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Grateful Dead
Today In History
June 13th
7 shows
49 tapes
Years
1995
29.8k
PlaybackListensHours
48h50868
7d1.2k163
30d29.8k4.2k
49 shows
343 tapes
1994
10.4k
PlaybackListensHours
48h1.6k264
7d3.4k427
30d10.4k1.4k
85 shows
460 tapes
1993
38.7k
PlaybackListensHours
48h2.7k357
7d6.3k804
30d38.7k5.1k
83 shows
656 tapes
1992
39.6k
PlaybackListensHours
48h4.3k574
7d4.6k600
30d39.6k5.2k
57 shows
539 tapes
1991
38.2k
PlaybackListensHours
48h4.1k533
7d8.2k1.1k
30d38.2k5.2k
78 shows
973 tapes
1990
47.3k
PlaybackListensHours
48h2.9k389
7d17.4k2.2k
30d47.3k6.1k
78 shows
1,139 tapes
1989
47.8k
PlaybackListensHours
48h3k374
7d5.5k686
30d47.8k6k
78 shows
1,017 tapes
1988
20k
PlaybackListensHours
48h1.5k172
7d2.4k279
30d20k2.3k
82 shows
882 tapes
1987
33.8k
PlaybackListensHours
48h7.9k948
7d4.5k506
30d33.8k3.7k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1.1k126
7d1.7k195
30d11.7k1.3k
47 shows
684 tapes
1985
22.2k
PlaybackListensHours
48h1.8k210
7d3.4k397
30d22.2k2.6k
73 shows
1,357 tapes
1984
20.7k
PlaybackListensHours
48h5.7k649
7d7.2k858
30d20.7k2.6k
67 shows
1,075 tapes
1983
21.3k
PlaybackListensHours
48h1.5k188
7d2.7k353
30d21.3k2.8k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.6k197
7d2.6k318
30d41.5k5.1k
63 shows
753 tapes
1981
41.1k
PlaybackListensHours
48h1.9k233
7d4k496
30d41.1k5.1k
92 shows
868 tapes
1980
64.1k
PlaybackListensHours
48h10k1.2k
7d8.1k911
30d64.1k7.4k
91 shows
794 tapes
1979
20.6k
PlaybackListensHours
48h1.8k249
7d3.2k455
30d20.6k2.9k
79 shows
608 tapes
1978
43.4k
PlaybackListensHours
48h2k278
7d3.8k525
30d43.4k5.9k
87 shows
592 tapes
1977
277.7k
PlaybackListensHours
48h9.7k1.4k
7d33.4k4.6k
30d277.7k38.3k
64 shows
419 tapes
1976
70.7k
PlaybackListensHours
48h14.9k2k
7d24.8k3.3k
30d70.7k9.6k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h40842
7d83384
30d6.3k643
25 shows
63 tapes
1974
91.3k
PlaybackListensHours
48h4k515
7d11.5k1.5k
30d91.3k11.6k
42 shows
324 tapes
1973
86.8k
PlaybackListensHours
48h5.4k717
7d16.6k2.3k
30d86.8k11.1k
75 shows
445 tapes
1972
64.6k
PlaybackListensHours
48h3k379
7d4.5k574
30d64.6k7.8k
88 shows
361 tapes
1971
32.9k
PlaybackListensHours
48h1.9k208
7d3.4k384
30d32.9k3.8k
82 shows
357 tapes
1970
40.3k
PlaybackListensHours
48h1.9k216
7d4k453
30d40.3k4.3k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.5k207
7d3.2k488
30d27.1k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h53767
7d1.5k202
30d7.4k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14220
7d23132
30d1.6k213
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h32024
7d77947
30d7.9k523
32 shows
78 tapes
1965
619
PlaybackListensHours
48h302
7d956
30d61936
2 shows
2 tapes
1980
Sources
Taper: Bob Wagner
2:15:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1980-05-02.163749.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights. - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston June 2022
Taper: Bob Wagner
2:15:29
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1980-05-02.163748.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassette source. Bob and Barry Glassberg taped the Spring '80 shows together, they each had one Nakamichi 700 mic and each had a D5 deck. They ran their individual mics together as a pair and each recorded a master on their respective D5's. One night Bob was the lead deck, the next night Barry was the lead deck. Bob does not recall who was the lead deck on which nights. - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Joanie Walker and Charlie Miller for the Sony ECM250 source which supplies a 1:31 patch in "Drums" - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston June 2022
Taper: Joani Walker
2:13:29
Rating:
9.00 / 4 ratings
Taper:
Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1980-05-02.SonyECM250.walker-scotton.miller.88873.sbeok.flac16
Source:
Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taper Notes:
View NotesPatch Info: AKG 1000E -> Cassette Master -> Dat -> CD (shnid=3202) supplies: Drums (9:21 - 9:35) Notes: -- Set 2 is seamless -- Recorded By Joani Walker -- Thanks to Joani Walker and Paul Scotton for the tapes -- Patch source recorded by Jim Wise -- Patch source pitch adjusted to match Joani's tape
Taper: GD Crew
1:09:33
Taper:
GD Crew
Transferrer:
Transferred by Andrew F. 03/2022
SHNID:
gd1980-05-02.155991.s2.akg.flac2448
Source:
AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII, set up at the soundboard, recording by the GD crew.
