Bands
Featured
Bands
Grateful Dead
Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.2k304
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h67896
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.9k659
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.3k166
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h3k395
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k360
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.7k466
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k150
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k289
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h82792
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k194
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k188
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k230
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.2k283
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k182
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.4k817
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.3k1.9k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.4k1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85471
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k528
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k568
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k391
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k238
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.8k764
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59874
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13820
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h44432
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h483
7d1277
30d57234
2 shows
2 tapes
1980
Sources
Transferrer: Tape provided by Joey Browning Transfer by Joe Samaritano Mastering by Charlie Miller [email protected] November 6, 2025
1:27:49
SBDREMASTER
Transferrer:
Tape provided by Joey Browning Transfer by Joe Samaritano Mastering by Charlie Miller [email protected] November 6, 2025
SHNID:
gd1980-09-06.175072.tape1.sbd.remaster.browning.samaritano.miller.flac1644
Source:
SBD > Cassette Master > ? > Cassette > SHN > FLAC
Lineage:
FLAC > iZotope RX11 Advanced > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=25560 -- I repaired the vocal phase issue, fixed the pitch and patch -- This is currently all that is available in soundboard -- Thanks to Scott Clugston, Jim Wise and Steve Rolfe for the patch
Source 2 of 23
3:35:37
SBD
Rating:
9.14 / 42 ratings
SHNID:
gd80-09-06.sbd_aud.miller.25560.sbeok.shnf
Source:
Soundboard and Audience composite
Lineage:
(Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN; (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD
Taper Notes:
View NotesRecording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provieds d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller
Transferrer: Joe Samaritano
1:47:00
SBD
Rating:
9.25 / 8 ratings
Transferrer:
Joe Samaritano
SHNID:
gd80-09-06.set1-sbd.samaritano.23371.sbeok.shnf
Source:
Soundboard
Taper: Kathy Sublette
3:33:05
Rating:
10.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.147840.fob.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Kathy Sublette
3:33:05
Rating:
10.00 / 2 ratings
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.147839.fob.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Jim Wise
3:31:30
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.142972.fob.nak700.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition - There is some minor wind noise noticeable in between some songs - Thanks to Joe B. Jones for verifying the pitch - A fun time was had by all Mastered by Scott Clugston August 2018
Taper: Jim Wise
3:31:30
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.142971.fob.nak700.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition - There is some minor wind noise noticeable in between some songs - Thanks to Joe B. Jones for verifying the pitch - A fun time was had by all Mastered by Scott Clugston August 2018
Taper: Steve Rolfe
3:34:18
Rating:
9.33 / 8 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-09-04.fob.nak700.rolfe.miller.93783.sbeok.flac24
Source:
(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II) D
Lineage:
Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24 (1 DVD FLAC)
Taper Notes:
View NotesNotes: -- Thanks to Steve Rolfe for lending me his masters
Taper: Steve Rolfe
3:34:18
Rating:
8.89 / 10 ratings
Taper:
Steve Rolfe
Transferrer:
Charlie Miller
SHNID:
gd1980-09-06.fob.nak700.rolfe.miller.93782.sbeok.flac16
Source:
(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II)
Lineage:
Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16
Taper Notes:
View NotesNotes: -- All disc changes are seamless -- Thanks to Steve Rolfe for lending me his masters
Taper: Unknown
3:31:36
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel
SHNID:
gd1980-09-06.150981.aud.gems.flac2496
Lineage:
1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496
Taper Notes:
View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood and Jamie Waddell on September 6, 2020 and shared to www.shnflac.net https://spinitron.com/KXCI/pl/11573452/Dead-Air
Taper: Unknown
3:31:35
Rating:
10.00 / 1 rating
Transferrer:
Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel
SHNID:
gd1980-09-06.150980.aud.gems.flac1648
Lineage:
1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496
Taper Notes:
View NotesOriginally aired on 91.3 FM KXCI Tucson on Dead Air, hosted by Jim Blackwood and Jamie Waddell on September 6, 2020 and shared to www.shnflac.net https://spinitron.com/KXCI/pl/11573452/Dead-Air 16 Bit 48 kHz FLAC Level 8 via dBpoweramp (TPDF dither) from 24 Bit 96 kHz source
Taper: Jim Wise and Steve Rolfe
3:29:39
Rating:
10.00 / 2 ratings
Taper:
Jim Wise and Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-09-06.136807.fob-nak700.rolfe-wise.minches.t-flac16
Source:
Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper Notes:
