RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h58779
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h781106
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h3.1k409
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.5k312
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h8k1.1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3k387
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k353
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.2k138
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h2.1k230
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h84393
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.6k188
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h995131
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k190
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.7k211
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k274
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.6k702
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.3k181
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.8k242
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.1k2.6k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.2k439
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h85382
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.6k593
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.2k549
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h3k368
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.8k198
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7.8k792
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h37346
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h11016
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22817
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h412
7d1026
30d57334
2 shows
2 tapes
1979
10/31/79
Tuning
1:10
China Cat Sunflower >
7:34
I Know You Rider
7:04
Tuning
0:24
Cassidy
4:46
Tuning
0:48
Loser
7:14
crowd/"take a step back"/Weir's quiz
3:48
Me And My Uncle >
3:04
Big River
5:46
Tuning/ "take a step back"
0:57
Althea
8:29
Tuning
0:54
Lost Sailor >
6:19
Saint Of Circumstance
5:46
Tuning/Weir's quiz #2
2:15
Shakedown Street
17:06
Tuning
1:13
Passenger
5:08
Tuning
0:16
Ramble On Rose
7:51
Tuning
1:48
Estimated Prophet >
14:26
Eyes Of The World >
14:55
Space >
3:18
Drums >
9:27
Space >
4:21
Wharf Rat >
9:59
Truckin'
10:24
Johnny B. Goode
3:49
FIN
View on archive.org
Sources
Transferrer: All sources digitized by Rob Eaton Digital Transfers and Mastering by Charlie Miller [email protected] December 9, 2025
2:55:22
SBDREMASTER
Rating:
10.00 / 1 rating
Transferrer:
All sources digitized by Rob Eaton Digital Transfers and Mastering by Charlie Miller [email protected] December 9, 2025
SHNID:
gd1979-10-31.175516.sbd.remaster.eaton.miller.flac1644
Source:
Set 1: SBD > Cassette Master > Reel > DAT > CD Set 2: SBD > Cassette Master > DAT
Lineage:
Transfer Info: Set 1: CD > EAC > Samplitude Pro v8.0 > FLAC Set 2: DAT (Sony TC-D8) > M-Audio Dio2448 > Samplitude Pro v8.0 > FLAC Remastering Info: FLAC > Adobe Audition 2025 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=29410 -- All sources used were provided by Rob Eaton -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:55:11
SBD
Rating:
8.73 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd79-10-31.sbd.miller.29410.sbeok.flacf
Source:
Soundboard
Lineage:
Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD; Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k)
Taper Notes:
View Notes<b>flac16</b>; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
Taper: See info file
3:09:52
SBD
Rating:
9.33 / 9 ratings
Taper:
See info file
Transferrer:
drgoodseeds
SHNID:
gd1979-10-31.mtx.groves.91040.sbeok.flac16
Source:
SBD and Audience Matrix Mix
Lineage:
See info file
Taper Notes:
View NotesSource Info: SBD: Set One: SBD -> Cassette Master -> Cassette -> Dat -> CD. This is not Charlie's source. I thought my source sounded a bit brighter so I used it. Set Two: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Seeded by Mr. Charlie Miller. shnid #29410 Audience: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV. Taped by Barry Glassberg, transfered by A. Egert and mastered by SIRMick. shnid # 86239 Tech Notes: I won't bore you with a bucnh of of useless info about what I did. My thoughts on a good Matrix is they are like hybrid vigour. When you mix two animals of high quality but very different characteristics, the resulting offspring is typically stronger than the parents. I hope I achieved this result. Any questions or comments feel free to email me at [email protected] Enjoy and peace. Jim
Transferrer: Jay Ashley
2:56:55
SBDREMASTER
Rating:
8.86 / 7 ratings
Transferrer:
Jay Ashley
SHNID:
gd1979-10-31.sbd-bertha.ashley.17360.shnf
Source:
Bertha Remaster of a combination of soundboard and audience sources see info file
Lineage:
See info file
Taper Notes:
View NotesNotes: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by [email protected] on April 3, 2003. The first sounds like it was from a different source than the second set. The channels were reversed on the first set, as well. The channels were corrected prior to processing. Because of the difference in sound quality between the first and second sets, they were processed separately. The objective, as well as improving the sonic quality, was to match the sound from set to set, as close as possible. The last 20 minutes of the show is patched from a Soundboard/Audience source and was also processed separately. The patches on d1t01 and d3t03 were done by others prior to receiving the show. From Charlie's original text file: MSC>Reel>DAT>CD-R (*)MSC>Cass.>DAT>CD-R (+)MAC w/ Nak 700's>Sony TC-158>DAT>CD-R Original source supplied by: [email protected]
Source 5 of 11
2:48:28
SBD
Rating:
8.13 / 15 ratings
SHNID:
gd79-10-31.sbd-aud.shephard.9372.sbefail.shnf
Source:
Soundboard and Audience composite
Lineage:
Set 1:SBD> MR> C> DAT> CD; Set 2 SBD> MR> Dick Latvala's Cass> DAT> CD and AUDMC (Nak 700's> Sony TC158)> DAT> CD
Taper Notes:
View NotesD1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd
Transferrer: Alasdair MacDonald
3:04:50
SBD
Rating:
8.00 / 1 rating
Transferrer:
Alasdair MacDonald
SHNID:
gd1979-10-31.pset2.sbd.macdonald.7921.shnf
Source:
Soundboard
Lineage:
SB>MR>Dick Latvala's cass>DAT>CD>EAC>CDWAV>.shn & CD-R.
