2 tapes
1980
Sources
Transferrer: Charlie Miller
1:22:26
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd80-10-13.set1-set3-sbd.miller.25559.sbeok.shnf
Source:
Soundboard
Lineage:
Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Taper Notes:
View NotesRecording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
Source 2 of 5
3:20:20
SBD
Rating:
10.00 / 2 ratings
SHNID:
gd1980-10-13.137297.sbd.bershaw-composite.flac16
Source:
sbd composite upgrade by Alan Bershaw; see info file for details
Taper Notes:
View NotesThis show has only circulated in bits and pieces and no set from this night has ever circulated with all the songs in complete form. For the fun of it, I ventured into making a complete composite utilizing the best existing sources, including a couple of patch sources that have not seen much, if any, circulation prior to now. Ripple, Sugaree and Stella Blue required patches from room recordings to seamlessly complete them, but otherwise, every song is soundboard sourced here. All three sets now have every song complete for the first time, with a great deal of the electric sets in superior quality to any previously circulating source. That about covers it. Thank you to Bob, Scott, Charlie and Chris for their source tapes. Alan Bershaw - November 2016
Source 3 of 5
2:08:24
SBD
SHNID:
gd1980-10-13.137256.sbd.clugston.sbeok.flac16
Source:
Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
Taper Notes:
View NotesTechnical notes: Sugaree: fade in at 0:37.954 New Minglewood Blues: drop out at 4:16.165 Peggy-O: hot spots at 0:00.000-0:37.600, 2:03.946-2:31.074, 2:34.984-2:38.615 The Other One: cut at 2:09.570 I traded for the cassettes in 1988. The partial show spanned 3 cassette sides and I noted them in my spreadsheet as 11th gen. The first cassette side contained the 1st set, but cut a few minutes into Deal. The 2nd cassette side contained the entire Deal through the beginning of drums from the 2nd set, and the third cassette side contained drums through The Other One. The source for the complete Deal and the entire 2nd set is different than the source for the first set(and presented its own set of unique sonic difficulties). At the time, these cassettes filled a void in my analog collection, and I figured it would be relatively easy to upgrade my copy in the future based on the fact that my copy was, well, 11th gen. As it turns out, these 28 year old, multi-gen cassettes, have become a missing piece of the year that is 1980. To date, (11/2016) the acoustic set soundboard and a partial aud of the 2nd Electric set (thanks Charlie)is all that circulates for this show. Lossless Legs lists a complete 2nd gen audience source with ShnID 114417, however, there has never been a seeder, nor has anyone downloaded the show according to their stats. While this copy is far from a crispy, crunchy transfer from master or low gen soundboard cassettes, it is listenable and will have to suffice until better sources are unearthed. While hesistant to circulate an nth gen analog cassette transfer, these cassettes appear to be the lone source currently available, and hopefully, will only serve as a temporary place-holder for that crispy, crunchy, analog master transfer that I hope surfaces because of this effort (audience sources are always welcome as well). On the subject of effort, a big round of applause goes out to numerous folks who have had a hand in helping circulate this seemingly uncirculated bit of GD history. Thanks to Pat8track (and his wife Val) for having the perseverance and resolve of holding onto my analog collection for over 20 years and then were able to actually find the source cassettes, also to David Minches who, once again, admirably took care of the A>D transfer in 24/96, to audiohead22, who used a delicate digital brush to transform David's raw transfer into something that can be enjoyed and appreciated. We did the best we could with what we had to work with. This community is truly something special. Thank you all. Seeded by Scott Clugston Nov 2016 The first 1:43 of Sugaree is unlistenable due to technical difficulties and has been removed. Source cuts after the first few notes of Stella Blue. Stella Blue, Around & Around, Johnny B. Goode and Casey Jones are missing.
Source 4 of 5
45:43
SBD
Rating:
9.43 / 14 ratings
SHNID:
gd80-10-13.acoustic-sbd.munder.13064.sbeok.shnf
Source:
Soundboard
Lineage:
SBD>MR>PCM>DAT>CDR
Taper Notes:
View NotesAcoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy
Source 5 of 5
3:20:48
Rating:
8.00 / 1 rating
SHNID:
gd1980-10-13.114417.aud.vman.flac16
Lineage:
CDR > MacBook using Xact to create flac files, no other work has been done on this recording
Taper Notes:
View Notesnotes: really neat show from the Warfield run. Acoustic set has been circulating as a board for sometime, but the electric set has not circulated for some reason, so I felt compelled to get this out there. Items of note include an extended 6 minute intro for Samson & Delilah as well as one of only a few He's Gone performances after space. 1. Original taper paused between songs and I have not smoothed this over. 2. tape flip before Deal, slight pause 3. Jam after Saint is really short and could have just as easily been part of Saint instead of its own track 4. tape flip in Drums, slight pause 5. overlap and pause between Stella and Around. No music missing, just an overlap that can be fixed by someone who can do that stuff 6.tape flip at very end of Around, a few notes of Johnny B. Goode are missing I think the taper was using a handheld stereo mic and moved around a bit as the quality of the recording fluctuates in spots, especially the in the first electric set. Second electric set sounds pretty good all around. Enjoy! v