View Notesdownsampled to 44.1/16 bit cda with cdwav 198, sector boundaries checked and fixed with traders little helper, recoded to flac 8 with TLH, checksums & shntool with traders little helper on September 6, 2016 by MisterMojoRising([email protected])
Taper: Jim Wise and Steve Rolfe
3:29:39
Rating:
10.00 / 1 rating
Taper:
Jim Wise and Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-09-06.127165.fob-nak700.rolfe-wise.minches.flac2496
Source:
Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper Notes:
View NotesIn preparaton of circulating this source, I asked Jim to help differtiate this source from Chalie Miller's release of Steve Rolfe's recording. His reply follws: Steve Rolfe and I taped that show together, my deck (Sony tcd-5) was patched out of Steve's D5, same signal but two separate cassette masters... The reason this is different from Charlie Miller's release of Steve Rolfe's recording is because it's my master, not Steve's master. The main differance is that Charlie Miller did not decode the dolby properly (both mine and Steves masters were dolby B encoded). If you listen to the Miller transfer of the Rolfe master, you'll hear the artificially equalized shrilly high end that's typical when you leave the dolby switch in the "off" position of a tape that was originally dolby encoded. David Minches did mine with a tweaked Nak Dragon and properly decoded the dolby on playback ... If you playback this Minches transfer and adjust the high end to be boosted a bit, you'll experience a much more natural sounding recording ... especially on higher end gear. That's the whole point of having David remaster my work in 24/96 ...our Idea is to allow the end user to enjoy the sound and adjust the tonal balance according to his, or her own preference, rather then have someone else make those decisions for you during pre-production. Jim Wise 2/23/2014
Taper: The Commander
3:22:53
Taper:
The Commander
Transferrer:
Rob Berger and Taperchuck
SHNID:
gd1980-09-06.126539.commander.berger.flac24
Source:
source: aud cassette master taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 > flac; transfer/seed by Rob Berger & Taperchuck
Taper Notes:
View Notesnotes: maine music festival, Roy Buchanan and Levon Helm also played, thanks to Chuck for the use of his dragon and hosting a great afternoon with the Commander and myself.
Taper: The Commander
3:22:53
Taper:
The Commander
Transferrer:
Rob Berger and taperchuck
SHNID:
gd1980-09-06.126441.commander.berger.flac16
Source:
source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck
Taper Notes:
View Notesnotes: maine music festival, Roy Buchanan and Levon Helm also played, thanks to Chuck for the use of his dragon and hosting a great afternoon with the Commander and myself.
Taper: John Hance
3:21:12
Rating:
9.20 / 5 ratings
Taper:
John Hance
Transferrer:
Michale Turi
SHNID:
gd1980-09-06.119726.fob.hance.flac16
Source:
FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi
Taper Notes:
View NotesNotes: The CD's for this show were received in trade several years back by Michael Turi. This source however seems to have not made it into circulation. This is an excellent FOB recording, however specifics on the mics and deck used by John Hance are not available. Known Flaws: -There is significant dead air between many non-sequential tracks. Tracks were cut in the middle of these segments causing the dead spaces to end one track and begin the next. -In several places the recorder was abrubtly paused between tracks, no music was lost. -After the first few notes of Little Red Rooster the recorder was briefly paused, a couple of seconds of music are lost. -There is a brief cut in the transition between Shakedown Street and Lost Sailor. -The very ending of Uncle John's Band is faded out. -Several minutes of Drums is missing. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 4-03-12
Taper: Bob Morris
3:28:39
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-09-06.aud.morris.106620.flac24
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris
Taper: Bob Morris
3:29:25
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-09-06.fob.nak300.morris.102017.sbeok.flac16
Source:
(FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90);
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View Notes(note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.)
Taper: Tim Friend
3:28:52
Rating:
10.00 / 3 ratings
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-09-06.nak300.friend.andrewf.101685.flac16
Source:
2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644
Taper Notes:
View NotesNotes: There is no wind noise on this recording. Tape flips patched with ID-93783: Rooster 7:42 > 7:55, crowd at end of Saint 6:06 > 6:28, and Drums 12:04 > 12:19.
Taper: Tim Friend
3:28:52
Rating:
10.00 / 2 ratings
Taper:
Tim Friend
Transferrer:
Andrew F.
SHNID:
gd1980-09-06.nak300.friend.andrewf.101684.flac24
Source:
2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard.
Lineage:
MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496
Taper Notes:
View NotesNotes: There is no wind noise on this recording. Tape flips patched with ID-93783: Rooster 7:42 > 7:55, crowd at end of Saint 6:06 > 6:28, and Drums 12:04 > 12:19.
Taper: Jim Wise
3:31:47
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Jim Wise
SHNID:
gd1980-09-06.aud.rolfe.wise-cribbs.25471.sbeok.shnf
Source:
OB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded)
Lineage:
MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN
Taper Notes:
View NotesTracking and SHN encoding by Sean Cribbs.
Transferrer: Charles Bass
3:10:07
Rating:
9.00 / 5 ratings
Transferrer:
Charles Bass
SHNID:
gd1980-09-06.aud.bass.16926.sbeok.shnf
Lineage:
MAC > ? > CD > EAC > SHNv3
Taper Notes:
View NotesEncores are missing from this source
Source 23 of 23
3:29:51
Rating:
8.92 / 28 ratings
Source:
Audience Recording
Lineage:
Nak Dragon > Sony PCM r-500 DAT > CDR
Taper Notes:
View NotesNak Dragon > Sony PCM r-500 DAT > CDR