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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h57076
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h817112
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.3k454
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h4.4k586
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6.6k830
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h3.4k450
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k352
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k128
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h4.2k468
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990111
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k203
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.4k398
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k173
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k148
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h1.9k233
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h4.6k547
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k229
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.8k250
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h21.3k2.8k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h23726
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.3k440
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h6.3k879
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.3k290
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k171
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k169
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.4k174
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42055
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h13117
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h40128
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h222
7d1368
30d63237
2 shows
2 tapes
1979
10/31/79
Tuning
1:10
China Cat Sunflower >
7:34
I Know You Rider
7:04
Tuning
0:24
Cassidy
4:46
Tuning
0:48
Loser
7:14
crowd/"take a step back"/Weir's quiz
3:48
Me And My Uncle >
3:04
Big River
5:46
Tuning/ "take a step back"
0:57
Althea
8:29
Tuning
0:54
Lost Sailor >
6:19
Saint Of Circumstance
5:46
Tuning/Weir's quiz #2
2:15
Shakedown Street
17:06
Tuning
1:13
Passenger
5:08
Tuning
0:16
Ramble On Rose
7:51
Tuning
1:48
Estimated Prophet >
14:26
Eyes Of The World >
14:55
Space >
3:18
Drums >
9:27
Space >
4:21
Wharf Rat >
9:59
Truckin'
10:24
Johnny B. Goode
3:49
FIN
View on archive.org
Sources
Transferrer: All sources digitized by Rob Eaton Digital Transfers and Mastering by Charlie Miller [email protected] December 9, 2025
2:55:22
SBDREMASTER
Rating:
10.00 / 1 rating
Transferrer:
All sources digitized by Rob Eaton Digital Transfers and Mastering by Charlie Miller [email protected] December 9, 2025
SHNID:
gd1979-10-31.175516.sbd.remaster.eaton.miller.flac1644
Source:
Set 1: SBD > Cassette Master > Reel > DAT > CD Set 2: SBD > Cassette Master > DAT
Lineage:
Transfer Info: Set 1: CD > EAC > Samplitude Pro v8.0 > FLAC Set 2: DAT (Sony TC-D8) > M-Audio Dio2448 > Samplitude Pro v8.0 > FLAC Remastering Info: FLAC > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=29410 -- All sources used were provided by Rob Eaton -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:55:11
SBD
Rating:
8.73 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd79-10-31.sbd.miller.29410.sbeok.flacf
Source:
Soundboard
Lineage:
Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD; Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Taper Notes:
View Notes<b>flac16</b>; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
Taper: See info file
3:09:52
SBD
Rating:
9.33 / 9 ratings
Taper:
See info file
Transferrer:
drgoodseeds
SHNID:
gd1979-10-31.mtx.groves.91040.sbeok.flac16
Source:
SBD and Audience Matrix Mix
Lineage:
See info file
Taper Notes:
View NotesSource Info: SBD: Set One: SBD -> Cassette Master -> Cassette -> Dat -> CD. This is not Charlie's source. I thought my source sounded a bit brighter so I used it. Set Two: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Seeded by Mr. Charlie Miller. shnid #29410 Audience: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV. Taped by Barry Glassberg, transfered by A. Egert and mastered by SIRMick. shnid # 86239 Tech Notes: I won't bore you with a bucnh of of useless info about what I did. My thoughts on a good Matrix is they are like hybrid vigour. When you mix two animals of high quality but very different characteristics, the resulting offspring is typically stronger than the parents. I hope I achieved this result. Any questions or comments feel free to email me at [email protected] Enjoy and peace. Jim
Transferrer: Jay Ashley
2:56:55
SBDREMASTER
Rating:
8.86 / 7 ratings
Transferrer:
Jay Ashley
SHNID:
gd1979-10-31.sbd-bertha.ashley.17360.shnf
Source:
Bertha Remaster of a combination of soundboard and audience sources see info file
Lineage:
See info file
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on April 3, 2003. The first sounds like it was from a different source than the second set. The channels were reversed on the first set, as well. The channels were corrected prior to processing. Because of the difference in sound quality between the first and second sets, they were processed separately. The objective, as well as improving the sonic quality, was to match the sound from set to set, as close as possible. The last 20 minutes of the show is patched from a Soundboard/Audience source and was also processed separately. The patches on d1t01 and d3t03 were done by others prior to receiving the show. From Charlie's original text file: MSC>Reel>DAT>CD-R (*)MSC>Cass.>DAT>CD-R (+)MAC w/ Nak 700's>Sony TC-158>DAT>CD-R Original source supplied by: [email protected]
Source 5 of 11
2:48:28
SBD
Rating:
8.13 / 15 ratings
SHNID:
gd79-10-31.sbd-aud.shephard.9372.sbefail.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1:SBD> MR> C> DAT> CD; Set 2 SBD> MR> Dick Latvala's Cass> DAT> CD and AUDMC (Nak 700's> Sony TC158)> DAT> CD
Taper Notes:
View NotesD1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd
Transferrer: Alasdair MacDonald
3:04:50
SBD
Rating:
8.00 / 1 rating
Transferrer:
Alasdair MacDonald
SHNID:
gd1979-10-31.pset2.sbd.macdonald.7921.shnf
Source:
Soundboard
Lineage:
SB>MR>Dick Latvala's cass>DAT>CD>EAC>CDWAV>.shn & CD-R.