Taper Notes:
View NotesFrom 1:33 to 5:58 of Shakedown Street there is a level drop in the Right channel. I used some FFT filters in Cool Edit Pro to make a version where the volume drop is less jarring - however there is a significant increase in the hiss in the Right channel. The original file is named d2t01 (clearly this is d2 of what would be a 3CD show - whether or not discs 1 & 3 circulate) - and the amended version is named d2t01-alternate. If you have the .shns, you have a choice of which version to burn to audio CD. I also retracked the Eyes>Space>Drums sequence.
Taper: Recorded and Transferred by Rob Eaton
3:03:31
Taper:
Recorded and Transferred by Rob Eaton
Transferrer:
Additional Mastering by Charlie Miller [email protected] February 25, 2021
SHNID:
gd1979-10-31.151982.fob.nak100.cm.eaton.miller.flac16
Source:
(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k). Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Barry Glassberg and the MOTB guys for the patch source -- 151882 24 > 16 @ 44.1
Taper: Recorded, Transferred by Rob Eaton
3:03:32
Taper:
Recorded, Transferred by Rob Eaton
Transferrer:
Additional Mastering by Charlie Miller [email protected] February 25, 2021
SHNID:
gd1979-10-31.151882.nak100.eaton.miller.flac2496
Source:
(FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350)
Lineage:
Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Barry Glassberg and the MOTB guys for the patch source
Taper: Gerry Moskal
2:50:19
Taper:
Gerry Moskal
Transferrer:
Brian Mandel
SHNID:
gd1979-10-31.sonyECM.moskal.mandel.96606.flac16
Lineage:
Master Cassette Transfer -> RR -> Cassette; Transfer/flac Conversion: Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
Taper Notes:
View NotesAnother Taper Named Gerry Project Known flaws Levels fluctuate throughout the whole show, some audience participation in spots, d3t04 cut,d3t05 cuts in.. Notes: * Special Thanks to Gerry for Taping this and sharing his masters with me, these were transferd from Gerry's Reel's in the Mid 1980's when tape trading & collecting had a social aspect to it. If you are familiar with Hot Tuna 5-8-74 Gym S.U.N.Y. Stonybrook, NY , Gerry Taped it as well as many other great shows ..enjoy.. ** My cassette was not labled with location but Gerry taped 11/2/79 Behind Stage Right 30' 300 Section elevation , this could be from same lcoation. The Band had a set of PA's above the drumers
Taper: Barry Glassberg
3:03:17
Taper:
Barry Glassberg
Transferrer:
A. Egert and SIRMick
SHNID:
gd1979-10-31.aud.glassberg.motb.87523.sbeok.flac24
Source:
Nakamichi CM-700's > Sony TC-158SD > MAC
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV
Taper Notes:
View NotesMastering Notes: software use: Adobe Audition, Sound Forge, Wavelab (with iZotope Ozone and BBE Sonic Maximizer) * there is a tape flip after Weir asks the question, the answer is missing from this recording. He says "... and the answer is, one leg's both the same." # tape flip in Drums has been crossfaded The volume from 0:32 of s2t15 through to the end of the show was significantly lower in the left channel. I boosted it by around 6.5 decibels. This section sounds slightly inferior to the rest of the show.
Taper: Barry Glassberg
3:10:34
Rating:
9.00 / 2 ratings
Taper:
Barry Glassberg
Transferrer:
A. Egert
SHNID:
gd1979-10-31.nakcm700-glassberg.motb39.egert-sirmick.86239.flac16
Source:
Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held
Lineage:
MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV
Taper Notes:
View NotesMastering Notes: software use: - Adobe Audition, Sound Forge, Wavelab (with iZotope Ozone and BBE Sonic Maximizer) downsampled with Wavelab and dithered with iZotope Ozone (MBIT+ setting) - @ At the start of Chinacat the enthusiam of the crowd almost completely drown out the music and vocals. To bring the music up I have made a matrix from 0:29 to 1:36. The sbd source used is SBD -> Cassette Master -> Reel -> Dat -> CD (shnid 29410) - * There is a tape flip after Weir asks the question, the answer is missing from this recording. He says "... and the answer is, one leg's both the same." - # Tape flip in Drums has been crossfaded - The volume from 0:32 of d3t05 through to the end of the show was significantly lower in the left channel. - I boosted it by around 6.5 decibels. This section sounds slightly inferior to the rest of the show. Seamless join between discs 2 & 3