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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1980
9/6/80
Crowd
0:38
Alabama Getaway >
5:15
Greatest Story Ever Told
5:24
Sugaree
15:35
Me And My Uncle >
2:57
Mexicali Blues
5:12
Tennessee Jed
8:36
Feel Like A Stranger
12:25
Friend Of The Devil
9:34
Crowd
0:47
Far From Me >
4:08
Little Red Rooster
9:53
China Cat Sunflower >
6:05
I Know You Rider
5:25
The Promised Land
4:22
Crowd & Tuning
0:45
Shakedown Street
12:04
Lost Sailor >
12:14
Saint Of Circumstance
0:07
Althea
9:10
Crowd & Tuning
1:55
Playin' In The Band >
9:39
Uncle John's Band >
6:40
Space >
1:08
Drums >
13:40
Space >
3:16
Not Fade Away >
6:35
The Wheel >
5:16
Uncle John's Band >
3:18
Playin' In The Band >
3:00
Sugar Magnolia //
5:04
FIN
View on archive.org
Sources
Taper: Kathy Sublette
3:33:05
Rating:
10.00 / 1 rating
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.147840.fob.shure.sm57.sublette.miller.clugston.flac2496
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Kathy Sublette
3:33:05
Rating:
10.00 / 2 ratings
Taper:
Kathy Sublette
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.147839.fob.shure.sm57.sublette.miller.clugston.flac1648
Source:
Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Kathy Sublette for the Master Audience Cassettes - Thanks to Ted Mattes for finding the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jim Wise and the folks responsible for the shnid142971 (FOB) Nakamichi 700 source which supplies a 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Jim Wise
3:31:30
Rating:
10.00 / 1 rating
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.142972.fob.nak700.wise.miller.clugston.flac1648
Source:
<b>flac16/48kHz</b>; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition - There is some minor wind noise noticeable in between some songs - Thanks to Joe B. Jones for verifying the pitch - A fun time was had by all Mastered by Scott Clugston August 2018
Taper: Jim Wise
3:31:30
Taper:
Jim Wise
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1980-09-06.142971.fob.nak700.wise.miller.clugston.flac2496
Source:
Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Wise for recording the show and the fresh transcription of his FOB audience master - Thanks to Charlie Miller for coordinating this effort - Thanks to Tim Friend and Andrew F for the shnid101684 FOB Nakamichi 300 source which supplies a 0:13 patch in "Drums", as well as a 0:05 patch in the "One More Saturday Night > Brokedown Palace" transition - There is some minor wind noise noticeable in between some songs - Thanks to Joe B. Jones for verifying the pitch - A fun time was had by all Mastered by Scott Clugston August 2018
Taper: Jim Wise and Steve Rolfe
3:29:39
Rating:
10.00 / 1 rating
Taper:
Jim Wise and Steve Rolfe
Transferrer:
David Minches
SHNID:
gd1980-09-06.127165.fob-nak700.rolfe-wise.minches.flac2496
Source:
Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
Taper Notes:
View NotesIn preparaton of circulating this source, I asked Jim to help differtiate this source from Chalie Miller's release of Steve Rolfe's recording. His reply follws: Steve Rolfe and I taped that show together, my deck (Sony tcd-5) was patched out of Steve's D5, same signal but two separate cassette masters... The reason this is different from Charlie Miller's release of Steve Rolfe's recording is because it's my master, not Steve's master. The main differance is that Charlie Miller did not decode the dolby properly (both mine and Steves masters were dolby B encoded). If you listen to the Miller transfer of the Rolfe master, you'll hear the artificially equalized shrilly high end that's typical when you leave the dolby switch in the "off" position of a tape that was originally dolby encoded. David Minches did mine with a tweaked Nak Dragon and properly decoded the dolby on playback ... If you playback this Minches transfer and adjust the high end to be boosted a bit, you'll experience a much more natural sounding recording ... especially on higher end gear. That's the whole point of having David remaster my work in 24/96 ...our Idea is to allow the end user to enjoy the sound and adjust the tonal balance according to his, or her own preference, rather then have someone else make those decisions for you during pre-production. Jim Wise 2/23/2014
Taper: John Hance
3:21:12
Rating:
9.20 / 5 ratings
Taper:
John Hance
Transferrer:
Michale Turi
SHNID:
gd1980-09-06.119726.fob.hance.flac16
Source:
FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi
Taper Notes:
View NotesNotes: The CD's for this show were received in trade several years back by Michael Turi. This source however seems to have not made it into circulation. This is an excellent FOB recording, however specifics on the mics and deck used by John Hance are not available. Known Flaws: -There is significant dead air between many non-sequential tracks. Tracks were cut in the middle of these segments causing the dead spaces to end one track and begin the next. -In several places the recorder was abrubtly paused between tracks, no music was lost. -After the first few notes of Little Red Rooster the recorder was briefly paused, a couple of seconds of music are lost. -There is a brief cut in the transition between Shakedown Street and Lost Sailor. -The very ending of Uncle John's Band is faded out. -Several minutes of Drums is missing. Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. B. Proctor 4-03-12