Taper Notes:
View NotesFrom 1:33 to 5:58 of Shakedown Street there is a level drop in the Right channel. I used some FFT filters in Cool Edit Pro to make a version where the volume drop is less jarring - however there is a significant increase in the hiss in the Right channel. The original file is named d2t01 (clearly this is d2 of what would be a 3CD show - whether or not discs 1 & 3 circulate) - and the amended version is named d2t01-alternate. If you have the .shns, you have a choice of which version to burn to audio CD. I also retracked the Eyes>Space>Drums sequence.
Taper: Recorded and Transferred by Rob Eaton
3:03:31
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Additional Mastering by Charlie Miller [email protected] February 25, 2021
SHNID:
gd1979-10-31.151982.fob.nak100.cm.eaton.miller.flac16
Source:
(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k). Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Barry Glassberg and the MOTB guys for the patch source -- 151882 24 > 16 @ 44.1
Taper: Recorded, Transferred by Rob Eaton
3:03:32
Taper:
Recorded, Transferred by Rob Eaton
Transferrer:
Additional Mastering by Charlie Miller [email protected] February 25, 2021
SHNID:
gd1979-10-31.151882.nak100.eaton.miller.flac2496
Source:
(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Barry Glassberg and the MOTB guys for the patch source
Taper: Gerry Moskal
2:50:19
Taper:
Gerry Moskal
Transferrer:
Brian Mandel
SHNID:
gd1979-10-31.sonyECM.moskal.mandel.96606.flac16
Lineage:
Master Cassette Transfer -> RR -> Cassette; Transfer/flac Conversion: Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
Taper Notes:
View NotesAnother Taper Named Gerry Project Known flaws Levels fluctuate throughout the whole show, some audience participation in spots, d3t04 cut,d3t05 cuts in.. Notes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's when tape trading & collecting had a social aspect to it. If you are familiar with Hot Tuna 5-8-74 Gym S.U.N.Y. Stonybrook, NY , Gerry Taped it as well as many other great shows ..enjoy.. ** My cassette was not labled with location but Gerry taped 11/2/79 Behind Stage Right 30' 300 Section elevation , this could be from same lcoation. The Band had a set of PA's above the drumers
Taper: Barry Glassberg
3:03:17
Taper:
Barry Glassberg
Transferrer:
A. Egert and SIRMick
SHNID:
gd1979-10-31.aud.glassberg.motb.87523.sbeok.flac24
Source:
Nakamichi CM-700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesMastering Notes: software use: Adobe Audition, Sound Forge, Wavelab (with iZotope Ozone and BBE Sonic Maximizer) * there is a tape flip after Weir asks the question, the answer is missing from this recording. He says "... and the answer is, one leg's both the same." # tape flip in Drums has been crossfaded The volume from 0:32 of s2t15 through to the end of the show was significantly lower in the left channel. I boosted it by around 6.5 decibels. This section sounds slightly inferior to the rest of the show.
Taper: Barry Glassberg
3:10:34
Rating:
9.00 / 2 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-10-31.nakcm700-glassberg.motb39.egert-sirmick.86239.flac16
Source:
Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV
Taper Notes:
View NotesMastering Notes: software use: - Adobe Audition, Sound Forge, Wavelab (with iZotope Ozone and BBE Sonic Maximizer) downsampled with Wavelab and dithered with iZotope Ozone (MBIT+ setting) - @ At the start of Chinacat the enthusiam of the crowd almost completely drown out the music and vocals. To bring the music up I have made a matrix from 0:29 to 1:36. The sbd source used is SBD -> Cassette Master -> Reel -> Dat -> CD (shnid 29410) - * There is a tape flip after Weir asks the question, the answer is missing from this recording. He says "... and the answer is, one leg's both the same." - # Tape flip in Drums has been crossfaded - The volume from 0:32 of d3t05 through to the end of the show was significantly lower in the left channel. - I boosted it by around 6.5 decibels. This section sounds slightly inferior to the rest of the show. Seamless join between discs 2 & 3