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June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1980
5/2/80
tuning
2:00
New Minglewood Blues
7:35
Loser
8:28
Mama Tried ->
2:29
Mexicali Blues
4:23
Friend of the Devil
9:43
Far From Me
3:56
Looks Like Rain
7:58
Althea ->
8:32
The Music Never Stopped
7:35
Alabama Getaway ->
5:52
Feel Like A Stranger ->
7:58
Eyes of the World ->
7:16
drums ->
9:14
Not Fade Away ->
7:17
Stella Blue ->
8:53
I Need A Miracle ->
3:54
Bertha ->
5:38
Good Lovin'
6:50
tuning
0:51
Johnny B. Goode
4:40
FIN
View on archive.org
Sources
Taper: Bob Wagner
2:15:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1980-05-02.163749.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights. - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston June 2022
Taper: Bob Wagner
2:15:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1980-05-02.163748.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights. - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston June 2022
Taper: Joani Walker
2:13:29
Rating:
9.00 / 4 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1980-05-02.SonyECM250.walker-scotton.miller.88873.sbeok.flac16
Source:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesPatch Info: AKG 1000E -> Cassette Master -> Dat -> CD (shnid=3202) supplies: Drums (9:21 - 9:35) Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Thanks to Joani Walker and Paul Scotton for the tapes -- Patch source recorded by Jim Wise -- Patch source pitch adjusted to match Joani's tape
Taper: GD Crew
1:09:33
Taper:
GD Crew
Transferrer:
Transferred by Andrew F. 03/2022
SHNID:
gd1980-05-02.155991.s2.akg.flac2448
Source:
AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew.
Lineage:
MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesSource Notes: Cassette rescued from ebay, tape marked "Room" by Betty. The tape box marked as Tape #1 had the wrong cassette inside, so this is only half the show... Tape-flip patched with ID-128515, Stella Blue 7:27 > I Need a Miracle 0:18. Thanks to Charlie Miller for confirming the source data, and to Richie Stankiewicz for the patch material.
Taper: Mason B. Taylor
2:14:06
Rating:
8.00 / 1 rating
Taper:
Mason B. Taylor
SHNID:
gd1980-05-02.128686.naks.masom.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Richie Stankiewicz
2:11:08
Taper:
Richie Stankiewicz
Transferrer:
Richie Stankiewicz
SHNID:
gd1980-05-02.128515.stankiewicz.flac2496
Source:
Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz
Taper Notes:
View NotesBarry Glassberg Patches used during Music Never Stopped and Drums Thanks Barry
Taper: Bob Morris
2:11:02
Taper:
Bob Morris
SHNID:
gd1980-05-02.beyer.morris.cleanup.111142.flac24
Taper Notes:
View Notes- This is an upgrade to shnid 106613 -- bad files deleted; files renamed. Tape flip between Drums and Not Fade Away. Volume fades fixed in MNS (6:29-6:33). Patched: Alabama (0:00-0:43); Stella (3:24-3:30) ID 96451 Nak700s. Recorded FOB from the floor by Bob Morris -- thanks to Sam for help. Transfer (Jun 09) and 24/96 edits/patches (Dec 09) by Bob Morris.
Taper: Bob Morris
2:24:29
Taper:
Bob Morris
SHNID:
gd1980-05-02.aud.morris.106613.flac24
Taper: Bob Morris
2:10:59
Rating:
7.50 / 6 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-05-02.fob.beyer.morris.99952.sbefail.flac16
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Barry Glassberg
2:12:42
Rating:
8.00 / 4 ratings
Taper:
Barry Glassberg
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1980-05-02.fob.glassberg.motb-0085.96451.flac24
Source:
MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -
Taper: Barry Glassberg
2:12:43
Taper:
Barry Glassberg
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1980-05-02.fob.glassberg.motb-0085.96450.flac16
Source:
FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -
Taper: John Hance, Jim Wise
2:12:09
Rating:
8.00 / 3 ratings
Taper:
John Hance, Jim Wise
Transferrer:
Jim Wise
SHNID:
gd80-05-02.hance-wise.3202.sbeok.shnf
Source:
Audience Recording: NAK 700 and AKG 1000E
Lineage:
Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV>
Taper Notes:
View NotesMixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; <a href="http://groups.yahoo.com/group/dankseeds/files/gd80-05-02/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds" rel="ugc nofollow">dankseeds</a>; see info file for listening notes etc