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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.3k316
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h69499
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.7k638
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.1k151
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.7k358
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.8k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.8k477
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k149
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.7k290
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h83292
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.5k195
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.5k191
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.8k227
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k280
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.8k672
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.3k184
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h6.7k857
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h14.7k2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h7.7k1.1k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85971
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.2k524
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k566
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k386
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.1k232
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k740
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.4k570
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h58973
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13720
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h47134
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h493
7d1277
30d57234
2 shows
2 tapes
1980
5/2/80
Minglewood Blues
7:52
Loser
8:46
Mama Tried>
2:30
Mexicali Blues
4:49
Friend of the Devil
9:36
Far From Me
4:29
Looks Like Rain
8:30
Althea
8:43
The Music Never Stopped
7:39
Alabama Getaway>
5:12
Feel Like a Stranger>
8:41
Eyes of the World>
7:16
Drums>
10:24
Space>
0:21
Not Fade Away>
6:10
Stella Blue>
9:04
I Need a Miracle>
3:54
Bertha>
5:40
Good Lovin'
7:52
Johnny B. Goode
4:41
FIN
View on archive.org
Sources
Taper: Bob Wagner
2:15:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1980-05-02.163749.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights. - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston June 2022
Taper: Bob Wagner
2:15:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1980-05-02.163748.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights. - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston June 2022
Taper: Joani Walker
2:13:29
Rating:
9.00 / 4 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1980-05-02.SonyECM250.walker-scotton.miller.88873.sbeok.flac16
Source:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesPatch Info: AKG 1000E -> Cassette Master -> Dat -> CD (shnid=3202) supplies: Drums (9:21 - 9:35) Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Thanks to Joani Walker and Paul Scotton for the tapes -- Patch source recorded by Jim Wise -- Patch source pitch adjusted to match Joani's tape
Taper: GD Crew
1:09:33
Taper:
GD Crew
Transferrer:
Transferred by Andrew F. 03/2022
SHNID:
gd1980-05-02.155991.s2.akg.flac2448
Source:
AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew.
Lineage:
MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesSource Notes: Cassette rescued from ebay, tape marked "Room" by Betty. The tape box marked as Tape #1 had the wrong cassette inside, so this is only half the show... Tape-flip patched with ID-128515, Stella Blue 7:27 > I Need a Miracle 0:18. Thanks to Charlie Miller for confirming the source data, and to Richie Stankiewicz for the patch material.
Taper: Mason B. Taylor
2:14:06
Rating:
8.00 / 1 rating
Taper:
Mason B. Taylor
SHNID:
gd1980-05-02.128686.naks.masom.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Richie Stankiewicz
2:11:08
Taper:
Richie Stankiewicz
Transferrer:
Richie Stankiewicz
SHNID:
gd1980-05-02.128515.stankiewicz.flac2496
Source:
Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz
Taper Notes:
View NotesBarry Glassberg Patches used during Music Never Stopped and Drums Thanks Barry
Taper: Bob Morris
2:11:02
Taper:
Bob Morris
SHNID:
gd1980-05-02.beyer.morris.cleanup.111142.flac24
Taper Notes:
View Notes- This is an upgrade to shnid 106613 -- bad files deleted; files renamed. Tape flip between Drums and Not Fade Away. Volume fades fixed in MNS (6:29-6:33). Patched: Alabama (0:00-0:43); Stella (3:24-3:30) ID 96451 Nak700s. Recorded FOB from the floor by Bob Morris -- thanks to Sam for help. Transfer (Jun 09) and 24/96 edits/patches (Dec 09) by Bob Morris.
Taper: Bob Morris
2:24:29
Taper:
Bob Morris
SHNID:
gd1980-05-02.aud.morris.106613.flac24
Taper: Bob Morris
2:10:59
Rating:
7.50 / 6 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-05-02.fob.beyer.morris.99952.sbefail.flac16
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Barry Glassberg
2:12:42
Rating:
8.00 / 4 ratings
Taper:
Barry Glassberg
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1980-05-02.fob.glassberg.motb-0085.96451.flac24
Source:
MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -
Taper: Barry Glassberg
2:12:43
Taper:
Barry Glassberg
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1980-05-02.fob.glassberg.motb-0085.96450.flac16
Source:
FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -
Taper: John Hance, Jim Wise
2:12:09
Rating:
8.00 / 3 ratings
Taper:
John Hance, Jim Wise
Transferrer:
Jim Wise
SHNID:
gd80-05-02.hance-wise.3202.sbeok.shnf
Source:
Audience Recording: NAK 700 and AKG 1000E
Lineage:
Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV>
Taper Notes:
View NotesMixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; <a href="http://groups.yahoo.com/group/dankseeds/files/gd80-05-02/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds" rel="ugc nofollow">dankseeds</a>; see info file for listening notes etc