Lineage:
MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesSource Notes: Cassette rescued from ebay, tape marked "Room" by Betty. The tape box marked as Tape #1 had the wrong cassette inside, so this is only half the show... Tape-flip patched with ID-128515, Stella Blue 7:27 > I Need a Miracle 0:18. Thanks to Charlie Miller for confirming the source data, and to Richie Stankiewicz for the patch material.
Taper: Mason B. Taylor
2:14:06
Rating:
8.00 / 1 rating
Taper:
Mason B. Taylor
SHNID:
gd1980-05-02.128686.naks.masom.flac16
Source:
Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
Taper Notes:
View Notes"Mason B. Taylor was a taper from Chicago that recorded concerts by many bands in the Chicagoland area and on Dead tours. He used a Nakamichi 550 with Nakamichi 300 mics with shotgun capsules for most of his earlier recordings. In later years he used Sony D-5 and Sony D-3 cassette recorders with Nakamichi 300 mics. Mason captured spectacular musical moments and loved to share them with his closest friends. In honor of Mason and all the love he put into his recordings we are now able to share these moments with those who can appreciate them most. As the shows get uploaded we would love for you to share your stories about the epic times the music evokes so we can all dial back into that moment when the magic was happening. Thanks to Mason’s family and his Chicago and Cleveland friends for opening up Mason’s Jar…"
Taper: Richie Stankiewicz
2:11:08
Taper:
Richie Stankiewicz
Transferrer:
Richie Stankiewicz
SHNID:
gd1980-05-02.128515.stankiewicz.flac2496
Source:
Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz
Taper Notes:
View NotesBarry Glassberg Patches used during Music Never Stopped and Drums Thanks Barry
Taper: Bob Morris
2:11:02
Taper:
Bob Morris
SHNID:
gd1980-05-02.beyer.morris.cleanup.111142.flac24
Taper Notes:
View Notes- This is an upgrade to shnid 106613 -- bad files deleted; files renamed. Tape flip between Drums and Not Fade Away. Volume fades fixed in MNS (6:29-6:33). Patched: Alabama (0:00-0:43); Stella (3:24-3:30) ID 96451 Nak700s. Recorded FOB from the floor by Bob Morris -- thanks to Sam for help. Transfer (Jun 09) and 24/96 edits/patches (Dec 09) by Bob Morris.
Taper: Bob Morris
2:24:29
Taper:
Bob Morris
SHNID:
gd1980-05-02.aud.morris.106613.flac24
Taper: Bob Morris
2:10:59
Rating:
7.50 / 6 ratings
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1980-05-02.fob.beyer.morris.99952.sbefail.flac16
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper: Barry Glassberg
2:12:42
Rating:
8.00 / 4 ratings
Taper:
Barry Glassberg
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1980-05-02.fob.glassberg.motb-0085.96451.flac24
Source:
MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -
Taper: Barry Glassberg
2:12:43
Taper:
Barry Glassberg
Transferrer:
Adam Egert and Derek McCabe
SHNID:
gd1980-05-02.fob.glassberg.motb-0085.96450.flac16
Source:
FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage:
MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taper Notes:
View NotesNotes: Please note that ALL fades between songs were done by Barry on the master tape during the show - to conserve tape - We left them all exactly as is, rather than cross fade them - Some of the fade outs at the end of the first set songs are abrubt with loud crowd cheering, and then the next song fades in with very little crowd noise - A cross fade here would sound very unnatural, plus if this source is ever needed for a matrix, this aud is the complete master tape - The only cross fade was applied during the tape flip in drums -
Taper: John Hance, Jim Wise
2:12:09
Rating:
8.00 / 3 ratings
Taper:
John Hance, Jim Wise
Transferrer:
Jim Wise
SHNID:
gd80-05-02.hance-wise.3202.sbeok.shnf
Source:
Audience Recording: NAK 700 and AKG 1000E
Lineage:
Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV>
Taper Notes:
View NotesMixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; <a href="http://groups.yahoo.com/group/dankseeds/files/gd80-05-02/" rel="ugc nofollow">QC</a> courtesy <a href="http://groups.yahoo.com/group/dankseeds" rel="ugc nofollow">dankseeds</a>; see info file for listening notes etc