RELISTENTOTHE Grateful Dead
Re
1980
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 15th
7 shows
74 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k179
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k244
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k243
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k374
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k359
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.2k736
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k271
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k133
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.2k519
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86299
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.7k767
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.3k285
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h959121
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k161
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h2k246
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k444
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k158
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k213
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h15.9k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42845
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k522
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k316
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.5k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k149
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k235
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h75193
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13318
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1980
9/6/80
Tuning
2:50
Alabama Getaway >
5:13
Greatest Story Ever Told
5:13
Sugaree
15:34
Me & My Uncle >
2:54
Mexicali Blues
5:18
Tennessee Jed
9:50
Feel Like a Stranger
12:17
Friend of the Devil
10:14
Far From Me >
4:06
Little Red Rooster
9:34
China Cat Sunflower >
6:08
I Know You Rider >
5:29
The Promised Land
4:20
Tuning
1:00
Shakedown Street >
11:54
Lost Sailor >
5:57
Saint of Circumstance
6:27
Althea
13:12
Playin' in the Band >
9:34
Uncle John's Band >
7:44
Drums >
13:48
Space >
2:56
Not Fade Away >
6:31
The Wheel >
5:12
Uncle John's Band Reprise >
3:16
Playin' in the Band Reprise >
2:59
Sugar Magnolia
10:05
One More Saturday Night >
4:38
Brokedown Palace
5:26
FIN
View on archive.org
Sources
Taper: Kathy Sublette
3:33:05
Rating:
10.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.147840.fob.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Kathy Sublette
3:33:05
Rating:
10.00 / 2 ratings
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.147839.fob.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Jim Wise
3:31:30
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.142972.fob.nak700.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition - There is some minor wind noise noticeable in between some songs - Thanks to Joe B. Jones for verifying the pitch - A fun time was had by all Mastered by Scott Clugston August 2018
Taper: Jim Wise
3:31:30
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.142971.fob.nak700.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition - There is some minor wind noise noticeable in between some songs - Thanks to Joe B. Jones for verifying the pitch - A fun time was had by all Mastered by Scott Clugston August 2018
Taper: Jim Wise and Steve Rolfe
3:29:39
Rating:
10.00 / 1 rating
Taper:
Jim Wise and Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-09-06.127165.fob-nak700.rolfe-wise.minches.flac2496
Source:
Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper Notes:
View NotesIn preparaton of circulating this source, I asked Jim to help differtiate this source from Chalie Miller's release of Steve Rolfe's recording. His reply follws: Steve Rolfe and I taped that show together, my deck (Sony tcd-5) was patched out of Steve's D5, same signal but two separate cassette masters... The reason this is different from Charlie Miller's release of Steve Rolfe's recording is because it's my master, not Steve's master. The main differance is that Charlie Miller did not decode the dolby properly (both mine and Steves masters were dolby B encoded). If you listen to the Miller transfer of the Rolfe master, you'll hear the artificially equalized shrilly high end that's typical when you leave the dolby switch in the "off" position of a tape that was originally dolby encoded. David Minches did mine with a tweaked Nak Dragon and properly decoded the dolby on playback ... If you playback this Minches transfer and adjust the high end to be boosted a bit, you'll experience a much more natural sounding recording ... especially on higher end gear. That's the whole point of having David remaster my work in 24/96 ...our Idea is to allow the end user to enjoy the sound and adjust the tonal balance according to his, or her own preference, rather then have someone else make those decisions for you during pre-production. Jim Wise 2/23/2014
Taper: John Hance
3:21:12
Rating:
9.20 / 5 ratings
Taper:
John Hance
Transferrer:
Michale Turi
SHNID:
gd1980-09-06.119726.fob.hance.flac16
Source:
FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi
Taper Notes:
View NotesNotes: The CD's for this show were received in trade several years back by Michael Turi. This source however seems to have not made it into circulation. This is an excellent FOB recording, however specifics on the mics and deck used by John Hance are not available. Known Flaws: -There is significant dead air between many non-sequential tracks. Tracks were cut in the middle of these segments causing the dead spaces to end one track and begin the next. -In several places the recorder was abrubtly paused between tracks, no music was lost. -After the first few notes of Little Red Rooster the recorder was briefly paused, a couple of seconds of music are lost. -There is a brief cut in the transition between Shakedown Street and Lost Sailor. -The very ending of Uncle John's Band is faded out. -Several minutes of Drums is missing. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 4-03-12